The big adventure I had this week was having my cell phone taken from my locker at work. This is a $10 phone, folks, not an expensive iPhone, but it did cause me the aggravation of having to deactivate my service, buy a new phone, set it up, reactivate my service, find out how to get a list of any phone calls that may have been placed to or from my phone while it was out of my hands, and stop by the police station at midnight to report the theft (a police report is required if you want to request your own phone records—not sure if this is a requirement if someone tries to get them through FISA).
It wasn’t the first time I missed something that I thought I’d left in my locker and will hopefully be the last—but you never know. I liked the other phone better, even though all it really did was make and accept phone calls, but they don’t produce it any more, so I had to accept an upgrade, which I did, more or less ungraciously. It does have several pleasant-sounding alarm tones to choose from; lets you turn Wi-Fi definitively off, so you don’t connect to the Internet without meaning to (admittedly a drawback on the other phone); and caused me to stroll through Target, where I fell in love with some decorative pitchers that I don’t need but enjoyed looking at.
I don’t know about you, but it strikes me as odd that someone would take a $10 phone. It reminds me of the time I was staying at Extended Stay in SoCal two years ago and someone stole my cell phone charger (a $7 item) out of a zipped compartment. I remember racing over to the closest Walmart to where I was working and buying one on my lunch hour, the one and only time I’ve seen Knott’s Berry Farm (which was in the vicinity). When I made a police report in that case, the officer seemed not to understand the fact that it wasn’t the value of the item that mattered but the fact that someone at the hotel had gone into my room and stolen it. This time, I did at least get the feeling that the officer frowned on the whole lack of security around the lockers—he asked if the store had security cameras.
Naturally, things like this put you in a bad mood. I don’t ever recall giving anyone permission to disrespect my personal space or the sanctity of my possessions, but people seem to have peculiar ideas about what they can get away with these days. We do still live in a country of laws, but you would never know it by either reading the news or listening to me recount the things that have happened to me in recent years. Prosecution is always an option, of course, but—gosh, what a drag. Still, you can’t let people get away with things because otherwise they have no incentive to stop.
I guess this post is about the unwanted and overweening presence of Hermes, the trickster, who has appeared and reappeared in various forms in my life and is one of the reasons why Hestia has such an appeal for me right now—Hestia being somewhat the opposite of Hermes. That’s probably why the sight of a simple pitcher could stop me in my tracks: an object purporting to be nothing but itself and hearkening to be filled with iced tea or lemonade and placed on a summer table with a vase of flowers. If I were a good Buddhist, I suppose I’d be thinking along the lines of, “The pitcher is already broken/Nothing is permanent,” but heck, I don’t even have the pitcher yet, so let me at least enjoy the idea of it whole and perfect and sitting on my table in my nonexistent house. I guess I’ll go ahead and post the picture, so you can see what I’m going on about (I have no place to put a pitcher right now, even if I bought it).
Enjoy the pitcher/picture, and if you happen to see the person who took either my charger or my cell phone, tell them I haven’t forgotten them. To everything there is a season (to quote both the Bible and the Byrds).
Showing posts with label home archetype. Show all posts
Showing posts with label home archetype. Show all posts
Sunday, May 19, 2019
Friday, November 3, 2017
Insolidity
A number of years ago, I stayed in an extended stay hotel while renovations were being done on my apartment building after a fire. While there, I had cable TV, something I did not have at home, and I often watched it. Other than movies, my favorites were The Weather Channel and Animal Planet, both of which I could watch for two or three hours at a time.
This year, while staying in extended stays and motels, I've also had access to cable TV, but I find that overall the viewing experience is a lot less fun. Almost everyone seems to be selling something. I don't know exactly when this trend started, but it's frequently the case that, despite having dozens of channels to choose from, I'm not interested in any of them. In some cases, I enjoy the commercials much more than the actual programs; they often have more style and charm, which doesn't say much for the overall state of television land, but it's true.
One channel I do enjoy overall is HGTV, and if I were going to psychologize the reasons for this, I might say that it's the archetype of home drawing me in at a time when I don't have one of my own. There's probably some truth in this, but it's also true that I've always been interested in looking at houses and the different ways people go about using space in their homes. If I had access to HGTV back in the summer of the fire, I don't remember watching it much, but many of the programs they have today, which feature people making decisions about buying, selling, and renovating houses, fascinate me.
The big question with "reality TV" is how "real" or how "scripted" the programs are, and I think about that when I'm watching. Most of the series I watch are presented as if the people and situations are genuine, and even though I question that sometimes, I'm usually willing to accept that they are. My favorite is Property Brothers, though I also enjoy Fixer Upper and House Hunters (which apparently is heavily staged, or has been in the past). I was watching House Hunters one night when I suddenly became convinced that one of the people was an actor, and whether or not I was right in that instance, I often get the feeling that, just as elsewhere on the TV dial, there is some sleight-of-hand taking place. Nevertheless, I still enjoy watching.
The process of "demo," a prominent feature of many of these programs, has been a particular revelation to me. I always assumed that houses, floors, and walls are all more solid than they actually are, that is until I saw the gusto with which the Property Brothers and their clients rip down cabinets, tear out toilets, and knock down walls. (I still think it would be harder for me to take out a kitchen cabinet than it would be for Jonathan or Drew, who do it all the time, but some of their clients seem to have quite a knack for it.) I've also learned that what sells today is a much sleeker style than I would probably go for in a home of my own. The houses always look beautiful after they're renovated, but I sometimes prefer the pre-renovation, lived-in decor of homes that bear the imprint of the people living in them, even if the post-demo reconfiguration is usually a great improvement.
I enjoyed the Property Brothers segment in New Orleans in which the brothers competed against one another in renovating the two halves of a shotgun house. I would have had a hard time picking a winner; I liked Drew's kitchen and dining area better but preferred Jonathan's bedrooms. There was another program featuring historical renovation that I also liked, hosted by two women who fixed up a Montana farm house for a young married couple. I liked the way they were sensitive to the rugged, traditional style of rural Montana while completely updating the house and managing to make it both practical and cozy.
What else? Well, I've learned the term "shiplap," even if I'm not sure what it is. I've learned that my taste in bathrooms, far from being extravagant, is pretty much the norm in reno land. I have yet to see a kitchen that quite matches one I would pick for myself if I could, but I'm inclining much more to the open-concept floor plan than I used to. I was thoroughly charmed by an upstairs porch with a fireplace in a Knoxville home and have decided that, despite several years of fascination with the mid-century modern style, I am probably more a Craftsman person myself.
The irony of being further away financially than I have ever been from home ownership while digesting all of these HGTV shows isn't lost on me, and I'm occasionally offended by the demands and expectations some of the TV clients have when I think of the homes other people make do with (or don't make do with). On the other hand, I suppose it's a mark of optimism that I still enjoy watching these programs and seeing what's possible, despite my own circumstances. I still hope to have a home of my own some day, and while I have only a general idea right now of what it might look like, there is one thing on the top of my wish list besides a rainfall showerhead: no shared walls. Especially after seeing what flimsy things they can be.
This year, while staying in extended stays and motels, I've also had access to cable TV, but I find that overall the viewing experience is a lot less fun. Almost everyone seems to be selling something. I don't know exactly when this trend started, but it's frequently the case that, despite having dozens of channels to choose from, I'm not interested in any of them. In some cases, I enjoy the commercials much more than the actual programs; they often have more style and charm, which doesn't say much for the overall state of television land, but it's true.
One channel I do enjoy overall is HGTV, and if I were going to psychologize the reasons for this, I might say that it's the archetype of home drawing me in at a time when I don't have one of my own. There's probably some truth in this, but it's also true that I've always been interested in looking at houses and the different ways people go about using space in their homes. If I had access to HGTV back in the summer of the fire, I don't remember watching it much, but many of the programs they have today, which feature people making decisions about buying, selling, and renovating houses, fascinate me.
The big question with "reality TV" is how "real" or how "scripted" the programs are, and I think about that when I'm watching. Most of the series I watch are presented as if the people and situations are genuine, and even though I question that sometimes, I'm usually willing to accept that they are. My favorite is Property Brothers, though I also enjoy Fixer Upper and House Hunters (which apparently is heavily staged, or has been in the past). I was watching House Hunters one night when I suddenly became convinced that one of the people was an actor, and whether or not I was right in that instance, I often get the feeling that, just as elsewhere on the TV dial, there is some sleight-of-hand taking place. Nevertheless, I still enjoy watching.
The process of "demo," a prominent feature of many of these programs, has been a particular revelation to me. I always assumed that houses, floors, and walls are all more solid than they actually are, that is until I saw the gusto with which the Property Brothers and their clients rip down cabinets, tear out toilets, and knock down walls. (I still think it would be harder for me to take out a kitchen cabinet than it would be for Jonathan or Drew, who do it all the time, but some of their clients seem to have quite a knack for it.) I've also learned that what sells today is a much sleeker style than I would probably go for in a home of my own. The houses always look beautiful after they're renovated, but I sometimes prefer the pre-renovation, lived-in decor of homes that bear the imprint of the people living in them, even if the post-demo reconfiguration is usually a great improvement.
I enjoyed the Property Brothers segment in New Orleans in which the brothers competed against one another in renovating the two halves of a shotgun house. I would have had a hard time picking a winner; I liked Drew's kitchen and dining area better but preferred Jonathan's bedrooms. There was another program featuring historical renovation that I also liked, hosted by two women who fixed up a Montana farm house for a young married couple. I liked the way they were sensitive to the rugged, traditional style of rural Montana while completely updating the house and managing to make it both practical and cozy.
What else? Well, I've learned the term "shiplap," even if I'm not sure what it is. I've learned that my taste in bathrooms, far from being extravagant, is pretty much the norm in reno land. I have yet to see a kitchen that quite matches one I would pick for myself if I could, but I'm inclining much more to the open-concept floor plan than I used to. I was thoroughly charmed by an upstairs porch with a fireplace in a Knoxville home and have decided that, despite several years of fascination with the mid-century modern style, I am probably more a Craftsman person myself.
The irony of being further away financially than I have ever been from home ownership while digesting all of these HGTV shows isn't lost on me, and I'm occasionally offended by the demands and expectations some of the TV clients have when I think of the homes other people make do with (or don't make do with). On the other hand, I suppose it's a mark of optimism that I still enjoy watching these programs and seeing what's possible, despite my own circumstances. I still hope to have a home of my own some day, and while I have only a general idea right now of what it might look like, there is one thing on the top of my wish list besides a rainfall showerhead: no shared walls. Especially after seeing what flimsy things they can be.
Labels:
"House Hunters",
"Property Brothers",
Hestia,
HGTV,
home archetype
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