Rapunzel Rap

An Annotated Fable

Yo, ya’ll, once upon a time there was a girl who lived in a small town at the edge of a forest. She made her living as a baker’s assistant, delivering fresh bread and rolls to the people of the town six mornings a week on her bicycle. One morning, which started out like any other, she was nearly finished with her deliveries for the day when she was surprised by a sudden blow to the head, which knocked her unconscious right in front of the shoemaker’s shop. [We assume from this intro that the young lady is on her own in the world, since she obviously fends for herself. Probably an orphan. That’s how a lot of these stories start.]

When she came to, she was lying in a strange bed, wearing clothes that were not her own. [Kind of creepy, at the get-go.] She wasn’t hurt other than having a very sore head, but she found that not only could she not remember how she got there, she couldn’t remember anything at all, including her name. [Right away, you know this isn’t going to be good, OK?] She was in a small house and could see trees through the windows and hear an occasional bird calling, but otherwise, everything was silent. That is, until she heard heavy footsteps outside and a sudden loud knocking on the wooden door. A very tall, very thin older woman came from the back of the cottage to open the door, which was fastened with a padlock. She unlocked it with a large key hanging from a chain around her neck, and the door swung open, revealing what could only be an ogre: tall as a middling tree he was, with unkempt hair and a beard.

He said to the girl, “I see you’re awake at last. It’s about time you got up and started doing your share around here.”

The old woman whined, “I tried to make dinner, but I couldn’t find the kettle.” [This woman has the beginnings of dementia and is not as dangerous as the ogre but still dangerous enough, due to her strength. She was a fierce ogress herself before she went through the change and started to lose weight and her bearings.]

The ogre began stomping and cursing her stupidity and said to the girl, “You. You’ll have to get the oven going and all. Get started or we’ll never have anything to eat today.”

“But who are you? And where am I?” The girl said wonderingly. [As well she might, you feel me?]

“Where are you? Who am I? I’m your husband, that’s who. Don’t tell me you’re getting as addled as the other one. I can’t afford to have two addle-pated wives. Now get up and get cracking before I have to knock some sense into you again. Where’s Anna?”

Now, none of this sat well with our heroine, who was equal parts dismayed and confounded, for although she was presently not even in possession of her own name, she was pretty sure she was not someone who would have agreed to a group marriage. But seeing no choice except to play along until she could figure things out, she got up, rubbing her head. “I don’t know where Anna is. Who is Anna?”

The ogre cursed again. “Your daughter, you dingbat. You can’t remember your own daughter’s name? Sophie, you’d better take her to the kitchen since she probably doesn’t remember where that is either.”

Now, having a daughter also came as news to the girl, who was as sure as she could be of anything that she would have remembered having a child afoot. She was even more convinced when she came upon the child, who was probably five years old, playing in a pile of grain she had knocked over in the kitchen, lifting it with a wooden spoon, then letting it fall, over and over. [In another story, our heroine would be tasked with having to sort the grains to find the one speck of gold hidden among them or some such thing, but I’ll set your mind at rest—this is not that story.] The child turned a sneering faced toward the girl and began to whine. “Where’s dinner? I’m hungry. You’re so lazy, mama. I don’t know why father keeps you.”

“The kettle’s around here somewhere,” the older woman mumbled, with a vacant smile, as she wandered around the kitchen, bumping into things, without, however, making any progress on finding the kettle—which our heroine immediately retrieved from the shelf in a corner where it was sitting in plain sight. “All right” she said, adopting a surly tone herself. “If it’s dinner you want, you’ll be getting out from under my feet so I can hear myself think.” The other three looked a bit taken aback but left the kitchen with ungracious muttering and stomping about, encouraged, perhaps, by the thought of dinner. [Guerrilla Psychological Warfare 101.]

The girl looked around and found a few carrots, some old potatoes, an onion, and a bit of what looked like leftover mutton, heated some water for broth, and then threw in the vegetables. She remembered, while she stirred, that she knew how to make bread and cakes but decided to keep that to herself. [Kids, this means she didn’t care to cast her pearls before swine. Quite wise.]

After taking bowls of the steaming soup to the dining table, she went back to the kitchen to eat her own dinner in silence—so she could plot. The situation was obviously untenable. She would have to get away somehow, but since she didn’t know where she was, she would need to get the lay of the land before she ran out into the woods and got lost. She opened the back door to sweep out the leavings from the kitchen and saw a road winding over the top of a distant hillside. It was several miles away at least, but a road nonetheless. It had to go somewhere. And she would have to plan her escape before things went too far here. The longer it went on, the more difficult it would be to get away.

When she went out to the main room, it was already dark, and the little girl was asleep in a corner cot. The ogre stamped around, causing the whole house to shake, locking first the front door and then the kitchen door with keys of his own. Having first tamped down the fire in the hearth, he climbed the ladder up to a loft where she could see the edge of a large bed stuffed with straw. “Come to bed, wives, it’s time to sleep,” he called over his shoulder. The girl, pleading dizziness, said she would sleep on the downstairs bed near the kitchen door. Sophie lingered, offering to help her change into her nightdress, her cold fingers probing and picking at the girl’s buttons. “Annabel, my dear, let me help me, you must be so tired.” Her fingers were surprisingly strong and persistent, but the girl merely pushed her away. “Don’t worry about me; go on to bed,” she said, a bit concerned that Sophie meant to climb into bed with her. But Sophie finally turned away and followed her husband to the loft, murmuring to herself.

Once the house was quiet, the girl sat up with a start. The woman had called her Annabel, but she knew that was not her name. She suddenly remembered that her real name was Jessie. She could remember nothing else, but that was a beginning. She lay back down, deep in thought. She would have to get up to make breakfast, which would no doubt be expected early. Then she could set her plan in motion, though she wasn’t sure yet what that was. As she tried to settle into the somewhat lumpy bed, it shifted, and she heard something slide down the wall. Once she heard double snoring from the loft, she reached her hand quietly down the narrow gap between the bed and the wall, reaching blindly until her fingers brushed against a bag with a strap. Pulling it up quietly, she saw that it was a purse—her purse! They had hidden it but not had time to get rid of it, which they most certainly had planned to do. She had probably been here less than a day. Rather than risk drawing any attention by opening it, she slipped it back beside the wall. She would not sleep at all that night in case someone remembered the purse and come to take it from her. [Of course she has a purse, sillies! What self-respecting girl of any era does not have a purse. It probably contains a cell phone and a lipstick, too, at the very least. And maybe some Kleenex and allergy medicine.]*

She lay awake all night and watched the dawning light seep slowly into the darkness of the cottage, taking it from pitch black to a dim gray light, until finally the ogre began stirring and griping upstairs. She heard him put his feet on the floor, one after the other, BAM, BAM. Then he was calling down to her, “You. You’d best get the breakfast going. I can’t wait around all day.” That was what she was waiting for, and she had to stop herself from springing up too quickly, remembering that she was still supposed to be an invalid. She slipped her purse underneath her jacket, where it was invisible, and pretended to be dressing herself, though she had slept in her clothes all night. Forcing herself to walk slowly, she went out to the kitchen, putting the water on to boil. When it was ready, she threw in some oats along with a goodly number of crushed Benadryl tablets she’d found in her purse. [What do you think this is, the Middle Ages?]

Worried that the others might notice the small pink bits amid the clumps of oats, she chopped up some pieces of an old apple with the skin still on and added that to the pot. The medicine was now indistinguishable from the apples, and she hoped the bitter taste would go unnoticed since the oats were already pretty rancid. She had ladled a bowl of oats for herself before putting the crushed pills into the pot, and she now carried the three other bowls into the main room, making a show of putting another log onto the fire and building it up, being sure the others were eating before she went back to the kitchen. She was nearly certain they would shovel everything in before they noticed anything, and that is precisely what happened. The ogre began yelling for his coffee, and Jessie took that opportunity to pick up their bowls and head back to the stove, where the old tin coffeepot, laced with additional Benadryl for good measure, was a-boil. Carrying a large mug of it out to the dining table, she received the fright of her life when the ogre suddenly clapped his hand on her wrist, shouting that maybe, just maybe, she might be good for something after all. [Sophie made terrible coffee, so his standards were very low.] Counting to ten, she said nothing, simply pouring the rest of the coffee into a smaller mug for Sophie.

“The coffee isn’t as bitter as it normally is,” muttered the latter. “I always get the grounds into it. Oh well. Amelia!” She cried suddenly to the child, who was shaping the last bit of oatmeal in her bowl into a lump prior to sticking it on her nose. “Finish your porridge and go outside to play, child! Annabel has a lot of work to do in here. Father said she had better start earning her keep, or else. Go on, child. Shoo.”

“Or else!” Echoed the child, who stuck her tongue out at Jessie before heading out the door, dragging a dirty-looking rag doll with her. “Father won’t feed her if she doesn’t do what she’s supposed to.”

“That’s right,” said Sophie, “Go on, little angel. Don’t worry, I’ll see that Annabel does her chores.”

Jessie wiped the table and carried the mugs into the kitchen. She washed the dishes and scoured the pot, which was none too clean to begin with, and forced herself to eat just a couple of bites of undoctored oatmeal. Once the counters were wiped and the cobwebs swept out of the corners, she took a quick peek through the kitchen door. Both the ogre and his wife were sound asleep on the table, snoring loudly. Through the open door, she could see the little girl asleep near the wood stump, her rag doll collapsed in a heap beside her. Moving quickly, Jessie pinched the key to the back door padlock, made her way silently through the kitchen, and slid the key into the lock. It came open in her hand, and she slipped out quick as could be, running all heggedy peggedy through the woods in a straight line in the direction of the road she had seen before. She wasn’t sure how long it would be before the ogre family woke up but estimated she had several hours at least. [What a resourceful girl! Why wasn’t she running the bakery herself instead of just making deliveries?]

It took her less than an hour to get to the road, where she soon caught a ride with a gypsy family who were heading into town to sell honey. It was not the town she was from, but another larger town two counties over—the ogre, with his giant legs, must have carried her away in record time, but she could never have made her way back there as quickly. Once the wagon arrived in the town, she opened her purse for money to give to the gypsies and noticed that there were messages on her cell phone. Inside her wallet, she found her credit card and ID, and there was her name, plain as the nose on your face, Jessamyn Cashel. She remembered it all now.

Even her checkbook was still inside. Apparently, they hadn’t destroyed her purse because they hoped to get some use out it, but no matter now. When she checked her bank app, her account was untouched. She walked into the nearest shop, bought several shirts and pairs of pants, walked to the town hotel [the Hotel d’Ville, for your records], reserved a room, went upstairs, and washed, throwing the old clothes into a trash bin once she was finished. Then she sat down, her hair in a towel, to weigh her options.

She could go back to the bakery, but the fact that she’d been kidnapped in the middle of a public street without anyone apparently noticing was making her question the wisdom of her life choices. Maybe Piddlebrook wasn’t quite the town for her. The baker liked her, but she knew he could replace her easily. She had actually never been very far from Piddlebrook until her abduction, but now that she was here, in this bustling market town, the world was beginning to seem a little wider. She glanced at her phone again. There were a couple of texts from someone named Jem Ainsworth.

—Hey, hope you are well. [the first one read] I hope you remember me. I was passing through that summer when my engine died and I ended up staying for three months to save up money to fix the car? Val’s cousin. [Jessie did remember him. A polite boy who knew nothing about groceries but worked in the general store all summer and sometimes hung out with her and Val when none of them were working. He was never a big talker, but they all got on well and the months had gone by a little faster when they had someone new around to break the monotony.] I’m coming your way, thought I’d say hi, I know Val moved with his family, but thought you might still be there. Later.—

The second one had been sent only this morning. —Hey, still heading your way. I’ll stop by the bakery to see if you’re there. Otherwise, shoot me a line if you ever get a chance. I live out on the coast now, and I’m heading back there.—

Jessie pictured his sandy hair, always falling into his eyes. She remembered him, although she had never expected to see him again. [Fate steps in to pull you through, once in a while, maybe. There’s a song to that effect.] She texted back —I’m at the Hotel d’Ville in Earlytown. Are you in Piddlebrook?—

Three minutes later —Hey, I’m almost there. What takes you to Earlytown?—

—Long story. YWBT. I was hit in the head and kidnapped by an ogre. An actual OGRE, not just someone who looked like one. I got away and came here.—

—Dude, are you serious.—

—I’m afraid so. I’m not hurt. I got away fast. The guy was apparently looking for another wife.—

—F—k that. You’re sure you’re OK?—

—Believe it or not, I’m mostly OK. Just in shock. Hit me on the head when I was on my delivery rounds and no one stopped him. It’s like something out of fairy tale. Just a random ogre from the woods.—[Fact: Being self aware does not necessarily mean a character is not in a fairy tale. Just like being self aware in a dream does not mean you’re not dreaming.]

—F—k that s—t. Well I’m on my way over, probably be half an hour. Can I give you a ride anywhere? Sounds like maybe you should blow out of here for a while in case he decides to come back.—

Jessie was now realizing what a real possibility that was. The Seven Counties were not that big an area, and who knew how many people were actually against ogres, now that she thought about it. She’d always taken it for granted that no one really liked them, but now—

—Yeah, I think the bakery can get along without me. I think this is a sign that I need to set my sights on something else.—

—Think you could be right. I always wondered if you’d really be happy in that little town. Some people are, tho.—

—Where are you headed?—

—I’ve started a bookstore with some friends. It’s a co-op, too. We finally bought the building and have some living space upstairs. In North Beach. It’s cool. You ever thought of going out there?—

—It sounds great, actually.—

—I’m still in touch with Val. He’s coming out in a couple of months. We could hang out, you’ve def got a job if you want. We need help actually. We pay for help, though. We don’t knock people in the head and drag them off the street. ;-) No pressure, just an option.—

—I’ve always wanted to see the ocean.—

—OK. I’m on my way.—

—Hey, Jem, would you mind pulling around to the back of the building. I just can’t face any more ogres today. Just in case he’s on my trail.—

—No worries, man. See ya.—

Jessie was looking out the window 20 minutes later, but she heard the van coming before she saw it, an old Volkswagen bus with a sunroof, blue as the sea. She waved to Jem from the window, and he waved back. She picked up her newly purchased weekend bag with all her clothes and her purse and put one leg over the window ledge. Out on the fire escape, she pulled the window sash down and then ran down the rickety stairs. Jem had parked the bus, no questions asked, directly under the fire escape. When she got to the bottom, it extended down to just above the sunroof, so she tossed her bags in and then climbed down.

Jem looked about the same, though he wasn’t quite as thin as he had been four years ago. He was smiling. “Full points for style on that entrance.”

“Well, I did pay my bill. And maybe it wasn’t strictly necessary to leave by the fire escape, but—”

“You wanted to make a dramatic exit,” he agreed. “It’s understandable.”

“I guess I am a little spooked,” she said. “It’s not every day you get kidnapped by an ogre.”

“Let it be the last time, then,” he said, putting the van into gear. There was a bauble hanging from the rear-view mirror that said SEE OSGILIATH. The backseats were piled with gear and clothes and small pieces of furniture. “Picked up some hand-me-downs from home,” he said. “I’m glad you answered my texts. I won’t be coming back this way for a long time.”

“Seems like it could be fate.”

“Yeah,” he said, “I’d like to think so.” [You may be thinking to yourself, oh, no, not another story where some guy has to rescue a damsel in distress. I would merely point out that she did a pretty good job of rescuing herself. Technically, all he did was give her a ride out of town. What happens after that is anyone’s guess.]

And they all lived happily ever after, except for the ogre and his family, who are still asleep out there in the woods, since Benadryl has the side effect of turning ogres into stone. Jessie didn’t know this when she gave it to them, but if she had known, she would most certainly have done it anyway. So there you go.

*The technical term for this is foreshadowing.

Moral: Gaslighting is mean, and mean people suck. Don’t gaslight, and maybe you won’t ever have to worry about being turned to stone by Benadryl.

Amarillo

A Short Story

It was early evening on a summer day, and the road was nearly deserted—which seemed strange, since it was a major east-west interstate. Nonetheless, she saw few vehicles, only—now and then—large trucks. As the sun was setting behind the mountains, the light hardened to a deep orange, then dimmed into a purple twilight. This part of the country had deep folds in the land, which would continue until it flattened out near Amarillo, her immediate, but not final, destination; she did not remember it taking this long to reach the town after crossing into Texas, but she now realized she probably wouldn't make it before dark. Just before she turned on the headlights, something crossed the road in front of her, some unknown creature that seemed almost to float like a wisp of smoke, not identifiable by any means of locomotion she had ever seen. A roadrunner?

Gradually, the land smoothed out, and she recognized a gas station, calculating she was perhaps 30 minutes from the outskirts of Amarillo. She was tired but alert and saw nothing else moving through the dry landscape except for other vehicles, the occasional RV or truck, on the road itself. As she neared the city limit, the wind picked up, and in the rear-view mirror, she saw that what had looked like a distant mountain range was actually an enormous steel-gray cloud encroaching over the desert and emitting an occasional flash of lightning. It was still some miles away.

She had no hotel reservation, had not eaten since breakfast, and knew nothing of Amarillo except for the long strip of hotels along the interstate corridor. She needed to find an ATM, a gas station, some food, and a place to stay, which seemed a reasonable plan until the wind turned cyclonic once she left the highway to look for an ATM. It whistled around her head while she punched buttons at the bank machine and steadily rose in volume as she dashed through the drive-through at Wendy’s, starting to feel somewhat frantic. The wind was actually shrieking as she made her way back to the interstate and attempted to navigate an access road that led first to a dead-end field, where the grass lay nearly sideways in the wind, and then to an expensive hotel that she could not afford. Coming out of the parking lot, she saw the familiar logo of a moderately-priced chain a mile down the road and sped toward it, expecting to spot a tornado at any moment.

The hotel was new and clean and had vacancies. The deep purple color scheme and Pierrot-inspired decor had a curiously deadening effect, but she just shrugged. Probably designed by a committee. There was even an available luggage cart on which she piled her suitcases, fearful that her car might be destroyed overnight in the cyclone. In the elevator, her breathing began to slow to a more normal level as the sounds of the wind were muted, but when she stepped into her room, the full force of the storm made itself felt once more, a giant body-slamming the building. She looked out the window before closing the curtains and saw an enormous sea of darkness next to the hotel, as if the building were perched on the edge of a deep canyon. With a small shudder, she turned away. Her Wendy’s had gone cold, but she ate it anyway while watching an episode of Fixer Upper that she had already seen. Despite the ferocity of the storm, the nearly constant lightning and pounding hail, the lights never flickered until she turned off the TV and pulled back the bed covers. Then all the lights went out at once.

This won’t last, she told herself. The hotel is bound to have a back-up generator. She walked over to the door, checking to make sure it was locked before lying down. It was only then, with the TV silenced, that she noticed a repetitive sound coming from outside her window, the sound of one hard object pounding another. Fearing that an adjacent window shutter had come loose and was about to crash through her window, she risked a quick peek and found herself face to face with a human-sized winged creature, with red eyes, gray skin, and sharp claws. Although she had difficulty processing what she was seeing, she had no trouble realizing that the creature was trying to open her window from the outside.

Stay calm, she said to herself, amazed that somehow her mind had switched to an automatic pilot mode. She reached around in the dark for something to use as a weapon, picking up a wooden chair just as the window latch came open and the creature put one wrinkled foot over the ledge. She pushed at it with all her might, using the chair to throw it off balance, so that it had to scrabble with one claw to maintain a hold. The coffeemaker on the desk was full of boiled water from the hot tea she’d forgotten to make; she grabbed the pot and threw the contents into the creature’s face. With a piercing cry, it let go of the ledge and fell into the darkness of the chasm.

In shock, the coffeepot still in her hand, she noticed that the wind was much less desperate-sounding than it had been a few minutes ago; then the lights came back on. How long had they been off? Two minutes? Five? The curtains blew in toward her along with some cold rain. Numbly, she latched and locked the window, which was completely intact; stumbling away from it, she hit the TV remote with her hand, and HGTV switched on to a discussion of shiplap and the choice of a door for an excited couple’s walk-in pantry, followed by a commercial for Lowe’s summer sale. It was incredible that even in the face of an incursion of the fantastic, the rational part of her brain could still take in details about custom doors and tile choices, could still tell her to straighten the chair and return the coffeepot, now empty, to its place. It was as if nothing had happened, as if she had just awakened from a nightmare without realizing she had ever gone to sleep.

Maybe that’s it, she told herself. I’m overwrought, I fell sleep while watching TV. It's all this pressure from the sales meeting. This will all fade to nothing in the morning. Still, she decided to leave a couple of lights and the TV on before lying down. To her surprise, she was suddenly exhausted and fell asleep with no difficulty, though she woke several times during the night. In the morning, she awoke to a bright daylight seeping through the curtains. All seemed normal, except for the damp places in the carpet near the window.

When the pleasant middle-aged woman at the reception desk asked if everything had been alright with her room, she took a deep breath and asked if the woman was aware of any large birds native to the area, really large, like a condor or possibly a harpy, that might have been noted around the hotel. The woman frowned with thought, as if contemplating an unexpected but pleasant puzzle, before saying no, not that she was aware of. “Although I’m not from around here,” she added, handing Cass’s receipt to her. “I’ve only been here for about six months. Why do you ask?”

“I just thought I saw a really big bird outside last night. But the storm was so wild, I probably imagined it.” Cass made a mental note that this was now the official story she would take with her from the incident, when anyone from the office asked about her trip.

Once she was behind the wheel of her car, she sat for a moment, thinking of the many miles she still had ahead of her. She still needed gas. She tried not to look toward the chasm at the rear of the hotel as she pulled onto the street. Everything looked ordinary in the morning light, which helped quell the unease that lingered in her mind. It simply had to have been a dream.

She filled up at the gas station and went inside to pay. The gas station did not serve breakfast, so she grabbed a package of crumb cakes and a bottled tea before going to the counter. She was the only customer. The clerk had the radio on to a morning news show; a stack of newspapers sat on the counter with a photo of a presidential candidate in a headlined story. Morning in America.

She had paid the clerk, taken back her change, and was saying thank you before she noticed how ashen the clerk’s face was. When he nodded to her thanks, his movements were stiff, and there was fear in the glance he flicked at her. The inside of the gas station was as conventional as could be, but somehow the slant of light wasn’t quite as it should be. It was as if he knew, as if she was marked in some way. She had never seen him before. Still, that look.

As she walked slowly out to her car, the miles and miles ahead of her seeming to stretch into infinity, she began to wonder for the first time, strangely, if she would ever make it home.

Salt

(A Short Story)

It is an ancient Mariner,
And he stoppeth one of three.

“The Rime of the Ancient Mariner”—Samuel Taylor Coleridge

It hadn’t been a bad wedding, which meant, of course, that there’d been plenty of beer at the reception. So much so that he now had a headache and was fuzzy on some aspects of the latter part of the night before. Now that he’d been accepted to law school, he was going to have to cut down on his partying. Sometimes, when your future was at stake, you just had to step up to the plate and take one for the team. He’d heard that once you made partner, you could pretty much do as you pleased, and since he was planning to be the youngest partner ever at a major East Coast law firm, he thought he could sacrifice present comfort for later bounty.

Right now, though, he felt like he’d been scoured dry from the inside out and that something was trying to crawl out from behind his eyes. Being on a train didn’t help . . . That rocking motion was enough to upset your tenuous hold on an already delicate stomach if it didn’t split your head in two first.

He was holding said head up with one hand, elbow propped on the tiny tray that popped up from a hidden slot somewhere beside his seat. He’d trapped his hand in the crevice trying to pull the damn thing up earlier and had had to call the porter, an irritating Colored man who had looked at him with disfavor before removing his imprisoned hand, with much more force than was strictly necessary, and setting the tray in place with a crisp, judgmental snap. He was considering having his father write to the president of Amtrak with a complaint against the fellow, especially since his hand was now an unbecoming shade of purple and black due—he was certain—to the mistreatment he’d received. His father had been college roommates with the Amtrak president, which was the whole reason he was riding for free. He was now weighing whether the satisfaction he’d derive from getting the porter into trouble was worth possibly jeopardizing future free rides. Perhaps it wasn’t worth all the questions that were bound to be asked. People were always trying to make mountains out of molehills.

Now, as the train pulled into Salt Lake City with a juddering sound that morphed into a drawn-out screech and then an ugly shudder that shook the whole train, our wedding guest, shocked out of his reverie by this latest unwelcome development, looked out the window. He was unable to see beyond the unaccountably bright lights of the station, but a few minutes later, there was a rap at the door of his compartment, followed in a moment by the appearance of the irritating porter, who informed him of a mechanical problem that would necessitate a delay of some hours. Indeed, he went on to say, it would likely be mid-morning before the train would be on its way again, and the passenger might want to consider a hotel for the remainder of the evening. Amtrak had arrangements with a hotel in the vicinity of downtown that was within walking distance—or perhaps a cab would be better?

The wedding guest waved away the porter, who seemed to be hovering. What did he want now, a tip? The nerve of some people knew no bounds. He stumbled to his feet, bumbling down the corridor of the train car in the porter’s wake. The distance from the top step to the station platform looked, to the wedding guest, to be a half mile at least, and he was wondering how he could possibly be expected to negotiate such a distance when he felt, or thought he felt, a firm hand on his arm, guiding him and propelling him forward and down, so that he found himself standing, alone, next to the train car, now silent except for a low-pitched hum and a ticking sound. The air seemed to be full of fog, but he discerned the outline of the station and headed inside, noticing, even in his compromised state, the gleam of marble and brass and the golden warmth of the light, though the place seemed to be deserted. He wondered briefly where the other passengers might have gone and concluded that perhaps he had been the last one to be notified and the last one to disembark. Typical, wasn’t it? The black hands of the station clock read ten minutes past eleven.

He was nearly out the door when a sound behind him made him turn. He saw that the lobby wasn’t deserted after all, but it was only a gray-haired cleaning woman, broom in hand, tidying up near the station’s coffee shop. She seemed to wearing some type of bulky coat that bunched up around her shoulders and hung awkwardly to near her ankles, an odd fashion choice even to the eyes of a heavily hungover college student. She paid no attention to him, going on about her task, but when he glanced back over his shoulder before pushing through the door, he saw the bunched material rise and unfold into what appeared to be a pair of wings. Oh hell, no way, man!

Trying to process what he had just seen, the young man had no sooner stepped outside when something flew at his head, flapping furiously. Backing into the wall, holding his wrecked head in his hands, he looked up, trying to see what had attacked him. It was a large seagull, sailing off down the street. Nervously, the student set off in the opposite direction, hoping the gull was not planning a return attack and unsure of how he would defend himself if that should occur. He realized that he had now forgotten the name of the hotel the porter had mentioned but thought that if he just kept walking he might see it and recognize it. He did not want to go back to the station for fear of encountering either the gull or the strange cleaning woman or both.

After midnight in Salt Lake City on a summer night, the streets were quiet but by no means, as he soon discovered, empty. He was vaguely surprised: wasn’t this place full of strictly religious people? Mormons or something? Shouldn’t they be at home, slumbering peacefully, or praying? And yet here and there he saw forms: walking, huddling in small groups, lounging. He’d say one thing for these Mormons, or whatever they were, they were quiet, even when they were out late. He heard not a whisper from any of them, which probably indicated, now that he thought of it, some kind of religious restriction. Maybe it was a vow of silence. After walking a short distance he realized that, unlike him, they were not coatless in the summer night but appeared to be wearing the same type of cape he’d seen on the cleaning woman in the station. Which could only mean—wait . . .

But he was right, wasn’t he? On looking as closely as his bloodshot eyes would allow, he realized that everyone he saw was endowed not with a cape but with a large pair of truly magnificent wings. Struggling to process this latest revelation, he was suddenly struck by a happy thought. It was obviously some kind of a celebration, like Mardi Gras. That was it! Shaking his head at the fright he had suffered a moment ago, he started to relax. If it was a party, he was all for it, and though a little while ago, he’d been considering total abstinence until the day he made partner, he now thought that perhaps just one more might have a beneficial effect on his splitting head and settle his stomach into the bargain. The hair of the dog, as it were.

His wobbling footsteps newly revitalized with purpose, he set off down the street, looking for an open bar. From time to time (for they were by no means boisterous), he saw people in angel costumes, taking selfies, riding the escalator in the town center mall, playing in the fountain, talking on cell phones, strolling hand-in-hand in the grounds of the great temple. There were angels in cars, angels on bicycles, angels in the crosswalks. No one spoke to him, but he was okay with that, he really was. Now that he knew just where he was, he was willing to get into the spirit of it. He’d heard that Mormons were a little stand-offish, anyway. No worries, man—let them party in their way, and he’d party in his.

In the event, though, he never located the party. After wandering for a couple of hours without finding much of anything open, only those infernal angels gliding around, he sat on a bench against a wall and fell asleep. He woke up with a gleam of sun striking his face, and when he squinted toward the source, the gleam disappeared behind a cloud. It was a foggy morning. He’d heard there were mountains around Salt Lake City, but he was inclined to think he’d heard wrong, because all he could see was mist. Thoroughly stiff now, he managed to haul himself upright. If only he could remember the direction of the station.

After nearly an hour of walking, during which he encountered not a soul, he realized that he was back on the street on which he had been surprised by the seagull, and yes, there was the station, half a mile ahead and on his left. He moved toward it nervously, scanning the air for any lurking seagulls, without, however, encountering any. Entering the station lobby, he saw that the time was not quite 7 a.m. He saw no one, passing through to the waiting room for his platform, likewise deserted. Relieved to find that the train was just where he’d left it, resting outside on its track, he sat down to wait, dozing off now and then. He woke for a final time when a bustle of activity revealed a returning coterie of fellow passengers, some of whom looked at him curiously, all presumably better off than he was for a few hours sleep in the hotel he had never found, damn them. They could keep their stupid looks to themselves.

Climbing back onto the train, with a mouth that felt like the desert floor and a hollow feeling in his head, he was greeted by the porter, who looked as crisp in his uniform as if he’d spent the night on a bed of down and silken sheets. He thought he detected a humorous gleam in the fellow’s eye, though his demeanor otherwise was solemnly professional. Damn the man, he’d report him for two cents just for his insolence. But the porter merely handed him a bottle of water and politely ushered him into his compartment. Once he was gone, the student slumped into his rather stale-smelling seat, wondering how he would get through the rest of the day and how long it would now take them to get home.

As he leaned against the window, something hard bit into his hip. Reaching into his pants pocket, he felt something cool and smooth, with jagged points and a bit of crumbly material adhered to it. He tried to pull it out, but it was stuck fast, as if it had been glued on; staring at it blankly, he wondered what it was and how it had come to be there. It looked like a crystal of some kind. On impulse, he put a finger to his mouth to taste what he had touched: salt.

Vitamin D Deficiency: What Not to Do

Holy moly! It's Vitamin D deficiency time here in Kentucky, with sunshine in short supply and cold rain in plenty. I feel suspended in time and space, as if I'm lingering in C.S. Lewis's "Wood Between the Worlds," a sort of twilight place in one of the Narnia books in which nothing much happens unless you jump into one of its numerous ponds. Each one of these is a portal that might lead just about anywhere, and you have no way of knowing in advance where that might be.

I haven't been jumping into many ponds, unless you count library books and job applications as portals to other worlds, which in a sense, they are, of course. In the Narnia book (I believe it was The Magician's Nephew), two children begin to explore the ponds in the Wood Between the Worlds out of curiosity, unleashing some rather powerful consequences. One would hope that the innocent choice of a library book or a job opening wouldn't have such dire implications, though you might be wrong in that hope, from what I've seen.

I try to be responsible in the books I choose to review, but suspended here as I am, living without a permanent address, not sure where I'll be or what I'll be doing a month from now, hoping something better awaits me than public assistance, I do end up reading a lot to pass the time. I will admit to being a more suspicious and skeptical reader than I once was (as you may have noticed), and this especially pertains to recent books, which I sometimes suspect of having a political subtext buried within whatever plots or themes the author has chosen to explore. This happens even with writers I respect, and it annoys me.

Let me be clear on what I'm talking about. I would expect that political themes and ideas could play a legitimate role in any work should an author wish to pursue them. Politics is a part of life. What bothers me is when I start to read something and get distracted by what seem to be coy, half-hidden, half-revealed references to things outside the scope of the fictional world itself. Yes, I know Dante's Inferno is full of topical references to events and people that he didn't even bother to disguise--and I know it's a great work of literature--but that is the thing I dislike most about it.

I think a work of art is powerful to the extent that it takes a particular instance and makes it universal (or you could say it happens the other way around). Literary conceits like taking potshots at people or sending hidden messages make me question the author's motives. I come to a book assuming the author's integrity and desire to tell a good story, maybe even to create a great work of art. If I start to feel that he/she is dropping names, manipulating me, or trying to send messages that will only be recognized by Abyssinian eunuchs or Macedonian spies, I start to feel that the contract between reader and writer, based on trust, has been violated. It makes me much less likely to bother with that author in the future.

Of course, I have reviewed some books recently that seemed to me to be referring to things slightly out of my ken, and I said so. One of them was Gregory's Maguire's After Alice, but I have to say that Mr. Maguire's book, while it startled me at times, did not offend me. Why not? It was simply a feeling I got that while parts of Mr. Maguire's novel were a little opaque to me, he was not trying to hit me over the head or sell me anything. It was a delight, rather than otherwise, to realize that some of his allusions were beyond me and not amenable to instant unraveling. His book wasn't reductive, in other words; it was more poem than mathematical equation. It raised questions without necessarily answering all of them, and I wanted to recommend it to other people to see what they would find in it.

This past week, I read a book about a World War II pilot who returns to France years later to reconnect with people he knew during the war. It was a good story and well written, but somehow I felt rather empty at the end of it. So why can I not recommend this book to you? Let me state that I know nothing of the author's intentions, so my reactions are strictly to the book itself. While it explored such laudable themes as memory, responsibility, humanity, and inhumanity, I just felt beaten down at the end of it. I kept getting distracted by names and references rather than feeling they were a seamless part of the story. I kept wondering why certain choices were made. And for a novel whose themes seem to be worthy and life affirming, it had a curiously deflating ending.

The pilot, who had succeeded in sneaking out of France during the war, reprises his escape decades later with the woman who assisted him years before but had never done the crossing herself. He hadn't wanted to relive the experience, for reasons that become clear, but the woman, with whom he has become romantically involved, insists on it, almost (it seemed to me) bullying him into it. Her motives somehow seem impure, though she is presented to the reader as a remarkable and courageous freedom fighter. Right about here, the author lost me completely. Why would this character, with so many painful memories of her own, insist that her lover relive one of his most painful war episodes? It all seemed a little sadistic.

I admired the author's skill in bringing the war vividly to life, but at some point, the plot and I parted company. Why did the pilot's life after the war suddenly seem to count for nothing until he returned to France? Perhaps that did not quite ring true to me. Why did he end up traipsing across the mountains after a vertigo-inducing journey by car that he hadn't wanted to make? I felt I had been left hanging. OK, so maybe this book wasn't the best choice for a cloudy week in November (though I don't think reading it on the beach in Cancun would have improved matters much). Something about it bothered me, making me wish I had chosen something more straightforward, or at least more straightforwardly opaque.

Picking library books is more of a crapshoot than it seems sometimes. I have no way of knowing how often anyone who reads my column seeks out books and films I've written about--maybe it never happens. But just in case you decide to track this book down, I recommend reading it by a sunny window or underneath a sunlamp, at the very least. I wouldn't want to be responsible for inadvertently adding to anyone's Seasonal Affective Disorder, and though it's quite possible you would respond to it differently, I can only tell you that I heard a giant whooshing sound as half the Vitamin D in my body seemed to escape when I turned the last page. It takes a lot of Ben & Jerry's to replace that much Vitamin D.

What I Found on the Shelves

Lately, I've had pretty good luck finding interesting books at the library, so this week's post will be a literary one. Popular culture is a bit of a minefield these days, in my opinion, and the simple wish to be entertained can result in being subjected to all kinds of schlock. The trick, of course, is to try and be discerning, as we have all been taught since we were little children--though I don't recall discernment being nearly so difficult an art when I was small. The reason is simple: the age of innocence has flown the coop on us.

It's been a few years since I reviewed anything by author Tracy Chevalier, but some of you may remember my review of her book The Last Runaway, the story of a young Quaker woman starting a new life in the wilds of rural Ohio in 1850. That book painted a vivid picture of the dangers of everyday life on the frontier, when a simple wagon trip through the woods--at a distance that would be as nothing in the age of interstate highways--was a frankly hazardous undertaking. Ms. Chevalier returns to 19th-century Ohio for At the Edge of the Orchard, a novel about a family working the land in the perilous Black Swamp of the state's northwest region. In actual fact, this book provides an even more harrowing portrait of frontier life than the author's previous book.

The Goodenough family is dysfunctional, which adds another layer to the nearly insurmountable difficulties they already face in making a living from the land. A dark tragedy leads to the breakup of the family and to the beginning of years of wandering for youngest son Robert. Although Robert travels widely and sees many wonders, even ending up in California in time for the Gold Rush, the story is not so much Mark Twain adventure as it is Aeschylus Greek tragedy. 

The Fates do indeed seem to pursue the members of this family; rarely, while reading the book, do you shake off a sense of being haunted. Although there are humorous episodes and characters (Robert's cigar-smoking landlady, Mrs. Bienenstock, is everything a Barbary Coast landlady should be), the novel imparts a feeling almost of claustrophobia. Rather than Manifest Destiny and a feeling of endless possibility, the horizons have shrunk; you get the sense that no matter how far Robert roams, he will never escape the events he is running from. The novel offers a darker view of this period of western expansion than you get from many tales of Western adventure, darker in plot as well as in tone. While it looks like 19th-century America, it feels like Greece in the Bronze Age, as if the House of Atreus had somehow crossed the sea and fetched up on foreign shores. America does not seem so much exceptional as it seems doomed to repeat the cycle of the past.

As it happens, I followed this book up with another one with a California setting, María Dueñas's The Heart Has Its Reasons. I greatly enjoyed Ms. Dueñas's The Time In Between, a novel about a Spanish dressmaker who gets involved in the resistance during World War II, and I was curious to see what she would do with a strong female character in a contemporary setting. The Heart Has Its Reasons is the story of a woman who, after the breakup of her marriage, flees her university job in Spain for a stint as a visiting professor at a Northern California college. The ingredients for a great story--a woman making a new start, a picturesque setting, and an academic mystery entangled with personal tragedy--are all there, but I was thrown off by something in the storytelling itself, an awkwardness that was absent from Ms. Dueñas's previous book.

I at first wondered if something had been lost in the translation, since the style seemed little like what I remembered from the previous novel, not that every book by an author needs to sound exactly the same--though you don't expect one to be assured in tone and the next to be a little off-center. While I enjoyed the story and was intrigued enough to keep reading, I was distracted by a certain roughness in the prose. There is a scene early on in which the main character is looking at photos of the long-dead professor whose papers she is organizing when, for unexplained reasons, lickety-split, she is suddenly outside in need of fresh air. Wait . . . how did that happen?

It is as if some bridge between the two scenes, a connection supplying the reasons for Professor Perea's sudden exodus, is missing. I found it surprising that a writer as accomplished as Ms. Dueñas would write a scene that way, but whether the explanation is typographical, translational, or purposeful I cannot say. Did the character undergo a fugue state? Did she step into a wormhole? Later in the novel, there is a confrontation between Professor Perea and another academic in which she seems to overreact to the revelation that he's behind the fellowship that brought her to America. I didn't think the news quite warranted throwing him out of her apartment, much less her life, and it also seems inconsistent with her previous behavior--yet another example of something that doesn't quite fit in the story.

Overall, I did enjoy the book, though, and was reminded occasionally of my own experiences in California, both as a visitor and as a student. Ms. Dueñas certainly has the setting down to a T, and she knows the world of academia to boot. It's just that the storytelling itself seemed to raise mysteries, almost in the manner of a poem whose letters and lines are placed in an unexpected way on the page, pointing to something beyond what's in the words themselves, if I am not imagining it.

This is the beauty of browsing: I had been looking for some time for a book set in the Gold Rush era of California history, which seems to me a fascinating time, and I found one by luck just by poking around in the shelves. I'm also interested in the history of California missions, which plays such a critical role in Ms. Dueñas's book, and I came across that one by accident as well. Serendipitous finds like that are always fun, even if you don't quite get what you're expecting. NoveList is a wondrous thing . . . but there's nothing like finding a book yourself.

Watching Jane Austen

The other night, I re-watched my DVD of Joe Wright's 2005 version of Pride & Prejudice (with Keira Knightley and Matthew MacFadyen). I've seen it half a dozen times or more, and the first time I saw it, I found it refreshingly modern, if perhaps a little rough around the edges. I hadn't then seen the famous PBS version starring Colin Firth and had nothing to compare it with except for the novel itself--nor had I much experience at that time in "seeing through" in the Hillmanian sense.

It may be that I'll end up doing revisionist readings of many of the books and films I've read, and this may be inevitable for an educated viewer, but it's sometimes disconcerting, as if a whole other film existed beneath the surface of the one I thought I was watching. It's tiresome, too, because, well--does one ever reach the bottom? I was certainly surprised at some of the details that jumped out at me this time; it's not that I didn't see them before but more that I didn't gloss over them this time in favor of simply following the story.

It's perhaps an unavoidable result of getting older that you also bring more of your own experience to bear on any text and therefore find more points of correspondence between fiction and life. Sometimes I miss being able to approach things more naively because a well-developed critical eye can be such a nuisance. It complicates experience rather than making it more fun and enjoyable--but so be it, I guess. You can't unsee things.

In the film, I noticed such things as gestures--a hand near the mouth or placed on a hip, a foot pointed just so; an expression that seemed at odds with the tenor of a scene; a bit of dialogue that grated; a pinafore worn by a particular character. I noticed the way a few of the characters reminded me of people I know and how scenes brought to mind incidents from my own life. Sometimes it was the smallest things: a character's look of lingering regret, a hand imperceptibly brushing the back of a dress, a handkerchief tossed into a crowd of soldiers, the unnatural pallor of a face. I was startled at the power these things suddenly had to kindle my own associations. I almost felt that someone had opened a window into my own life, with a surprising degree of accuracy.

My regular readers may remember that when I reviewed Peter Jackson's Hobbit films, I followed a sort of polytheistic reading of the characters. That is, I didn't see the characters as one-dimensional and continuous but rather as inhabiting different roles depending on the scene and the other characters with whom they interacted. This was a depth psychological reading based on the idea of the multiplicity of complexes and traits that make up an individual. I found myself doing the same thing with Pride & Prejudice, for it seemed to me that its characters moved in and out of roles in a way I hadn't quite noticed before.

The eldest daughter, Jane, seemed at times an ingenue blooming with her first experience of love and at other times something more reserved and unknowable, a watchful presence on the edge of things; Lizzie had a similar quality of seeming both to inhabit scenes as a daughter of the household and to stand outside them with an ironic, even supercilious air. The iconic scene of her standing on a rock at the edge of a precipice made her look more like a goddess in some high place, a figurehead on a ship, than a young woman contemplating her future. Even a minor character such as Georgiana, Mr. Darcy's sister, shows characteristics of a fluid personality, seeming to morph from innocent girl to someone with unusual forcefulness of character with one short line of dialogue and change of expression.

I admit I had never before given the film full credit for what seems to me its "coded" quality: of the way in which someone crossing a small bridge can seem to symbolize so much more; the way kisses can suddenly seem less than benign; the way an invisible Shakespeare-like gender shift sometimes seems to occur, transforming the import of a scene; of the way in which two characters difficult to tell apart begin to tug on my attention. (Why did the director choose to make the two youngest Bennet girls so much alike? When they're at rest you can see that they're different, but they are so rarely still that they could be mistaken for twins.) Some of the details are incongruous for no discernible reason. I found my attention drawn to things that seemed awkward and out of place, as if the film were a costume sewn so hurriedly that its uneven thread caught your eye before anything else.

Pride & Prejudice is, of course, a story about the politics and social games of engagement and marriage. A male acquaintance of mine once said he didn't care for Miss Austen because she made relations between the sexes seem so passionless, but this film takes in both the drawing room and the kitchen garden and injects a mood of earthiness into all the flirtations and jockeying for favor. In today's atmosphere of "total freedom" the constraints put on the characters' behavior and the many rules of propriety they're expected to observe may seem quaint to an unacceptable degree. I wonder, though, how much freer many of us are. In my experience, breaking out of a role, choosing freely, or trying to chart my own course has often seemed an exercise in overcoming one obstacle after another. This is much more of a problem now than it was when I was younger, ironically--or perhaps I was just not aware of it then.

Sexism, still as alive and well in the 21st century as it was in the 19th? The difficulty of being independent in a married world? Something to do with personality type? Some other explanation? Search your own heart and your own experience, and consider.