What I Found on the Shelves

Lately, I've had pretty good luck finding interesting books at the library, so this week's post will be a literary one. Popular culture is a bit of a minefield these days, in my opinion, and the simple wish to be entertained can result in being subjected to all kinds of schlock. The trick, of course, is to try and be discerning, as we have all been taught since we were little children--though I don't recall discernment being nearly so difficult an art when I was small. The reason is simple: the age of innocence has flown the coop on us.

It's been a few years since I reviewed anything by author Tracy Chevalier, but some of you may remember my review of her book The Last Runaway, the story of a young Quaker woman starting a new life in the wilds of rural Ohio in 1850. That book painted a vivid picture of the dangers of everyday life on the frontier, when a simple wagon trip through the woods--at a distance that would be as nothing in the age of interstate highways--was a frankly hazardous undertaking. Ms. Chevalier returns to 19th-century Ohio for At the Edge of the Orchard, a novel about a family working the land in the perilous Black Swamp of the state's northwest region. In actual fact, this book provides an even more harrowing portrait of frontier life than the author's previous book.

The Goodenough family is dysfunctional, which adds another layer to the nearly insurmountable difficulties they already face in making a living from the land. A dark tragedy leads to the breakup of the family and to the beginning of years of wandering for youngest son Robert. Although Robert travels widely and sees many wonders, even ending up in California in time for the Gold Rush, the story is not so much Mark Twain adventure as it is Aeschylus Greek tragedy. 

The Fates do indeed seem to pursue the members of this family; rarely, while reading the book, do you shake off a sense of being haunted. Although there are humorous episodes and characters (Robert's cigar-smoking landlady, Mrs. Bienenstock, is everything a Barbary Coast landlady should be), the novel imparts a feeling almost of claustrophobia. Rather than Manifest Destiny and a feeling of endless possibility, the horizons have shrunk; you get the sense that no matter how far Robert roams, he will never escape the events he is running from. The novel offers a darker view of this period of western expansion than you get from many tales of Western adventure, darker in plot as well as in tone. While it looks like 19th-century America, it feels like Greece in the Bronze Age, as if the House of Atreus had somehow crossed the sea and fetched up on foreign shores. America does not seem so much exceptional as it seems doomed to repeat the cycle of the past.

As it happens, I followed this book up with another one with a California setting, María Dueñas's The Heart Has Its Reasons. I greatly enjoyed Ms. Dueñas's The Time In Between, a novel about a Spanish dressmaker who gets involved in the resistance during World War II, and I was curious to see what she would do with a strong female character in a contemporary setting. The Heart Has Its Reasons is the story of a woman who, after the breakup of her marriage, flees her university job in Spain for a stint as a visiting professor at a Northern California college. The ingredients for a great story--a woman making a new start, a picturesque setting, and an academic mystery entangled with personal tragedy--are all there, but I was thrown off by something in the storytelling itself, an awkwardness that was absent from Ms. Dueñas's previous book.

I at first wondered if something had been lost in the translation, since the style seemed little like what I remembered from the previous novel, not that every book by an author needs to sound exactly the same--though you don't expect one to be assured in tone and the next to be a little off-center. While I enjoyed the story and was intrigued enough to keep reading, I was distracted by a certain roughness in the prose. There is a scene early on in which the main character is looking at photos of the long-dead professor whose papers she is organizing when, for unexplained reasons, lickety-split, she is suddenly outside in need of fresh air. Wait . . . how did that happen?

It is as if some bridge between the two scenes, a connection supplying the reasons for Professor Perea's sudden exodus, is missing. I found it surprising that a writer as accomplished as Ms. Dueñas would write a scene that way, but whether the explanation is typographical, translational, or purposeful I cannot say. Did the character undergo a fugue state? Did she step into a wormhole? Later in the novel, there is a confrontation between Professor Perea and another academic in which she seems to overreact to the revelation that he's behind the fellowship that brought her to America. I didn't think the news quite warranted throwing him out of her apartment, much less her life, and it also seems inconsistent with her previous behavior--yet another example of something that doesn't quite fit in the story.

Overall, I did enjoy the book, though, and was reminded occasionally of my own experiences in California, both as a visitor and as a student. Ms. Dueñas certainly has the setting down to a T, and she knows the world of academia to boot. It's just that the storytelling itself seemed to raise mysteries, almost in the manner of a poem whose letters and lines are placed in an unexpected way on the page, pointing to something beyond what's in the words themselves, if I am not imagining it.

This is the beauty of browsing: I had been looking for some time for a book set in the Gold Rush era of California history, which seems to me a fascinating time, and I found one by luck just by poking around in the shelves. I'm also interested in the history of California missions, which plays such a critical role in Ms. Dueñas's book, and I came across that one by accident as well. Serendipitous finds like that are always fun, even if you don't quite get what you're expecting. NoveList is a wondrous thing . . . but there's nothing like finding a book yourself.

Life's Perplexing Questions

Dost thou think, because thou art virtuous, there shall be no more cakes and ale? (Twelfth Night, II, iii)

Q. How do you clean a shower curtain?

A. With a scouring pad and white vinegar. If you do it regularly, you can probably get away with wiping it down while it's hanging up; if not, you'll have to take it down and scrub it in the bathtub, a real nuisance. Bonus hint: if you start a cleaning session with one ingredient, like vinegar, it's probably best to keep on with it until the whole bathroom is clean. That way, you don't have to spend time worrying about mixing chemicals and creating noxious gases. Life's too short for that.

Q. Why are bunches of kale so big? I bought some to make soup like you were talking about last week, but I had a boatload left over. What are you supposed to do with it?

A. Bunches of kale, much like bunches of celery, are sized more for families than for single hipsters. If you buy some for soup, you're probably going to end up making soup again to use up the rest of it (I don't know what else to do with it except to put it in soup; you could steam it, I suppose). My advice is: don't be shy about dividing the bunch in half the first time, because if you are, you'll end up with way too much kale for the second batch. There's always more of it than you think. The good news is, kale holds up well in soup and doesn't wilt away to nothing like some of your other greens.

Q. My boyfriend left me, and they don't allow pets where I live. I'm getting through the breakup OK, but it's just so cold and lonely when I go to bed at night. Any suggestions?

A. Get a hot water bottle, fill it with water as hot as you like it from the sink, and put it under the covers a few minutes before you go to bed. If you warm the place where your feet will go, you can then put the bottle itself against your back. Just make sure it's hot but not too hot. It may sound like something your spinster aunt would do--but it's sooooooo much better than it sounds.

Q. Which is better reading for a beach vacation, Jane Austen or the Bronte sisters?

A. What kind of a beach vacation are you planning? I find the Brontes more passionate and less concerned with convention. It's no slight to Miss Austen to say this, but I think her appeal is a bit more cerebral, more concerned with wit and conversational nuance. That kind of thing can get lost in the shuffle if you're surrounded by, say, several games of beach volleyball going on at once or a clambake/sing-a-long. At the same time, a Bronte novel (it doesn't matter which one) might seem too dark under the same circumstances. Personally, I would take either of them to the beach but only if it was a quiet one.

Q. I have a cafe habit but can't afford Starbucks. How can I have the same experience at home without buying an expensive coffeemaker?

A. I have made coffee using filters and the pour-through method that I then mixed with milk and syrup, but it's kind of a hassle. Buying those little bottles of Frappuccino at the store also works and is fairly economical if you drink them sparingly. Pop the top and pour.

Q. I hate to dust. Is there any way to make it more enjoyable?

A. Putting music on makes most things in life more tolerable. When I was in library school, I did cataloging homework to the accompaniment of heavy metal at least once. For some reason, it created the right energy. For dusting, I like bossa nova. I also suggest clearing off your shelves so that you have fewer things to move when you dust.

Q. I'm a Democrat, but I have a crush on a really cute Republican girl. My family and friends keep saying it will never work, but I'm just wondering . . . is interparty dating ever OK?

A. Actually, I believe you may be the wave of the future. Political stratification is pulling the country apart, and anyone who's bucking the trend is to be commended, in my opinion. Ask the girl out, and see what happens. What debates, elections, and political commentary can't fix, maybe hormones can.

Q. When Chuck Berry died this week, I was in a quandary. I liked his music, but people were talking about the trouble he had with the law. How do you mourn someone in a case like that?

A. I'm not sure I can give you a precise answer. I ended up doing the thing I always do, which was to look up information about Mr. Berry and try to make sense of it all, the incredible talent and contribution to American culture mixed up with the transgressive tendencies. I will say that I think it's hard to be a pioneer, like Mr. Berry was, a black man making inroads into white culture in a segregated time, not that that excuses wrongdoing. However, if any aliens from another civilization ever do come across the Voyager spacecraft, his may be the first human voice they hear, a signal honor for him. There is one way in which this seems entirely appropriate to me. Mr. Berry did a lot in his own way to bring people together.

Q. How do you clean wood floors? Doesn't water warp them?

A. Thank goodness for an easy question. I use a dust mop and only apply a damp mop lightly for touch-ups. Some people say to wax them, but if I did that I'd only slide around on them.

Q. I want to start my own blog. Is it hard?

A. No, but there's no money in it. You'll need a day job. And people will ask you these vexing questions.

Looking for Wisdom, I Encounter Jimi

I arrived in Chicago yesterday for a conference and have spent the last day and a half going up and down stairs between rooms, consulting a schedule book the size of Great Expectations, figuring out where the free food is, and processing a variety of ideas. This is my first time at this conference, and though I thought I'd been to some large conventions, this one is the biggest by far, at least judging by the staggering number of sessions.

By its nature, it's also more protean than some of the more discipline-focused conferences I've attended before. Popular culture is a natural home for a mythologist, but due to the tremendous variety of subjects included, it's broadly based, making it difficult to get your bearings. This actually supports what I said in my presentation today about the maze of knowledge and competing truths in the modern world. Traveling the halls here is a little like negotiating a maze. In one room, they're talking Tolkien; in the next room, they're discussing the Affordable Health Care Act; down the hall, it's feminist readings of fairy tales, punk rock culture, and fan fiction.

Planning one's strategy in advance may not result in smooth sailing, since cancellations can produce dropped sessions or alterations in panels you were considering. Not only is the gathering a maze, but it's a moving maze, seeming to reform itself as it goes along, like a starfish constantly shedding and growing new arms. Not only that, but I'd argue that there actually is no center to it except the one you impose yourself.

I've been surprised a couple of times, though I shouldn't have been, at reactions I've seen to what seemed to me fairly sensible questions and positions. One understands that people have a lot invested personally and academically in their ideas -- but still. From someone who was rather vehemently opposed to the idea of teaching information literacy across the curriculum to people on a panel who seemed uncomfortable about delving into politics in a discussion of Hollywood and propaganda, I've encountered some attitudes that were the opposite of what I'd expect.

Still, there are small epiphanies. A couple of sessions I've walked into that were second choices turned out to be excellent: one on special collections and one on the goals that shape educational planning in the United States. Sometimes accidents lead you to the right place. I left one session yesterday in a bit of a daze, disoriented by the direction the discussion had taken, and wandered into the exhibit hall, where academic publishers have their best books on display. What do you suppose I saw there, first thing? Nothing but a life of Jimi Hendrix, written by the man himself, bearing a cover photo of its subject wearing a sweet, slightly bemused expression.

I know it was an accident, but it was one that happened at just the right time. Girl, his expression seemed to say, the only thing that's wrong with you is being shut up in those rooms too long with all those smart-acting people. Get yourself outside and breathe a while. And don't pay too much mind to what goes on; take what you can and don't bother about the rest. When it's your turn to talk, get up there and say your piece. Then see if there's a free buffet around.

OK, that was me channeling Jimi, but maybe he would have said something like that. At any rate, a sweetly tricksterish quality somehow communicated itself to me from the cover of that book and activated my own inner rebel. Would you want to let Jimi Hendrix down? Me neither. Jimi, I said in my mind, I think I see your point.

Good, I imagine him saying. And I'm serious about that buffet. Get out there now and find something that'll keep body and soul together.

I'm not sure they have that, Jimi. These are academics, so it's probably more like crudites and cheese. With a side of condescension.

No kidding? Well, whatever they've got, pile it high.