Essay on Color

I've been watching the news this week with interest, as I usually do, albeit it has been more entertaining than usual, with all the comings and goings at Trump Tower. Some people have been highly critical of the president-elect for creating such a spectacle with his pre-presidential planning and Cabinet interviews, but I've got to say that I personally have found it riveting. I don't mind a little flair, if that is someone's style, despite my own preference for low drama.

Before you remonstrate, I just want to point out that we've had any number of presidents-elect who've conducted their planning with absolutely complete fidelity to decorum who turned out to be duds once they actually inhabited the White House. So my thinking is, might not the reverse also be true: couldn't someone who colors outside the lines in the beginning (and possibly throughout) have more to offer than it appears? I don't know if this is the case, but I hope it is. I do know that I was laughing about reports that Mr. Trump spent Thanksgiving weekend asking people who they thought should be secretary of state. If that's not a true story, it ought to be.

In the face of all the hand-wringing, prognostications of disaster, CNN anchors practically in tears, and at least one Democratic senator having a conniption over a Trump advisor, I suppose you think the least I can do is offer some sort of mythic interpretation that helps make sense of the unfamiliar landscape we're in. The story that comes most vividly to mind with Mr. Trump is a Yoruba tale about Eshu, the divine trickster, who brought two neighbors to fisticuffs by walking between their fields wearing a vari-colored cap that looked different depending on which side you viewed it from. When the neighbors started fighting about the color of the cap, Eshu made sure to walk past them again going the opposite way, just to maximize confusion and ensure that they were hopping mad. *

You may be thinking, yes, well, it's always been obvious that Mr. Trump is a trickster, and we'll all be the worse for it. That may be, but Eshu, at least, is a character with a purpose: he creates discord in order to tear away the surface appearance of things and let the light of the divine shine through. Whether Mr. Trump has any similar designs or not is something we'll have to wait and see. You probably find the notion laughable, but I'm not altogether sure what he intends.

Since I've been a letdown to you on the Stop Trump front, maybe now you'll let me get on to what I really want to write about, which is what a glorious day it was today. Since we went back to Eastern Standard Time, I've been rearranging my days to get the full benefit of daylight as winter approaches. I went out for a walk in the middle of the afternoon one day last week and was stunned at how beautiful the light was. In this season and at that particular hour, it was so cool and clear that it looked like morning light.

Since then, I've been going out at various times and have seen the light at different angles. This afternoon it was like a holiday just to be out in the sun, to watch all those puffy clouds adrift in cerulean blue and to consider the colors of the trees, gone now to a more somber end of the spectrum in most cases but still stunning, with bursts of bright red and yellow punctuating the browns and russets. It's as if you got to the crayon box and someone had taken out the popular colors, the aquas and the violets and the hot pinks, and you were left with the burnt siennas, the ochers, and the chartreuses. If you stop and look, though, it's wonderful how well they look all mixed up together against a blue sky.

I thought a few weeks ago that it would be hard to beat the late afternoon light hitting the tops of the trees and turning them to flame at sunset, but taking walks at different times of the day has been a revelation. I've noticed a pair of trees that I've passed thousands of times without ever appreciating the unusual shade of red they exhibit, something that is only apparent in stronger light. I thought about it today and realized that it's like the color of ripe summer fruit, like fresh strawberries, a bit incongruous for December, maybe, but that's what it looks like. When the sun goes behind a cloud, the light goes flat and you don't see the colors at their best advantage. Being on foot, as opposed to driving by, also helps you slow down enough to appreciate the subtle beauty of the late fall to early winter transition.

I startled two robins down by the creek today and watched them flutter off. I passed maples and oaks, evergreens and hollies, magnolias and ginkgos and numerous others. I heard the wind in the leaves and spotted many nests in partially bare branches. I enjoyed the crisp air. I thought about the old saying, "In December, keep yourself warm and sleep." There's some wisdom to this, but there's also something to be gained by going out to meet the day, especially when it's as beautiful as today was. A little Vitamin D is never amiss, and you can always have hot chocolate afterward.

* (Source: "Legba and Eshu: Writers of Destiny" in Robert D. Pelton's The Trickster in West Africa: A Study of Mythic Irony and Sacred Delight)

Greetings from the Night Garden

A strange thing happened while I was writing this post, and it's never happened before since I've started the blog. I had most of the post written and was in editing mode when I noticed that the first two thirds of my essay had disappeared. Ouch! Horror! Fire! Calamity! No amount of hitting the back button has brought it back, so I have to conclude that all that Beautifully Constructed Prose is gone for good. I don't know exactly what happened, but of course word processors can be tricky. Trickster-y, too.

I was writing about the mysterious dark thing I thought I saw outside my window at work a week or so ago. Something fluttered by, and I only caught it out of the corner of my eye. I kept watching for it all week and kept seeing other things -- a leaf one day, a moth the next -- but I never saw what I thought I had seen the first time. Though only half-glimpsed, it had seemed bigger, darker, and more exotic somehow than a moth, like a creature from a night garden. What I really thought I had seen was a large black butterfly.

Since the butterfly is a symbol of psyche, and a black one carries implications of the shadow, the undeveloped part of our being that holds so much potential, this was a sighting guaranteed to spark the imagination of a Jungian. It might not be as exciting as the scarab beetle that bumped against the window of Jung's consulting room right after his client had dreamed about just such a beetle, but it was a break in the routine all the same. I was sitting there working, probably looking at news databases in Lexis-Nexis or doing something equally prosaic, when all of a sudden this creature appeared, hovering just on the edge of my vision and disappearing before I could get a good look.

But had I really seen it or had I seen something else, like that humble brown moth I spotted a few days later, and had my imagination turned it into something grander? That was the question.

I had somehow connected this to Jungian psychology, the quaternity, and the three men who appeared in my dream last night and dumped a yellow couch in my living room, but all of that has disappeared into the ether of Blogger's text editor. So maybe I should just say what actually happened.

On Friday afternoon, I was finishing up loose ends at my desk when something flew by my window, and I was quick enough to get a good look this time. It was a black butterfly, and an unusually large one, with big bold wings. I'm not sure where it came from, or even if it's the same one I saw a week ago. Now, the practical, rational side of me says, OK, a butterfly, you've seen one like it in the Arboretum. That's true. But my poetic side likes the contrast of midnight wings and bright sunlight, and the fact that it was flying so far from the ground.