A few days ago, I read about a book in which author Colin Woodard, a journalist, attempts to explain cultural divides in the United States by identifying the characteristic attitudes and beliefs of various regions. I haven’t read his book, American Nations: A History of the Eleven Rival Regional Cultures in North America, but the premise is fascinating. His theory not only identifies eleven cultural nations that make up North America but also explains how this affects political polarization. In case you had the idea that modern American life has been homogenized coast to coast to a monotonous sameness by pop culture, media, advertising, and commerce, Mr. Woodard is prepared to propose that underlying regional differences, some as old as our nation’s origins (and even older), are real and persistent and continue to shape our outlooks to the present day.
The eleven nations are Yankeedom (New England, the Great Lakes Region, and the Upper Midwest); New Netherland (New York City, Northern New Jersey, and environs); Tidewater (the Mid-Atlantic coast, including Delaware, Maryland, Virginia, and North Carolina); the Deep South (from South Carolina down and as far west as East Texas); Greater Appalachia (which begins in Pennsylvania and includes much of what I would consider the “Upper South,” as far as Texas); the Midlands (starting in New Jersey and encompassing much of the traditional Midwest); New France (centered in New Orleans and Quebec in Canada); El Norte (the Southwest, including Southern California); the Far West (stretching from the Southwest up into the Rocky Mountain states); the Left Coast (coastal Northern California, Oregon, Washington, and Western Canada); and First Nation (the vast territory of Native Americans, with most of its population living in Canada).
That’s it, as I understand it. The nations don’t stop at state lines, of course, so your state may feel the cultural pull of three or four different regions. Most people in Kentucky, where I live, probably think of Appalachia as a particular region in the eastern part of the state, but I agree with Mr. Woodard that its culture is very influential outside the mountains proper. I also think the presence of regions near Kentucky, including the Midlands and Deep South, can be felt here. No doubt Mr. Woodard covers cross-influences and other complexities in his book, but the article (by Business Insider’s Matthew Speiser) just touched on the highlights.
The most interesting aspect of the Eleven Nations idea is the underlying “personality” of each region. You would probably not be surprised to hear that Yankees value education and citizen participation in government, that people in the Far West tend to resent intrusions by the Federal government and outside corporate interests, that Tidewater was settled by aristocrats and continues to reflect some support for tradition, and that Left Coasters maintain a mix of Utopian ideas and a yen for creative expression. I was a bit surprised to see that Southern California belongs to El Norte rather than the Left Coast, which seems to indicate that Mr. Woodard views the hard-working values of Latino culture as taking the upper hand there (I have to think that L.A. is at the confluence of these two nations; it definitely seems part of the Left Coast to me).
I was surprised to see the Midlands described as being very culturally diverse and welcoming; in many areas, I’m sure that’s true, but I have always thought of certain parts of the Midwest as being very “white bread.” The United States is becoming increasingly diverse, so perhaps this is an outmoded notion of mine that is true no longer. I was also surprised to see that the Left Coast is supposed to include strong influences of both Yankeedom and Appalachia; I wonder if that’s actually how Left Coasters see themselves. If there’s truth in this, Appalachian culture in Kentucky is of a quite different variety than I have seen out west, being somewhat more “grounded.” I get the Utopian leanings and emphasis on self-development in a place like San Francisco, but I have always experienced it as much more caught up in fantasy and play than the down-to-earth concerns that are pervasive here.
Interestingly, New Orleans is one of those places that operates almost in a world of its own, a sort of anomaly in the conservative Deep South around it. I’ve only been to New Orleans once, but I have to say it struck me that way, as a place in which I sometimes marveled to think that I was in the United States at all. The culture of fast food, chain stores, and suburbia almost seemed non-existent in the face of a very distinctive cuisine, evidence of refined tastes in everything from shopping to architecture, and a pastiche of cultural influences. Similarly, South Florida, in Mr. Woodard’s scheme, is allied with Caribbean culture, not the Deep South. In my experience of having lived there, long ago, this is true. It’s the tropics; you have to travel north in Florida before you begin to feel that you are entering the South. To move from South Florida to Kentucky, for example, is to experience profound cultural shock.
I was trying to think of a way to line up these Eleven Nations with some sort of mythological idea peculiar to each, and I’m sure there is one, though it also seems to carry the danger of over-simplifying things. Sure, the Tidelands respect for established ways and authority is a very Zeusian thing, and the El Norte identification with hard work and self-reliance might be thought of as Hephaestian, and the New Netherland preoccupation with business and trade might fall into the realm of Hermes, but when I think of the region I live in and know best, it’s hard to think of just one entity that really covers it. If pressed, I guess I might go back to the patron saint of bourbon I imagined in a post from several years ago, a sort of plain-spoken Old Testament type with a penchant for cussing and spitting and fiery speech. I’m just not sure where he fits in the Greek pantheon, which despite its variety doesn’t quite supply a deity for every occasion you might think of.
Finally, Mr. Woodard explains that the most profound political influence coming out of the Eleven Nations is the conflict between Yankeedom and the Deep South, whose very different ideas and attitudes are tough to reconcile. It almost sounds as if we’re still fighting the Civil War, doesn’t it, at least on the political level, Blue against Red. With the nation becoming so much more diverse than it used to be, it’s interesting that this old dynamic is still so strong. The research I’ve done on political divisions indicated that polarization has increased over the last couple of decades, which means that there is an ebb and flow to it, and its strength is dependent on many factors. Perhaps the rapid rate of change has been partly responsible for the nation falling back on this earlier pattern of conflict; it’s certainly a fight we know. It surely seems possible that the influx of new groups and changing demographics might re-shape this conversation over time, though it might be a slow change. It seems to me that the United States, to all appearance a 21st-century nation, has never really healed from the battles of the 19th, and that it is holding us back more than we realize.
To put a mythological face on this aspect of it, Yankeedom’s values, in my mind, align most closely with Athena, goddess of wisdom and intellectual strategy. The values of the Deep South favor a fixed social structure and independence from government control, a sort of authoritarian, self-governing paradigm that speaks of Zeus. Zeus was the father of Athena, who supposedly sprang from his head fully grown, and in that sense perfectly fits the paradigm of this conflict the way I see it. The Deep South traditionally has had a patrician cast to it, and it makes perfect sense that it would resent any “upstart” attempts at influence from a perceived youngster, even if she is a chip off the old block—in some ways, that actually makes it worse. The Deep South rarely responds well to being told what to do, and Yankeedom has its own innate pride in its intellectual attainments and accomplishments. Nevertheless, there will always be goals these regions share, points of common interest, since they are part of the same country. Finding the place where their interests meet most closely seems like the place to start. Of course, that is easier said than done.
Tuesday, January 23, 2018
Monday, January 15, 2018
Pauvre vs. Pobre
I may have mentioned that I was trying to brush up on my Spanish before I went to California. It’s true; I took Spanish as an undergraduate, but it was the reading approach only, and I don’t remember most of what I learned. According to an online test I took one time, my Spanish is at an intermediate level, but that’s a vastly over-generous interpretation of things. I never understood spoken Spanish well, and my reading skills have grown rusty over the years. I was hoping to attain a moderate level of speaking ability in California.
That sounds like a modest hope, and I believe it is, but the first thing I noticed was that I felt shy about trying to speak Spanish once I was actually in So Cal. I guess I knew how shaky my skills were and didn’t want to embarrass myself by acting too gung-ho. At first, the only native speaker of Spanish I came in contact with was the housekeeper at my hotel, and she spoke English, so we conducted our conversations in that language. I didn’t come across anyone in my admittedly limited social sphere who didn’t speak English until I was downtown one day. On Olvera Street, I tried to talk to a shopkeeper, and it took me a minute to realize that she only knew a few words of English. I had gone from assuming I’d have lots of chances to practice my Spanish to making the opposite error of assuming a knowledge of English where none existed.
I summoned up enough Spanish to go back and apologize to her once I realized what had happened. “Mi español es pobre” was a helpful phrase I pulled out more than once, so while I was disappointed that my Spanish skills didn’t advance much all summer, I was kind of proud of being able to make myself understood in that one instance. I only wanted to be respectful of the culture I was in and was very aware that textbook Spanish is a good start but that immersion in the language is the only way to become really fluent.
Somehow, once I came back to Kentucky and realized that a lot of the staff where I’m staying are native Spanish speakers, my shyness about speaking the language went away. I guess I just felt less pressure here to make a good showing, as Lexington isn’t quite the multicultural melting pot that Los Angeles is. I started making lists of phrases and discovered that it’s quite possible to conduct an entire conversation as long as you have recourse to Google. I told someone today that I speak “Google Spanish.” I’m never certain whether I’m pronouncing the words correctly and whether some of the phrases are idiomatically correct, but I seem to get my meaning across most of the time. I don’t feel comfortable not speaking to someone who’s doing something for me, and it’s good practice. Occasionally, someone will even tell me I’m saying something the wrong way, which is actually more of a compliment than anything. It makes me feel that my efforts are being respected and that I’m not just being humored.
Of course, you know the Wordplay mantra of “Do No Harm”: the last thing I want to do is to create any cross-cultural misunderstandings. I vividly remember the time I was in Germany and tried to ask for a carton of milk to go. I was certain I was pronouncing the phrase just the way I was supposed to according to the phonetic German phrase book only to see the server double over in an apparently difficult attempt to hold back laughter. OK, so I don’t know any German, and it was a brave attempt to break new ground. But there was also the time, on the same trip, that I asked for hot tea with milk in a Paris restaurant (a phrase I was certain I knew from my French course) only to have a very confused looking waitress produce a glass of lukewarm milk with the air that she was certain this wasn’t what I had asked for but she was darned if she knew what to do about it. And I had been brushing up on the language for weeks just prior to the trip, so I still haven’t figured out how that happened.
With Written Spanish for my undergraduate language and Written French in graduate school, I probably know just enough to confuse the heck out of people in two or three different languages. Sometimes I’ll think of a phrase and know what it means but am not sure whether it’s Spanish or French. Just yesterday, I had a simple, impromptu, “Good Day, How Are You?” conversation with someone, and was feeling kind of proud of myself until I thought about it afterwards and realized that while the other person was speaking entirely in Spanish, I had replied to her inquiry of how I was doing with a confident “Très bien!”—which isn’t even Google Spanish but undeniably nothing other than Pure French.
Oh, well, as the French would say, “C’est la vie.” It’s not as if we started a war or anything. And in case I run across any French-speaking people at this establishment, I know just the phrase to smooth over any occasion: “Mon français est pauvre.” At least, I think that’ll do it.
That sounds like a modest hope, and I believe it is, but the first thing I noticed was that I felt shy about trying to speak Spanish once I was actually in So Cal. I guess I knew how shaky my skills were and didn’t want to embarrass myself by acting too gung-ho. At first, the only native speaker of Spanish I came in contact with was the housekeeper at my hotel, and she spoke English, so we conducted our conversations in that language. I didn’t come across anyone in my admittedly limited social sphere who didn’t speak English until I was downtown one day. On Olvera Street, I tried to talk to a shopkeeper, and it took me a minute to realize that she only knew a few words of English. I had gone from assuming I’d have lots of chances to practice my Spanish to making the opposite error of assuming a knowledge of English where none existed.
I summoned up enough Spanish to go back and apologize to her once I realized what had happened. “Mi español es pobre” was a helpful phrase I pulled out more than once, so while I was disappointed that my Spanish skills didn’t advance much all summer, I was kind of proud of being able to make myself understood in that one instance. I only wanted to be respectful of the culture I was in and was very aware that textbook Spanish is a good start but that immersion in the language is the only way to become really fluent.
Somehow, once I came back to Kentucky and realized that a lot of the staff where I’m staying are native Spanish speakers, my shyness about speaking the language went away. I guess I just felt less pressure here to make a good showing, as Lexington isn’t quite the multicultural melting pot that Los Angeles is. I started making lists of phrases and discovered that it’s quite possible to conduct an entire conversation as long as you have recourse to Google. I told someone today that I speak “Google Spanish.” I’m never certain whether I’m pronouncing the words correctly and whether some of the phrases are idiomatically correct, but I seem to get my meaning across most of the time. I don’t feel comfortable not speaking to someone who’s doing something for me, and it’s good practice. Occasionally, someone will even tell me I’m saying something the wrong way, which is actually more of a compliment than anything. It makes me feel that my efforts are being respected and that I’m not just being humored.
Of course, you know the Wordplay mantra of “Do No Harm”: the last thing I want to do is to create any cross-cultural misunderstandings. I vividly remember the time I was in Germany and tried to ask for a carton of milk to go. I was certain I was pronouncing the phrase just the way I was supposed to according to the phonetic German phrase book only to see the server double over in an apparently difficult attempt to hold back laughter. OK, so I don’t know any German, and it was a brave attempt to break new ground. But there was also the time, on the same trip, that I asked for hot tea with milk in a Paris restaurant (a phrase I was certain I knew from my French course) only to have a very confused looking waitress produce a glass of lukewarm milk with the air that she was certain this wasn’t what I had asked for but she was darned if she knew what to do about it. And I had been brushing up on the language for weeks just prior to the trip, so I still haven’t figured out how that happened.
With Written Spanish for my undergraduate language and Written French in graduate school, I probably know just enough to confuse the heck out of people in two or three different languages. Sometimes I’ll think of a phrase and know what it means but am not sure whether it’s Spanish or French. Just yesterday, I had a simple, impromptu, “Good Day, How Are You?” conversation with someone, and was feeling kind of proud of myself until I thought about it afterwards and realized that while the other person was speaking entirely in Spanish, I had replied to her inquiry of how I was doing with a confident “Très bien!”—which isn’t even Google Spanish but undeniably nothing other than Pure French.
Oh, well, as the French would say, “C’est la vie.” It’s not as if we started a war or anything. And in case I run across any French-speaking people at this establishment, I know just the phrase to smooth over any occasion: “Mon français est pauvre.” At least, I think that’ll do it.
Monday, January 8, 2018
Wordplay’s Shopping Extravaganza
I went shopping the other day, something I hadn’t done in quite a while—shopping for clothes, I mean. It’s like this: I hadn’t planned to be back in Kentucky, but here I am, and hardly any of my winter things with me. Since my job search over the summer was so unsuccessful, and my recent trip so fruitless, I don’t know when I’ll get back to California. I was unwilling to admit it, but I’m stuck here for now, and that meant I had to get some outerwear. No more running outside sans hat and gloves for me. Once I knew I was going to have to do it, even though I couldn’t afford it, I got myself in gear and headed over to the mall.
This was one of those experiences with an unexpected upside. Retail therapy can actually work sometimes, especially when you really haven’t bought any clothes in years. I was trying to be practical and not spend more than I had to, so I looked around until I found a vest I could layer over my fleece. Hats, gloves, and scarves were all marked down, so even though I have several of each (in storage) I bit the bullet and accessorized at bargain prices. I was so exhausted by looking by that time that instead of buying pajamas, which I also needed, I grabbed a pair of leggings off a sale rack. Instead of buying the boots I first had in mind, I got a pair of water-resistant ankle boots. That was good because it turned out there were other things I had to spend money on that weren’t cheap but in my mind necessary. I didn’t ask to be put in the circumstances I’m in and can only do the best I can.
Spending beyond my means isn’t something I enjoy. I took pride in decades of frugality and was always able to make a dollar stretch pretty far, a skill I learned in my early working life when I lived paycheck to paycheck and sometimes couldn’t afford something as basic as a pair of shoes. But whereas going to the mall usually seemed like a chore when I was younger, it’s different now. Last week’s trip to the mall actually made me feel better: I enjoy looking at things even if I know I can’t buy them. The “commercialization” of the experience doesn’t bother me any more. I’ve come to understand that all those goods and services represent supply, demand, jobs, and fulfillment of people’s needs.
Once I got back to my room, I wondered if I would reconsider anything I had spent that day and decided to sleep on it. In my new leggings, I was quite a bit more comfortable than I had been and relieved to think that with my outerwear I wouldn’t have to risk frostbite when I went out the next day. I could continue walking places instead of going by car to stay warm. And when I woke up the next day, everything I had bought still seemed justified. Now in fact, I’m already concerned about running out of things like soap that I won’t have any way to get later. It’s a sad day when you’re having to plan ahead on things like soap, but that’s the way it is.
Despite the pressing need that sent me to the mall, it was still a little bit of an Aphrodite experience, in a good way, the way looking at and buying nice things for yourself always is. It was also a little bit of a Demeter experience, since it was the internal mothering voice that told me I’d better not go out any more without a hat and gloves. Athena and Apollo may have been along for the ride, too, on the strategizing end of things. And you thought going to the mall was just about frivolity.
This was one of those experiences with an unexpected upside. Retail therapy can actually work sometimes, especially when you really haven’t bought any clothes in years. I was trying to be practical and not spend more than I had to, so I looked around until I found a vest I could layer over my fleece. Hats, gloves, and scarves were all marked down, so even though I have several of each (in storage) I bit the bullet and accessorized at bargain prices. I was so exhausted by looking by that time that instead of buying pajamas, which I also needed, I grabbed a pair of leggings off a sale rack. Instead of buying the boots I first had in mind, I got a pair of water-resistant ankle boots. That was good because it turned out there were other things I had to spend money on that weren’t cheap but in my mind necessary. I didn’t ask to be put in the circumstances I’m in and can only do the best I can.
Spending beyond my means isn’t something I enjoy. I took pride in decades of frugality and was always able to make a dollar stretch pretty far, a skill I learned in my early working life when I lived paycheck to paycheck and sometimes couldn’t afford something as basic as a pair of shoes. But whereas going to the mall usually seemed like a chore when I was younger, it’s different now. Last week’s trip to the mall actually made me feel better: I enjoy looking at things even if I know I can’t buy them. The “commercialization” of the experience doesn’t bother me any more. I’ve come to understand that all those goods and services represent supply, demand, jobs, and fulfillment of people’s needs.
Once I got back to my room, I wondered if I would reconsider anything I had spent that day and decided to sleep on it. In my new leggings, I was quite a bit more comfortable than I had been and relieved to think that with my outerwear I wouldn’t have to risk frostbite when I went out the next day. I could continue walking places instead of going by car to stay warm. And when I woke up the next day, everything I had bought still seemed justified. Now in fact, I’m already concerned about running out of things like soap that I won’t have any way to get later. It’s a sad day when you’re having to plan ahead on things like soap, but that’s the way it is.
Despite the pressing need that sent me to the mall, it was still a little bit of an Aphrodite experience, in a good way, the way looking at and buying nice things for yourself always is. It was also a little bit of a Demeter experience, since it was the internal mothering voice that told me I’d better not go out any more without a hat and gloves. Athena and Apollo may have been along for the ride, too, on the strategizing end of things. And you thought going to the mall was just about frivolity.
Sunday, December 31, 2017
New Year's Greeting
Wordplay is taking time out from its extremely hectic New Year's Eve festivities (consisting of dinner and TV) to wish our readers a bright and happy New Year in 2018. I don't so much mind staying in as I mind not getting to be with people I miss. The best New Year's Eve I ever spent was with a couple of friends years ago at a low-key revel at a local bar--food, libations, light jazz, and--mostly--conversation. It was neither wild and crazy nor boring and anti-climactic but just right, proving that it's not the hype or the brand-name entertainment or the fancy dress but the people you're with that make the occasion. If you're not lucky enough to be with the people who mean the most to you, may the fates bring you together without any undue delay and may 2018 be your best year ever.
Thursday, December 28, 2017
Christmas Movie Extravaganza
Over the last week, I saw several different "Top Christmas Movies" lists, all of which included some films I don't really think of as holiday movies. Most of these lists had the criterion that as long as a film had a Christmas setting, it counted, whether or not the story really had a holiday theme. Since I spent several evenings watching Christmas movies this year, I came up with my own list, which is based on nothing more solid than my liking the films. I also adhere to the standard that the film should really be about Christmas.
If a child were making this list, it would, I'm sure, be different from mine. I caught bits and pieces of several movies like The Santa Clause and Elf that I thought were fine for kids, but I was going more for an "all ages" kind of appeal. I came up with a Top Five and an honorable mention category, and in trying to understand what I liked about each of them, I realized that, besides having a strong Christmas "presence," each one of them has an additional, overarching theme that gives it a depth some of the frothier holiday movies don't have.
Here's the Wordplay list, and it actually is in no particular order.
1. It's a Wonderful Life. I missed seeing it this year, but it's hard to imagine any list that wouldn't have it. Of course, it actually encapsulates a retrospective of George Bailey's entire life, but because of its Christmas Eve setting and the central role the holiday plays in the film, it's definitely a Christmas movie. The theme of decency and integrity and the difference they make in the lives of all those who know this otherwise ordinary man makes this a film for all seasons. You could watch it any time of year without it seeming out of place, but it definitely captures the holiday spirit.
2. Miracle on 34th Street. It had been a while since I'd seen this one (I'm reviewing the 1947 version, the only one I've seen). With the plot revolving around the real identity of a Mr. Kris Kringle, drafted at the last minute to play Santa Claus in the Macy's Thanksgiving Parade, it's about as Christmasy as they come. What elevates this movie is the fact that while it's ostensibly about whether or not Santa Claus is real (and if he is real, whether or not the jolly Mr. Kringle is the Santa Claus), it's also about saying yes to a number of things--imagination, trust, and new beginnings--that take a little faith but make life infinitely richer.
3. A Christmas Story. I had been meaning to watch this film for years but somehow kept missing it until this year. It has a quirky tone that I found I had to adjust to, since the characters in Ralphie's family are all a bit eccentric, but it hits its stride when Ralphie's quest to get the Christmas present of his dreams, a Red Ryder BB gun, starts to take on the quality of a mission. I liked the way the characters became more three-dimensional as the film went on; both of Ralphie's parents have their faults, but between the two of them they manage to give Ralphie and his brother just what they need. Above and beyond the Christmas theme, this is a nascent coming-of-age story.
4. A Christmas Carol. I've seen several versions of this story on film, including a musical one, and I don't think I've seen a bad one yet. I'm not singling out a particular version, because they all have their virtues, but I think at least one of them has to be on any top Christmas movies list. Dickens's story starts at the opposite end from It's a Wonderful Life, telling the tale of a man whom scarcely anyone loves who comes to realize how different life can be if he overcomes his own disappointments and opens his heart to others. Flashbacks, ghostly visitations, astral journeys, and a Christmas goose--what more can you ask for?
5. The Polar Express. Like A Christmas Carol, this movie is a little bit spooky; like A Christmas Story, it's a coming-of-age tale; and like Miracle on 34th Street, it's a movie that asks you to take certain things on faith. It may seem strange to call this a coming-of-age story when the plot takes a boy who is almost beyond believing in Santa on a magical journey to the North Pole with the purpose of re-awakening his belief. But is that really what's going on? While the movie insists on the importance of belief, Santa Claus is really only the vehicle, the catalyst on a voyage of self-discovery. It is, as the train conductor tells the children, their "crucial year," the one in which they are simultaneously looking backward at the children they have been and forward to the adults they will become.
And finally, in the Honorable Mention category: White Christmas. I saw this movie years ago and liked it, and although it seemed cornier this time than I remembered it, it's hard to find fault with a story that includes romance, a train trip from Florida to New England, comedy, Christmas at a Vermont inn, good deeds that almost backfire, and a number of elaborate musical numbers. It's light-hearted and sentimental and incorporates all that song and dance effortlessly into the plot, as long as you don't mind the schmaltz.
So that's my Top Five, plus one. If anyone was expecting a very quirky and unconventional list, I'm sure they're disappointed, as this list strikes even me as being very traditional. But after all, that's what we like about Christmas: the traditions.
If a child were making this list, it would, I'm sure, be different from mine. I caught bits and pieces of several movies like The Santa Clause and Elf that I thought were fine for kids, but I was going more for an "all ages" kind of appeal. I came up with a Top Five and an honorable mention category, and in trying to understand what I liked about each of them, I realized that, besides having a strong Christmas "presence," each one of them has an additional, overarching theme that gives it a depth some of the frothier holiday movies don't have.
Here's the Wordplay list, and it actually is in no particular order.
1. It's a Wonderful Life. I missed seeing it this year, but it's hard to imagine any list that wouldn't have it. Of course, it actually encapsulates a retrospective of George Bailey's entire life, but because of its Christmas Eve setting and the central role the holiday plays in the film, it's definitely a Christmas movie. The theme of decency and integrity and the difference they make in the lives of all those who know this otherwise ordinary man makes this a film for all seasons. You could watch it any time of year without it seeming out of place, but it definitely captures the holiday spirit.
2. Miracle on 34th Street. It had been a while since I'd seen this one (I'm reviewing the 1947 version, the only one I've seen). With the plot revolving around the real identity of a Mr. Kris Kringle, drafted at the last minute to play Santa Claus in the Macy's Thanksgiving Parade, it's about as Christmasy as they come. What elevates this movie is the fact that while it's ostensibly about whether or not Santa Claus is real (and if he is real, whether or not the jolly Mr. Kringle is the Santa Claus), it's also about saying yes to a number of things--imagination, trust, and new beginnings--that take a little faith but make life infinitely richer.
3. A Christmas Story. I had been meaning to watch this film for years but somehow kept missing it until this year. It has a quirky tone that I found I had to adjust to, since the characters in Ralphie's family are all a bit eccentric, but it hits its stride when Ralphie's quest to get the Christmas present of his dreams, a Red Ryder BB gun, starts to take on the quality of a mission. I liked the way the characters became more three-dimensional as the film went on; both of Ralphie's parents have their faults, but between the two of them they manage to give Ralphie and his brother just what they need. Above and beyond the Christmas theme, this is a nascent coming-of-age story.
4. A Christmas Carol. I've seen several versions of this story on film, including a musical one, and I don't think I've seen a bad one yet. I'm not singling out a particular version, because they all have their virtues, but I think at least one of them has to be on any top Christmas movies list. Dickens's story starts at the opposite end from It's a Wonderful Life, telling the tale of a man whom scarcely anyone loves who comes to realize how different life can be if he overcomes his own disappointments and opens his heart to others. Flashbacks, ghostly visitations, astral journeys, and a Christmas goose--what more can you ask for?
5. The Polar Express. Like A Christmas Carol, this movie is a little bit spooky; like A Christmas Story, it's a coming-of-age tale; and like Miracle on 34th Street, it's a movie that asks you to take certain things on faith. It may seem strange to call this a coming-of-age story when the plot takes a boy who is almost beyond believing in Santa on a magical journey to the North Pole with the purpose of re-awakening his belief. But is that really what's going on? While the movie insists on the importance of belief, Santa Claus is really only the vehicle, the catalyst on a voyage of self-discovery. It is, as the train conductor tells the children, their "crucial year," the one in which they are simultaneously looking backward at the children they have been and forward to the adults they will become.
And finally, in the Honorable Mention category: White Christmas. I saw this movie years ago and liked it, and although it seemed cornier this time than I remembered it, it's hard to find fault with a story that includes romance, a train trip from Florida to New England, comedy, Christmas at a Vermont inn, good deeds that almost backfire, and a number of elaborate musical numbers. It's light-hearted and sentimental and incorporates all that song and dance effortlessly into the plot, as long as you don't mind the schmaltz.
So that's my Top Five, plus one. If anyone was expecting a very quirky and unconventional list, I'm sure they're disappointed, as this list strikes even me as being very traditional. But after all, that's what we like about Christmas: the traditions.
Friday, December 22, 2017
Thoroughly Modern Thor
Well, another day, another non-dollar here at Wordplay, but it's Christmas, and we don't have a tree or presents, but we have been watching holiday movies and getting a kick out of that. Most of them I have seen before, and some grow brighter with time, and some fade a little, but then, I've written many times about the phenomenon of changing perspective, and you probably don't want to hear about that again.
"Why don't you tell us something we don't know?" I can hear somebody saying. Funny, but I was about to say the same thing to you. Why don't you tell me something I don't know? I guess now we're at an impasse and will have to resort to talking about the weather in lieu of anything else. Come to think of it, they do seem awfully excited about catastrophic events over at The Weather Channel these days, so maybe they are on to something. And here was me thinking the lot of them had just fallen into the holiday punchbowl.
There was a scene in a holiday movie the other night in which two people got into a sled, and right on cue, snow began to fall on them, and them alone. It was a column of snow that moved with them, their own personal weather system. I sort of know how they feel. There have been a few times this year when I felt like there was a cloud following me around, though none of it was anything unexpected or out of the way for the time of year and the location, not like the recent freak snowstorm in the southern U.S. (which didn't reach us here).
I certainly had my share of storms, though, from the Big Wind that walloped Oklahoma when I was driving to California in June, to the Big Black Wall of rain that soaked me in Texas as I was driving to a friend's house (looking, I swear, like something out of The Day After Tomorrow--never have I seen a cloud like that outside of a special effects movie), to the big bolt of lightning that struck close by just as I stepped outside after returning to Lexington in September. Then there was the downpour that started in the early morning just as I was going out to my car recently to leave for the airport, a trip that began with pouring rain and ended in fire in California. That was a bit uncanny for a single trip.
Now, of course, I suffered no physical effects from any of these events, though I could have. It wasn't like I suffered through the hurricanes in the Caribbean or lost a home to fire like many others have--but I definitely feel I've had my share of near misses with weather. I was reading an article recently about an organization sponsored by our government that has been studying UFOs--which some officials, including former senator Harry Reid, who championed this group--apparently take very seriously. The thought crossed my mind, based on my own rash of experiences with extreme weather, that some of these unidentified objects might be aircraft carrying out some kind of high-altitude weather experiments. Of course, I'm merely being fanciful here--if someone had that type of technology, they would be using it to make rain over Southern California, not dropping thunderbolts on random citizens.
And if the U.S. government doesn't know anything about such a project, I'm sure I don't. Of course, the government is kind of a compartmentalized place, and one hand doesn't always know what the other is doing, by all accounts. Just because Harry Reid didn't know anything about making rain doesn't mean somebody else doesn't.
This seems to me the makings of a plot for a science fiction movie. Just imagine it, a world in which someone controls weather and other natural phenomena for purposes of war, lightning bolts instead of bullets, earthquakes instead of tanks, as if the old gods, Thor and Poseidon, were astride Olympus once more. And even worse than that, think of the possibility of holding a place siege by keeping the rains away, letting homesteads burn and crops wither, attempting to beat your enemies into submission by means of a merciless sky. Though I admit I have trouble thinking of that as warfare--it seems more like a criminal act. Of course, if you had the means to do things like that, it might not be something you'd want to admit. You could do a lot of sneaky mischief and no one would be the wiser.
The old science fiction movies in which the threats to civilization come from the outside represent a different paradigm than this one. Even the movies in which science unleashes unintended consequences, giant insects resulting from radiation mutations and so on, are in a different category, because what I'm envisioning is a world in which the consequences are not unintended but purposeful. This would be a Matrix-like existence indeed, one in which one is never sure of the extent to which a natural event is "natural" or manipulated--how could you tell the difference? In the old dispensation, people were generally remorseful about the havoc they unleashed (except for the guy that thinks the way to solve the problem is by using even more technology, and there's always one of those). In the new dispensation, the technology is the calculated means to an end.
I guess I'm old-fashioned, but I find all of this too scary to contemplate, even if it is just a movie I'm writing in my head. Though one can think of good uses to which weather control might be put, the bad uses are pretty alarming. So where does that leave us? Why, in a brave new world, where else?
I guess you can see why I'd rather be watching Christmas movies, and I'm sure you would be, too. It's not really the season for these apocalyptic imaginings, so I'm just going to blame it on The Weather Channel for all the shouting they're doing over there. That and the thunderbolt that almost got me.
"Why don't you tell us something we don't know?" I can hear somebody saying. Funny, but I was about to say the same thing to you. Why don't you tell me something I don't know? I guess now we're at an impasse and will have to resort to talking about the weather in lieu of anything else. Come to think of it, they do seem awfully excited about catastrophic events over at The Weather Channel these days, so maybe they are on to something. And here was me thinking the lot of them had just fallen into the holiday punchbowl.
There was a scene in a holiday movie the other night in which two people got into a sled, and right on cue, snow began to fall on them, and them alone. It was a column of snow that moved with them, their own personal weather system. I sort of know how they feel. There have been a few times this year when I felt like there was a cloud following me around, though none of it was anything unexpected or out of the way for the time of year and the location, not like the recent freak snowstorm in the southern U.S. (which didn't reach us here).
I certainly had my share of storms, though, from the Big Wind that walloped Oklahoma when I was driving to California in June, to the Big Black Wall of rain that soaked me in Texas as I was driving to a friend's house (looking, I swear, like something out of The Day After Tomorrow--never have I seen a cloud like that outside of a special effects movie), to the big bolt of lightning that struck close by just as I stepped outside after returning to Lexington in September. Then there was the downpour that started in the early morning just as I was going out to my car recently to leave for the airport, a trip that began with pouring rain and ended in fire in California. That was a bit uncanny for a single trip.
Now, of course, I suffered no physical effects from any of these events, though I could have. It wasn't like I suffered through the hurricanes in the Caribbean or lost a home to fire like many others have--but I definitely feel I've had my share of near misses with weather. I was reading an article recently about an organization sponsored by our government that has been studying UFOs--which some officials, including former senator Harry Reid, who championed this group--apparently take very seriously. The thought crossed my mind, based on my own rash of experiences with extreme weather, that some of these unidentified objects might be aircraft carrying out some kind of high-altitude weather experiments. Of course, I'm merely being fanciful here--if someone had that type of technology, they would be using it to make rain over Southern California, not dropping thunderbolts on random citizens.
And if the U.S. government doesn't know anything about such a project, I'm sure I don't. Of course, the government is kind of a compartmentalized place, and one hand doesn't always know what the other is doing, by all accounts. Just because Harry Reid didn't know anything about making rain doesn't mean somebody else doesn't.
This seems to me the makings of a plot for a science fiction movie. Just imagine it, a world in which someone controls weather and other natural phenomena for purposes of war, lightning bolts instead of bullets, earthquakes instead of tanks, as if the old gods, Thor and Poseidon, were astride Olympus once more. And even worse than that, think of the possibility of holding a place siege by keeping the rains away, letting homesteads burn and crops wither, attempting to beat your enemies into submission by means of a merciless sky. Though I admit I have trouble thinking of that as warfare--it seems more like a criminal act. Of course, if you had the means to do things like that, it might not be something you'd want to admit. You could do a lot of sneaky mischief and no one would be the wiser.
The old science fiction movies in which the threats to civilization come from the outside represent a different paradigm than this one. Even the movies in which science unleashes unintended consequences, giant insects resulting from radiation mutations and so on, are in a different category, because what I'm envisioning is a world in which the consequences are not unintended but purposeful. This would be a Matrix-like existence indeed, one in which one is never sure of the extent to which a natural event is "natural" or manipulated--how could you tell the difference? In the old dispensation, people were generally remorseful about the havoc they unleashed (except for the guy that thinks the way to solve the problem is by using even more technology, and there's always one of those). In the new dispensation, the technology is the calculated means to an end.
I guess I'm old-fashioned, but I find all of this too scary to contemplate, even if it is just a movie I'm writing in my head. Though one can think of good uses to which weather control might be put, the bad uses are pretty alarming. So where does that leave us? Why, in a brave new world, where else?
I guess you can see why I'd rather be watching Christmas movies, and I'm sure you would be, too. It's not really the season for these apocalyptic imaginings, so I'm just going to blame it on The Weather Channel for all the shouting they're doing over there. That and the thunderbolt that almost got me.
Thursday, December 14, 2017
"This Living Hand"
A week or two ago, I was browsing in the Mystery shelves of the public library when I came across a trove of Robert B. Parker's books. At one time, I read quite a few of his Spenser novels (and was also a fan of the TV series based on the books). It had been years since I'd read any, and I don't remember why I stopped, but in any case I was pleasantly surprised to see so many titles that seemed new to me. Mr. Parker was always an entertaining writer and one that I thought I would enjoy getting reacquainted with.
The book I selected had an interesting premise involving a woman swindled out of a large sum by a romantic partner who had ties to arms dealers, espionage, and a number of other hazy entities. She hired Spenser to find him and get her money back. The story started off strongly and brought in the regular cast of characters I remembered from the earlier books, including Spenser's girlfriend, Dr. Susan Silverman, and his associate, the formidable Hawk. I really enjoyed the first couple of chapters, which I read in the library, and I was considering checking the book out when I happened to glance at the inside back cover, curious to see what Mr. Parker looks like now.
That was when I discovered what I might already have known but somehow forgot, that Mr. Parker is actually deceased. The author of the book I was holding was another writer who has been given the job, by Mr. Parker's estate, of continuing the Spenser series. I was taken aback to discover this, both saddened to understand I wasn't reading Mr. Parker's own words and put off to realize that even though his name was on the cover, someone else had taken over. Although I had already become interested in the story, I put the book back. I'm not sure I would have done the same if I had realized immediately that another author had taken over the franchise, but under the circumstances, with Mr. Parker's name on the cover, I felt kind of cheated.
This is not a commentary on the quality of the writing. It's been so long since I read anything of Mr. Parker's that I'm not sure whether or not I would have recognized anything different in the authorial voice if I had continued to read. Maybe, maybe not. The book seemed firmly in familiar territory, and the case seemed very much like one that Spenser would have taken on. I'm sure that most of Mr. Parker's fans are delighted that someone has been able to pick up the torch and keep the series alive, but I was bothered by the fact that I started the book thinking it was the genuine article only to find out by chance that it wasn't. There's a big part of me that feels that if someone dies, people are being a little greedy to want more after that. An author has a distinctive voice that should be appreciated while the person is alive and revered after he or she is gone, but the business of "cloning" bothers me. Of course, that's not how publishers sell books.
I hope that I have many years of life ahead; at the same time, I have no immediate prospects for profiting greatly from any of my writing, good, bad or indifferent. But I don't like to think that, if I were to become a famous writer, someone else would try to become me after I was gone, to try to imitate my style and to take over what I had created. This seems altogether different to me than the writers who take characters made famous by someone else and put their own spin on them, using their own names so that everyone understands what they're doing.
There are some authors, including Jane Austen and Sir Arthur Conan Doyle, who stand up beautifully to this type of treatment. Variations on a theme can be vastly enjoyable as long as they are labeled as such and the reader knows he is reading the work of a different mind. Paying tribute to the original author's genius with a fresh interpretation and not merely imitating his or her style falls into the category of what I would consider "dreaming the myth forward."
So consider this a pre-directive should I ever become famous: there is only one of me, and when I'm gone, there isn't any more. Appreciate me now, if you like, but don't go creating a Wordplay franchise once I'm gone. I like to think that each person is unique, meaning that each artist is, too. If people think that a mere death is no impediment to stopping the flow of creative output, then that, to me, cheapens the value of both the individual's life and work. Maybe people would value things more if they acknowledged more readily that life is temporary and that people can't be brought back once they're gone.
Oh, by the way, if someone decides to ignore me, be assured I will come back and haunt you. Not quite sure how that works, but I have a feeling I would find a way.
The book I selected had an interesting premise involving a woman swindled out of a large sum by a romantic partner who had ties to arms dealers, espionage, and a number of other hazy entities. She hired Spenser to find him and get her money back. The story started off strongly and brought in the regular cast of characters I remembered from the earlier books, including Spenser's girlfriend, Dr. Susan Silverman, and his associate, the formidable Hawk. I really enjoyed the first couple of chapters, which I read in the library, and I was considering checking the book out when I happened to glance at the inside back cover, curious to see what Mr. Parker looks like now.
That was when I discovered what I might already have known but somehow forgot, that Mr. Parker is actually deceased. The author of the book I was holding was another writer who has been given the job, by Mr. Parker's estate, of continuing the Spenser series. I was taken aback to discover this, both saddened to understand I wasn't reading Mr. Parker's own words and put off to realize that even though his name was on the cover, someone else had taken over. Although I had already become interested in the story, I put the book back. I'm not sure I would have done the same if I had realized immediately that another author had taken over the franchise, but under the circumstances, with Mr. Parker's name on the cover, I felt kind of cheated.
This is not a commentary on the quality of the writing. It's been so long since I read anything of Mr. Parker's that I'm not sure whether or not I would have recognized anything different in the authorial voice if I had continued to read. Maybe, maybe not. The book seemed firmly in familiar territory, and the case seemed very much like one that Spenser would have taken on. I'm sure that most of Mr. Parker's fans are delighted that someone has been able to pick up the torch and keep the series alive, but I was bothered by the fact that I started the book thinking it was the genuine article only to find out by chance that it wasn't. There's a big part of me that feels that if someone dies, people are being a little greedy to want more after that. An author has a distinctive voice that should be appreciated while the person is alive and revered after he or she is gone, but the business of "cloning" bothers me. Of course, that's not how publishers sell books.
I hope that I have many years of life ahead; at the same time, I have no immediate prospects for profiting greatly from any of my writing, good, bad or indifferent. But I don't like to think that, if I were to become a famous writer, someone else would try to become me after I was gone, to try to imitate my style and to take over what I had created. This seems altogether different to me than the writers who take characters made famous by someone else and put their own spin on them, using their own names so that everyone understands what they're doing.
There are some authors, including Jane Austen and Sir Arthur Conan Doyle, who stand up beautifully to this type of treatment. Variations on a theme can be vastly enjoyable as long as they are labeled as such and the reader knows he is reading the work of a different mind. Paying tribute to the original author's genius with a fresh interpretation and not merely imitating his or her style falls into the category of what I would consider "dreaming the myth forward."
So consider this a pre-directive should I ever become famous: there is only one of me, and when I'm gone, there isn't any more. Appreciate me now, if you like, but don't go creating a Wordplay franchise once I'm gone. I like to think that each person is unique, meaning that each artist is, too. If people think that a mere death is no impediment to stopping the flow of creative output, then that, to me, cheapens the value of both the individual's life and work. Maybe people would value things more if they acknowledged more readily that life is temporary and that people can't be brought back once they're gone.
Oh, by the way, if someone decides to ignore me, be assured I will come back and haunt you. Not quite sure how that works, but I have a feeling I would find a way.
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