What passes for a typical day in the life of a blogger/mythologist? You may be wondering, in case reading my blog has ever made you think of trying out the lifestyle for yourself. Just in case, as a public service, I'll share some of my experiences with you so you can decide if it sounds like something you'd ever want to do. (If you do, I'm going to be shocked, but I'll let you make up your own mind.)
Might as well use today as an example. I don't always get online first thing, but today I did, since I had an email to answer and have also been keeping an eye on my wireless connection, which--for reasons the telephone company cannot explain--keeps getting dropped. I was glancing at the Internet news headlines, reading articles here and there, when I saw a Reuters item about the investigation into the death of Alexander Litvinenko, the former KGB officer who became a British citizen and was working with authorities to uncover the activities of the Russian mafia. You may remember that he died in 2006 after drinking tea poisoned with polonium-210, which he said was the work of Russian agents.
In terms of human interest, that story stood out. According to the article, the British government believes his claim was true, that he was in fact murdered, and that Russian authorities are responsible. I got a little lost after that because, even though Britain is acknowledging that this man was murdered in cold blood, there doesn't seem to be any big move to arrest anyone due to the political situation vis-a-vis Syria, the importance of Russia's role there, etc, etc. Russia is making noise about how pushing the matter is going to poison the waters (pun intended, I guess), but if there's such a thing as international law, I don't see how that prevents British authorities from arresting the men they say did it and pursuing justice. That's if they're as committed as they say they are to punishing the guilty. For the sake of argument, let's assume they are.
Well, that's a disturbing story. Actually, it put me in mind of how, a few years ago, I seemed to have all of these Slavic-looking neighbors upstairs. There were two couples, both consisting of a short blonde woman and a tall dark-haired man, and for the longest time I thought there was just one couple, since they were similar in appearance and both had dogs. That was around the time things got kind of weird in and around my building, back in 2010, and I had to go up several times to ask the one couple (who lived above me) to cool it with the excessive noise. Asking did no good, but eventually they left on their own, sometime the following summer.
Going up to complain is how I found out there were actually two couples. Once I was up there talking to the man, and I could see this little blonde chick through the crack in the door, standing behind the man, though she didn't show herself directly. I had seen the other woman in my hallway once, talking to someone on her cell phone about, of all things, 9/11. She had a rather rude and peculiar manner in my brief encounters with her. Actually, she reminded me a lot of--well, I guess I shouldn't mention any names. I'll just say she reminds me of someone connected with the Western branch of my family. They could actually be sisters.
But I'm getting off track a little. Today, after reading the news, eating lunch (a pear salad with yogurt, a hard-boiled egg, cottage cheese), and taking a shower, I got ready to go out. I was dusting off my snow boots--which hadn't seen action since last winter--in the hall and decided to go back in for my lint brush. When I went back out into the hall, there was someone in the vestibule at the other end, knocking and smiling for all she was worth, and gesticulating that she needed to get in. I proceeded to ignore her. Our door is opened by a security code known to all residents, and if she didn't know it, my assumption is she didn't need to be here. (I couldn't tell if she looked Slavic from where I was standing, but heck, who knows who's keeping track of people reading articles about former KGB agents. Ha, ha--just a little humor!)
I wasn't going anywhere unusual today--just Starbucks. We're expecting snow armageddon, or something close to it, and I had decided to go today because the weather is predicted to make travel risky for the next couple of days. Before leaving, I tried the phone company again to let them know that their re-set of my channel hadn't helped my connection, and I was asked if I have a microwave (I don't) and then told that for a fee, I could get additional technical assistance. Huh? You want me to pay extra to get to the bottom of a problem with the service I'm already paying for? I told the service guy, Ron, that that wasn't my idea of a solution. I guess now I'll have to write to someone on top of making the phone calls--but we'll leave that aside for the moment.
I put on my newly brushed boots, bundled up, and went out to meet the cold. The sun tried briefly to come out while I was cleaning the snow from my car, and it wasn't much, but it was nice to see a little brightness. I drove to Starbucks on streets that were pretty clear but kind of dirty, especially near campus, and had to detour around a traffic jam on Euclid Avenue. Starbucks was less crowded than usual (I was surprised, as it seemed like the kind of winter afternoon tailor-made for a long coffee break) but no complaints about that from me.
I do have to observe that, as is often the case, there were a number of what I call "characters" hanging around. As much as you might want to sit with normal people and just enjoy a simple cup of coffee, the atmosphere there often goes against it. I jokingly refer to the place as the CIA Starbucks (inspired by an article I read about an actual Starbucks in the DC area)--and there certainly is a markedly international flavor to the place.
Hey, I'm not there to make any political statements; I usually just opt for any open seat. Today, I had the misfortune to sit near someone, who, I don't know, struck me as a little out of place, but what do I know? I hadn't been there long, sipping my coffee and looking out the window, when he tried to get my attention. I tried to ignore him, but he persisted, and when I finally looked at him, he said, "Is my music too loud?" (What music?) I pointed to my ear warmers, which I hadn't taken off, and said, "I can't hear anything." I thought of pointing out to him the illogic of asking someone who's obviously not responding to you whether or not you're bothering them, but in the interest of not prolonging the interaction, I decided not to.
So I read a little, watched the world go by, drank my coffee (which I trust was polonium-free), and enjoyed, so far as possible, a little fresh air in the hope of warding off any cabin fever that might ensue over the next couple of days. After that, I came home, fixed dinner (a scrambled-egg panini), and jumped online to check my connection (still not working properly). The rest of the evening will consist of: proofreading my blog, washing the dishes, fixing a cup of tea, and possibly watching a few more sessions of The Fall of the Pagans, the latest Teaching Company course I've been enjoying, before going to bed.
So, a day in the life of a blogger. Not my ideal life (far from it, actually), but I try to record things as they are, not as I wish they were. If you've been eaten up with envy, thinking, "Wow, I wish I could be just like Wordplay--she must have it made!" maybe this will serve as a reality check. I count my pennies and worry about the future. I've always lived a fairly ascetic life, but this is getting into monastic territory. There's very little glamour to it and a lot of aggravation. I enjoy blogging, but it doesn't pay much.
As for the world events mentioned here, I'll point out that I do have an unusually high number of readers in Russia (as I've said before), so I'm not unnaturally taking an interest in them. If I wanted to write a spy thriller in the current climate (I don't want to, but if I did), I might start with the Russian royal family--remember them? The Romanovs. Nicholas and Alexandra were cousins to half the European royals, including George V of England. I learned long ago in World History that they all died, but what if there had been a surviving member somewhere? That would be the stuff of real international intrigue.
Perhaps it's the feeling of living a secluded life that gives me a little sympathy for their final plight. Nicholas was not, apparently, a capable ruler, and as an American, I have no admiration for inherited power. We may not always do well by our leaders, but at least we get a chance periodically to change them and give someone else a try. What makes an accident of birth suitable qualification for leadership? Nothing that I can see. To me, it's a little unseemly for Americans to get too starry-eyed over royalty, when we fought a revolution to get away from all that and to start over with the premise that all men are created equal (glaring failures to put it into practice notwithstanding). Never forget what a quantum leap forward that was. If other countries have a different view of things, that's up to them to work out.
It's probably the fact of all the Russian beards I keep seeing that brings all this to mind, along with those mysterious neighbors of mine and the news in general. The Russian look seems to be very much in vogue these days, and not a day goes by when Russia isn't in the news. I don't write the news, but I do read it. And sometimes I blog about it.
Thursday, January 21, 2016
Thursday, January 14, 2016
"The Truman Show" -- A Fairy Tale for the Media Age
I've been thinking this week about Peter Weir's film The Truman Show. It's been so much on my mind that it seems right, without further ado, to share an analysis of the film that I once wrote for a class. I actually did two papers, one from a Freudian and one from a Jungian perspective. I thought both were good, but I got an A on one and a B+ on the other; the B+ paper is the one I'm excerpting here, with an ending taken from the other paper.
Director Peter Weir's captivating and quirky tale, The Truman Show, tells the story of Truman Burbank, the hapless hero who's totally in the dark concerning the truth of his own life. He's the subject of a 24-hour-a-day television "reality show" dreamed up by director-genius Christof. Truman's parents, his wife, his best friend, everyone around him, are all actors, and his life is a set-up. Viewers all over the world tune in to see Truman deal with such situations as the "death" of his father, his school years, his marital tensions, his job, and his escapades with pal Marlon, all of which are carefully scripted episodes. The real story begins when Truman starts to wake up to what's happening and tries to break out of the role that's been written for him.
At first, it's the dullness of a round of days in which each seems much like the one before that begins to wear on Truman. In the time-honored tradition of a situation comedy, he endures endlessly repetitious set-ups and pratfalls involving the neighbors, the local grocer, his mother, and his wife. Eventually, a series of mischances gives him an alarming realization that things revolve around him in a peculiar way. He's nearly hit on the head by a falling stage light. He tunes into a frequency on his car radio in which technicians and stagehands seem to be talking about him. His unscheduled appearance in a building leads him to a backless elevator and a glimpse of things behind the scenes, including caterers. He begins to put together odd incidents from the past in which bits of the truth are apparent. One day, he sees the man he thought of as his father, supposedly dead, now in the role of an extra walking down the street.
As the director tries more determinedly to keep Truman in the dark, Truman becomes bolder about testing reality for himself. Despite the attempts of the other actors to convince him that things are what they seem to be, Truman executes an escape plan leading to the last place Christof thinks of looking for him: the sea. For Truman's long-standing fear of the water, engineered to keep him from roaming off the set, seems to negate the possibility of his ever attempting to leave his island. Once he manages to break out, he finds that the world is both larger and smaller than he realized--larger in the sense that his life is his own if he chooses to seize it, and smaller because (literally) he has been living his life on a Hollywood set whose horizon is a painted backdrop.
Truman is a stand-in for each of us in our journey toward Selfhood. He suggests the archetypal Divine Child in his obscure beginnings. Though to himself Truman is nothing special, his smallest doings are followed by millions of viewers around the world, so that his power and reach are almost supernatural. He has retained a childlike quality even in adulthood, a sunny innocence in the face of the deceit practiced all around him. If, as Jung said, the Divine Child represents the future, Truman personifies unawakened potential in its purest form.
Truman's push toward Selfhood is nearly dormant in the beginning as seen by his acquiescence to the subtle and not-so subtle manipulations of the director and actors. He has been content to live in Jung's "unconscious identification with the plurality of the group." He is so far from knowing himself that when he looks in the mirror every morning, he doesn't realize he is looking into a camera, on the other side of which are the technicians and directors who are actually running his life. "Do you think he can see us?" asks one abashed technician when confronted by Truman's steady but unknowing gaze.
There is no fear of that yet, since Truman's ego is so split off from his unconscious that he is totally identified with his social role. There's an implication that any mild attempts Truman has made at independent growth or assertion have met with disapproval or even disaster in the past. He is oblivious to all the signs that indicate his predicament until he meets Sylvia, who goes against the script by falling for him.
Before being booted from the show (the director has recognized Sylvia's power over Truman), Sylvia tries to tell him the truth about who he is and what's happening. This scene takes place near the ocean, symbol of the primordial source of life and the unconscious. Truman is afraid of the water to the point of being unable to cross a bridge (representing both initiation and its hazards), and this fact has been largely responsible for his failure to realize that he is living on a set. Even though he and Sylvia are parted, he thinks of her constantly, and spurred by an intense desire to be reunited with her, he begins to dream of leaving Seahaven.
When Truman hatches a plan to escape the set, he goes to the basement of his home, where all of his childhood treasures and relics of the past are kept. It has been obvious for some time that Truman is most himself when he retreats to this private world, and it now becomes the springboard for his escape. Out of view of the camera, he makes a break for it by climbing a ladder. A means of egress between the unconscious, "basement" part of himself and his "daylight" ego has been found and moves Truman toward greater consciousness. But to truly change, he still has to cross the ocean that has always terrified him.
For years, Truman believed himself responsible for the death of his father in a boating accident. His realization that this is false now enables him to see a boat not as a symbol of guilt but as a transport that can take him to freedom. In crossing the sea, he is reborn to a more self-determined life, and the boat becomes a womblike vessel of safety that carries him through a special effects storm. Once he weathers the crisis, he realizes that the sea--as well as the painted backdrop he eventually crashes into--represent only the early stages of his journey. The ocean had seemed limitless to Truman when he stood on the shore, but he is just beginning. When he reaches the stage door, it leads into darkness.
In the act of passing through it, Truman enters the unknown territory of authentic life, where nothing is guaranteed. Sylvia, however, has been watching in suspense along with everyone else, and leaves her television, running out of the house to find him. Truman is about to enter her territory.
Though the imaginary television audience in the film--and we viewers of the film--have been complicit in the conspiracy against Truman by the very act of watching, another truth is revealed at the end of the story. We are each Truman in our own way, and our glee at his triumph expresses our own deep yearning for Eros and a more vital, authentic existence than the one we may have settled for. After all, if Truman can do it, so can we.
Director Peter Weir's captivating and quirky tale, The Truman Show, tells the story of Truman Burbank, the hapless hero who's totally in the dark concerning the truth of his own life. He's the subject of a 24-hour-a-day television "reality show" dreamed up by director-genius Christof. Truman's parents, his wife, his best friend, everyone around him, are all actors, and his life is a set-up. Viewers all over the world tune in to see Truman deal with such situations as the "death" of his father, his school years, his marital tensions, his job, and his escapades with pal Marlon, all of which are carefully scripted episodes. The real story begins when Truman starts to wake up to what's happening and tries to break out of the role that's been written for him.
At first, it's the dullness of a round of days in which each seems much like the one before that begins to wear on Truman. In the time-honored tradition of a situation comedy, he endures endlessly repetitious set-ups and pratfalls involving the neighbors, the local grocer, his mother, and his wife. Eventually, a series of mischances gives him an alarming realization that things revolve around him in a peculiar way. He's nearly hit on the head by a falling stage light. He tunes into a frequency on his car radio in which technicians and stagehands seem to be talking about him. His unscheduled appearance in a building leads him to a backless elevator and a glimpse of things behind the scenes, including caterers. He begins to put together odd incidents from the past in which bits of the truth are apparent. One day, he sees the man he thought of as his father, supposedly dead, now in the role of an extra walking down the street.
As the director tries more determinedly to keep Truman in the dark, Truman becomes bolder about testing reality for himself. Despite the attempts of the other actors to convince him that things are what they seem to be, Truman executes an escape plan leading to the last place Christof thinks of looking for him: the sea. For Truman's long-standing fear of the water, engineered to keep him from roaming off the set, seems to negate the possibility of his ever attempting to leave his island. Once he manages to break out, he finds that the world is both larger and smaller than he realized--larger in the sense that his life is his own if he chooses to seize it, and smaller because (literally) he has been living his life on a Hollywood set whose horizon is a painted backdrop.
Truman is a stand-in for each of us in our journey toward Selfhood. He suggests the archetypal Divine Child in his obscure beginnings. Though to himself Truman is nothing special, his smallest doings are followed by millions of viewers around the world, so that his power and reach are almost supernatural. He has retained a childlike quality even in adulthood, a sunny innocence in the face of the deceit practiced all around him. If, as Jung said, the Divine Child represents the future, Truman personifies unawakened potential in its purest form.
Truman's push toward Selfhood is nearly dormant in the beginning as seen by his acquiescence to the subtle and not-so subtle manipulations of the director and actors. He has been content to live in Jung's "unconscious identification with the plurality of the group." He is so far from knowing himself that when he looks in the mirror every morning, he doesn't realize he is looking into a camera, on the other side of which are the technicians and directors who are actually running his life. "Do you think he can see us?" asks one abashed technician when confronted by Truman's steady but unknowing gaze.
There is no fear of that yet, since Truman's ego is so split off from his unconscious that he is totally identified with his social role. There's an implication that any mild attempts Truman has made at independent growth or assertion have met with disapproval or even disaster in the past. He is oblivious to all the signs that indicate his predicament until he meets Sylvia, who goes against the script by falling for him.
Before being booted from the show (the director has recognized Sylvia's power over Truman), Sylvia tries to tell him the truth about who he is and what's happening. This scene takes place near the ocean, symbol of the primordial source of life and the unconscious. Truman is afraid of the water to the point of being unable to cross a bridge (representing both initiation and its hazards), and this fact has been largely responsible for his failure to realize that he is living on a set. Even though he and Sylvia are parted, he thinks of her constantly, and spurred by an intense desire to be reunited with her, he begins to dream of leaving Seahaven.
When Truman hatches a plan to escape the set, he goes to the basement of his home, where all of his childhood treasures and relics of the past are kept. It has been obvious for some time that Truman is most himself when he retreats to this private world, and it now becomes the springboard for his escape. Out of view of the camera, he makes a break for it by climbing a ladder. A means of egress between the unconscious, "basement" part of himself and his "daylight" ego has been found and moves Truman toward greater consciousness. But to truly change, he still has to cross the ocean that has always terrified him.
For years, Truman believed himself responsible for the death of his father in a boating accident. His realization that this is false now enables him to see a boat not as a symbol of guilt but as a transport that can take him to freedom. In crossing the sea, he is reborn to a more self-determined life, and the boat becomes a womblike vessel of safety that carries him through a special effects storm. Once he weathers the crisis, he realizes that the sea--as well as the painted backdrop he eventually crashes into--represent only the early stages of his journey. The ocean had seemed limitless to Truman when he stood on the shore, but he is just beginning. When he reaches the stage door, it leads into darkness.
In the act of passing through it, Truman enters the unknown territory of authentic life, where nothing is guaranteed. Sylvia, however, has been watching in suspense along with everyone else, and leaves her television, running out of the house to find him. Truman is about to enter her territory.
Though the imaginary television audience in the film--and we viewers of the film--have been complicit in the conspiracy against Truman by the very act of watching, another truth is revealed at the end of the story. We are each Truman in our own way, and our glee at his triumph expresses our own deep yearning for Eros and a more vital, authentic existence than the one we may have settled for. After all, if Truman can do it, so can we.
Labels:
"The Truman Show",
authenticity,
Eros,
Peter Weir,
the Self,
the unconscious
Thursday, January 7, 2016
Mnemosyne's Rules for Making Room
Some people think spring is the best time for cleaning, but I say, why not winter? You're going to be inside anyway, and inclement days provide an ideal opportunity to tackle jobs like clearing out clutter that you wouldn't dream of doing on a nice day (or at least, I wouldn't).
I've written before about the complications that arise from having too many objects sitting around. Lately, I've actually been getting rid of some of them, and while it may not free up that much space, it just feels better to have them gone. The television, for example, I never watched--and to my surprise, you apparently can't even give a TV away, so I just had to throw it out. My old typewriter, which was taking up real estate on a crowded table in the back room, now has the niche the TV formerly occupied. There was also the space heater I never used, and even though I had it tucked away, that's one less thing I'll have to move when dust-mopping.
Last winter, I had gotten my files mostly in order, but there's still some clutter, so I've started going through that, too. Old bills, cards, pictures . . . anything I'm pretty sure I won't be looking at again is a candidate for the dust bin. Several times in the past, I've started to throw out old boxes of letters and cards and found that for sentimental reasons, I hesitated to do so. My feelings about that are a little different now, as I realize that I truly never look at those things, that they are gathering dust, and that dust is itself a hazard.
Last night, for example, I found an old Christmas card in which someone berated me for not including any news in my card and then went on to tell me that they had been in Lexington not long before. The same thought came to mind that had occurred to me the first time I read the card, which was, "Wow, if you really want to know how I'm doing, why didn't you call when you were in town?" The nerve, huh? This time, however, I didn't suppress the thought, and that card went the way of the shredder.
I know there will be more things thrown away by the time I'm done. I've already parted company with videos I have no desire to look at again; I've gone through my books before, but who knows, there may be more that I feel I can part with now. I certainly have plenty of them. Then there are all those "collectibles" sitting around that make dusting such a pain in the neck. Some of them I've had for years, but it may be time now to let them go. It'd be much easier to clean without them.
It isn't that I don't value gifts that people have given me but rather that I want the things I look at every day to speak to me of living affection--in many cases, these objects are like exhibits from a museum of my past, curios collected on an archaeological dig, from people I no longer see. And who wants to live in a museum? It's the relationship with the giver that gives an object meaning--without that, it's just something taking up space. This process will take a little doing, but the beginning of the year seems like a propitious time to start.
On a final note, I've been clearing out old emails and online accounts as well--and while I'm on the topic of electronic communications, this is probably a good time to tell you that Google says people following my blog with a non-Google account will no longer be able to do so in the near future. If you want to follow Wordplay, they advise that you sign up for a Google account and re-follow the blog. I'm not sure how many Openid followers I have, but if you're one of them, this applies to you. I sometimes look at the metrics on my blog and am amazed at the number of readers I have around the world. So many from Russia, for instance--what gives with all those Russian readers, second only to Americans in following my blog? I asked that once before, and someone said that perhaps I have a Russian admirer. I don't think that's it, but it remains one of the curiosities of my blogging life.
You may, like me, be busy clearing out clutter and getting organized for the new year. If so, good luck and smooth sailing. And if you enjoy Wordplay's forays into myth, culture, and everyday life, I'll see you in cyberspace.
I've written before about the complications that arise from having too many objects sitting around. Lately, I've actually been getting rid of some of them, and while it may not free up that much space, it just feels better to have them gone. The television, for example, I never watched--and to my surprise, you apparently can't even give a TV away, so I just had to throw it out. My old typewriter, which was taking up real estate on a crowded table in the back room, now has the niche the TV formerly occupied. There was also the space heater I never used, and even though I had it tucked away, that's one less thing I'll have to move when dust-mopping.
Last winter, I had gotten my files mostly in order, but there's still some clutter, so I've started going through that, too. Old bills, cards, pictures . . . anything I'm pretty sure I won't be looking at again is a candidate for the dust bin. Several times in the past, I've started to throw out old boxes of letters and cards and found that for sentimental reasons, I hesitated to do so. My feelings about that are a little different now, as I realize that I truly never look at those things, that they are gathering dust, and that dust is itself a hazard.
Last night, for example, I found an old Christmas card in which someone berated me for not including any news in my card and then went on to tell me that they had been in Lexington not long before. The same thought came to mind that had occurred to me the first time I read the card, which was, "Wow, if you really want to know how I'm doing, why didn't you call when you were in town?" The nerve, huh? This time, however, I didn't suppress the thought, and that card went the way of the shredder.
I know there will be more things thrown away by the time I'm done. I've already parted company with videos I have no desire to look at again; I've gone through my books before, but who knows, there may be more that I feel I can part with now. I certainly have plenty of them. Then there are all those "collectibles" sitting around that make dusting such a pain in the neck. Some of them I've had for years, but it may be time now to let them go. It'd be much easier to clean without them.
It isn't that I don't value gifts that people have given me but rather that I want the things I look at every day to speak to me of living affection--in many cases, these objects are like exhibits from a museum of my past, curios collected on an archaeological dig, from people I no longer see. And who wants to live in a museum? It's the relationship with the giver that gives an object meaning--without that, it's just something taking up space. This process will take a little doing, but the beginning of the year seems like a propitious time to start.
On a final note, I've been clearing out old emails and online accounts as well--and while I'm on the topic of electronic communications, this is probably a good time to tell you that Google says people following my blog with a non-Google account will no longer be able to do so in the near future. If you want to follow Wordplay, they advise that you sign up for a Google account and re-follow the blog. I'm not sure how many Openid followers I have, but if you're one of them, this applies to you. I sometimes look at the metrics on my blog and am amazed at the number of readers I have around the world. So many from Russia, for instance--what gives with all those Russian readers, second only to Americans in following my blog? I asked that once before, and someone said that perhaps I have a Russian admirer. I don't think that's it, but it remains one of the curiosities of my blogging life.
You may, like me, be busy clearing out clutter and getting organized for the new year. If so, good luck and smooth sailing. And if you enjoy Wordplay's forays into myth, culture, and everyday life, I'll see you in cyberspace.
Thursday, December 31, 2015
A Senator Reads His Mail
Dear Senator ----
I don't know if word has reached your office of any
malfeasance involving the firm ----, which as you know
has offices in ---- and ----. When I worked in the ---- office,
it was called ----. I left the firm in 2011 when the poisonous environment there made it impossible to work, even if I hadn't had fears
for my physical well-being. I was a good employee with excellent performance
reviews, but I began having problems in the office around the end of 2003. It
began with an episode of sexual harassment that I was not able to redress
despite reporting it to my superiors on several occasions.
Over time, I began to feel that someone was attempting to
undermine my credibility and standing in the office, and the situation grew
worse when ---- took charge around 2009. After that, I
actually began to feel concerned for my physical safety, though I was unable to
get my supervisor to acknowledge my concerns.
From things that people have said to me, directly and
indirectly, I gather there have been rumors of unsavory activity involving one
or more members of the ---- office for quite some time. One of our ---- was shot in the head under mysterious circumstances in early 2008, ---- died of cancer (which someone implied to me may not have
been an entirely natural occurrence), and a man with connections to our ---- committed suicide
unexpectedly near the end of my time there.
The latter event happened in Fall 2010, coinciding with the
onset of a terribly strained atmosphere in the office. I was unsure at the time
why I felt so unsafe, but in intervening years, rumors have reached me of
something akin to an "adult dating" type of ring connected with
member(s) of the firm that involved more than just consenting adults (I think
we are actually talking about felony child abuse and worse).
I began feeling concerned about the safety of my locks at
home and believe my credit card information may have been accessed by someone at ---- intending to do me harm by setting me up without my knowledge on ---- or a similar sex club site. It seems that people are very hesitant to discuss anything
openly, and it has taken me a long time to put the pieces together.
That seems like a lot of trouble to go to over a middle-aged
librarian, but I believe I may have been targeted not just out of spite but
also because some social acquaintances of mine, without my knowledge, may also
have been connected with members of the firm and this illegal activity. I also
noted that the atmosphere in the office turned considerably colder after I
discussed a book I was reading about the Bush family's relationship with the
Saudi royal house with one of our attorneys in 2004.
Lastly, I will tell you that my mother died in early 2007,
and that I had been extremely concerned about her because of some strange
activity that had taken place at her residence: a suicide next door, visits from a "young couple" she would not identify, and an
attempted break-in in her apartment. I felt that something untoward was taking
place but was never able to get her to tell me the truth of the matter. The ---- who died of cancer had formerly worked for my mother's family
attorney, which was a coincidence I only learned of by accident. I cannot tell
you with certainty of the precise way in which these matters are linked, but I
do indeed think there is a link.
I continue to be concerned about not only my safety but that
of other family members. I recently returned from a trip to ---- to check on
my ---- and ---- when I grew alarmed after a long period of silence from
my ----. I was nearly run off the road in ---- in what appeared to be a
deliberate act and reported it to the ---- State Police, complete with license
plate number. Unfortunately, this is not the first time something like that has
happened.
I went to local police here in ---- about two years ago
to make a complaint, but no investigation was done. I believe that ---- may also have some connection with the matters I'm discussing, and I have
no faith in his integrity or that of his administration.
If I'm the first to mention any of this to you, I'm actually
rather surprised. I feel that others probably have more direct knowledge of
some of these events than I do, but as I know of no one else who has actually
spoken openly or reported these matters to anyone in authority, I am doing so.
If I can supply any other information, please let me know.
Sincerely.
Thursday, December 24, 2015
Wordplay's Ghosts of Christmas, Past and Present
By rights, this should be the post in which I write about the new Star Wars film, which has the moviegoing public all agog this holiday season (and no wonder). Except that I'm not going to write about it because I haven't seen it. I heard last year, when an early trailer for the film was released, that George Lucas was distancing himself from the promo. I don't recall the reason given, but that gave me pause about seeing the movie, despite the fondness I have for the original. I know this isn't going to stop other people from seeing it, but, as always, I recommend being a cautious consumer when it comes to any and all media that present myths for your consideration. Just because it's out there doesn't mean you have to buy it.
When I saw Peter Jackson's final Hobbit film last year, it was like an early warning system for mythic mayhem to come. My feeling was that Mr. Jackson was trying to say something in that movie relevant to our times about wealth, greed, power, and evil, that perhaps the childlike story J.R.R. Tolkien wrote turned out to be impossible for a filmmaker with any honesty to tell in the same spirit in which it was written. It was a film with many dark undercurrents. His movie was not, in my view, a propaganda piece, but the same can't be said of everything floating around out there in popular culture. I've already cancelled magazine subscriptions over what I considered extracurricular editorializing and political messaging in both stories and ad content, so let the buyer beware. These things do happen.
A brief glance at the evening news reveals that we are living in strange times. Is anyone in doubt about it? When I tell someone the bare facts about the strange events in my own life, and they say, wow, that's pretty crazy, I want to say, "Well, have you watched the political news lately? Have you seen any of the debates, or caught any of the election action? Have you noticed the demented things the candidates are saying, or the aura of a sideshow that hangs over all things political? Have you ever, in your life, known an election season quite like this one?" I'm constantly caught between a need to stay informed and a healthy wish to avoid getting tangled up in the propaganda, war of words, and general craziness of the political scene. You occasionally hear something worth hearing, from someone worth listening to, but you sure have to wade through a lot of trash talk to get to it.
Christmas is by no means immune to tampering with by those with an agenda to push. Just on a personal level, I was amazed last year to get a black Christmas card from someone I used to know named Steve--and this story illustrates what I mean about the negative potential of symbols. As soon as I saw that card, it disturbed me, for reasons I couldn't quite have articulated on the spot. I just knew it wasn't something I wanted anywhere near me, so I threw it away. This year, when I got a card from the same person, I took it immediately to the dumpster without even opening it. I'm a believer in paying attention to things that bother you and taking them seriously, even if you're not sure why they bother you. Human beings have developed many ways of sensing things they need to avoid that don't fall strictly into the category of logical reasoning. Call it survival instinct.
So here it is, Christmas Eve 2015, a most un-Christmaslike Christmas from where I'm sitting, both as to weather and to mood. It has me in a proper Dickensian frame of mind, thinking about the Ghosts of Christmas Past and Present. Just for one, there was that Christmas some eight years ago now, when I was in my second year of Myth Studies and taking a break from the books by watching movies on Christmas Eve. In between features, I happened to look out the window, which I do from time to time, just scanning the environment, as the healthy human animal tends to do. I was somewhat surprised to see a gathering of young men on the other side of the parking lot, just standing around outside their cars, which was odd considering the fact that there really wasn't anyone else around. They were all lined up in a row, looking toward my building in a way I didn't quite like. I was debating whether to call the police or not, but when I looked again, they had all gotten into their cars, and a few minutes later, they all left. It was, let's call it, unusual.
Actually, a lot of things happened right around then. The very next week, my then-boyfriend broke up with me. If I'm not mistaken, that was right before the incident in which a former law clerk at the firm where I worked was shot in the head at a party under what I was told were mysterious circumstances. Lots of peculiar behavior in the office and out of it. I recall going to a law librarians' event that week in which the attendees from the other firms acted like the two of us from my firm had typhoid. Odd. I happened to be in Starbucks a week or two later when I saw a former contract employee from our office who had supposedly taken a cushy job in Nashville a few years earlier. There he was, back in town, large as life--but looking, if a cliche can ever be said to be absolutely accurate, like Death Warmed Over. I have seriously never seen a human being look that haggard, as if he had aged 20 years in three.
Then there was the day I was in that upscale sandwich shop, probably only a week or so later, reading about the life of Buddha for a class, when I looked up and saw someone sitting across from me who definitely didn't look like he belonged there. In fact, he looked like a gangster, completely out of place in that yuppie sandwich shop, not doing anything, not even looking at anyone in particular, just sitting there. Sometimes, something is just out of place, and you know it. I got up and left, but not without knowing that something rather peculiar had just happened . . . it's no good trying to say I merely imagined it, though I certainly would rather have believed otherwise.
There was also that neighbor, the young man I didn't know (but who, as it turned out, knew my nephew) who knocked on the door one winter night saying that he had lost his cell phone while out celebrating his birthday and wanting to know if he could use my phone to call his. At that time being mostly unsuspicious of non-dangerous looking neighbors, I agreed. Not realizing that his cell phone number had a long distance area code, I ended up with a bunch of long distance calls on my bill, which I reported to the phone company as not being mine, since I knew I hadn't made them. Only later did I realize that they must have been the calls he placed. I think this happened close to the time of the other events, though I can't remember exactly. That was the one and only time I talked to this young man, and he moved out a few months later, if I recall correctly.
A string of events in the deep of winter eight years ago. I can't say with a certainty that they're all related, but I have the feeling that there is a pattern in there somewhere. Eight years later, with my life having gone in a direction I never would have imagined back then, I'm careful as to my locks, my computer files, and my credit cards (lest someone take my number and sign me up for something without my knowledge). It doesn't sound like a very cheerful way to live, but sometimes you just have to "keep on keeping on" until you get to a better place. Whether Winston Churchill actually said, "When you're going through hell, keep going" or not, it's good advice, whether you're caught in the bardo (as I was discussing recently with a friend), stuck on a glacier in a snowstorm in Utah, or merely making your way down the sidewalk in your own neighborhood.
It's not all gloom and doom. I have chocolate peppermint cookies, zydeco music on the stereo, a few presents under the tree (what says Christmas better than socks?), and a dinner to cook tomorrow. Life goes on, but in a somewhat reduced way. I'm not trying to dishearten anyone, but rather to do the opposite--to enlighten. I hope I've done so. Happy Holidays to all my friends, near and far, whether I see you often or not. I sincerely hope that 2016 will be a better and brighter year for us all.
When I saw Peter Jackson's final Hobbit film last year, it was like an early warning system for mythic mayhem to come. My feeling was that Mr. Jackson was trying to say something in that movie relevant to our times about wealth, greed, power, and evil, that perhaps the childlike story J.R.R. Tolkien wrote turned out to be impossible for a filmmaker with any honesty to tell in the same spirit in which it was written. It was a film with many dark undercurrents. His movie was not, in my view, a propaganda piece, but the same can't be said of everything floating around out there in popular culture. I've already cancelled magazine subscriptions over what I considered extracurricular editorializing and political messaging in both stories and ad content, so let the buyer beware. These things do happen.
A brief glance at the evening news reveals that we are living in strange times. Is anyone in doubt about it? When I tell someone the bare facts about the strange events in my own life, and they say, wow, that's pretty crazy, I want to say, "Well, have you watched the political news lately? Have you seen any of the debates, or caught any of the election action? Have you noticed the demented things the candidates are saying, or the aura of a sideshow that hangs over all things political? Have you ever, in your life, known an election season quite like this one?" I'm constantly caught between a need to stay informed and a healthy wish to avoid getting tangled up in the propaganda, war of words, and general craziness of the political scene. You occasionally hear something worth hearing, from someone worth listening to, but you sure have to wade through a lot of trash talk to get to it.
Christmas is by no means immune to tampering with by those with an agenda to push. Just on a personal level, I was amazed last year to get a black Christmas card from someone I used to know named Steve--and this story illustrates what I mean about the negative potential of symbols. As soon as I saw that card, it disturbed me, for reasons I couldn't quite have articulated on the spot. I just knew it wasn't something I wanted anywhere near me, so I threw it away. This year, when I got a card from the same person, I took it immediately to the dumpster without even opening it. I'm a believer in paying attention to things that bother you and taking them seriously, even if you're not sure why they bother you. Human beings have developed many ways of sensing things they need to avoid that don't fall strictly into the category of logical reasoning. Call it survival instinct.
So here it is, Christmas Eve 2015, a most un-Christmaslike Christmas from where I'm sitting, both as to weather and to mood. It has me in a proper Dickensian frame of mind, thinking about the Ghosts of Christmas Past and Present. Just for one, there was that Christmas some eight years ago now, when I was in my second year of Myth Studies and taking a break from the books by watching movies on Christmas Eve. In between features, I happened to look out the window, which I do from time to time, just scanning the environment, as the healthy human animal tends to do. I was somewhat surprised to see a gathering of young men on the other side of the parking lot, just standing around outside their cars, which was odd considering the fact that there really wasn't anyone else around. They were all lined up in a row, looking toward my building in a way I didn't quite like. I was debating whether to call the police or not, but when I looked again, they had all gotten into their cars, and a few minutes later, they all left. It was, let's call it, unusual.
Actually, a lot of things happened right around then. The very next week, my then-boyfriend broke up with me. If I'm not mistaken, that was right before the incident in which a former law clerk at the firm where I worked was shot in the head at a party under what I was told were mysterious circumstances. Lots of peculiar behavior in the office and out of it. I recall going to a law librarians' event that week in which the attendees from the other firms acted like the two of us from my firm had typhoid. Odd. I happened to be in Starbucks a week or two later when I saw a former contract employee from our office who had supposedly taken a cushy job in Nashville a few years earlier. There he was, back in town, large as life--but looking, if a cliche can ever be said to be absolutely accurate, like Death Warmed Over. I have seriously never seen a human being look that haggard, as if he had aged 20 years in three.
Then there was the day I was in that upscale sandwich shop, probably only a week or so later, reading about the life of Buddha for a class, when I looked up and saw someone sitting across from me who definitely didn't look like he belonged there. In fact, he looked like a gangster, completely out of place in that yuppie sandwich shop, not doing anything, not even looking at anyone in particular, just sitting there. Sometimes, something is just out of place, and you know it. I got up and left, but not without knowing that something rather peculiar had just happened . . . it's no good trying to say I merely imagined it, though I certainly would rather have believed otherwise.
There was also that neighbor, the young man I didn't know (but who, as it turned out, knew my nephew) who knocked on the door one winter night saying that he had lost his cell phone while out celebrating his birthday and wanting to know if he could use my phone to call his. At that time being mostly unsuspicious of non-dangerous looking neighbors, I agreed. Not realizing that his cell phone number had a long distance area code, I ended up with a bunch of long distance calls on my bill, which I reported to the phone company as not being mine, since I knew I hadn't made them. Only later did I realize that they must have been the calls he placed. I think this happened close to the time of the other events, though I can't remember exactly. That was the one and only time I talked to this young man, and he moved out a few months later, if I recall correctly.
A string of events in the deep of winter eight years ago. I can't say with a certainty that they're all related, but I have the feeling that there is a pattern in there somewhere. Eight years later, with my life having gone in a direction I never would have imagined back then, I'm careful as to my locks, my computer files, and my credit cards (lest someone take my number and sign me up for something without my knowledge). It doesn't sound like a very cheerful way to live, but sometimes you just have to "keep on keeping on" until you get to a better place. Whether Winston Churchill actually said, "When you're going through hell, keep going" or not, it's good advice, whether you're caught in the bardo (as I was discussing recently with a friend), stuck on a glacier in a snowstorm in Utah, or merely making your way down the sidewalk in your own neighborhood.
It's not all gloom and doom. I have chocolate peppermint cookies, zydeco music on the stereo, a few presents under the tree (what says Christmas better than socks?), and a dinner to cook tomorrow. Life goes on, but in a somewhat reduced way. I'm not trying to dishearten anyone, but rather to do the opposite--to enlighten. I hope I've done so. Happy Holidays to all my friends, near and far, whether I see you often or not. I sincerely hope that 2016 will be a better and brighter year for us all.
Labels:
"Star Wars",
"The Hobbit",
bardo,
Charles Dickens,
Christmas,
mythology,
politics
Thursday, December 17, 2015
From Kentucky, With Love
I'm back home after a wild and spontaneous trip out west. After my surreal and distressing 2012 California trip (see my post "Out West"), I sure wasn't planning to do anything like that again. I didn't think anything could induce me to cross the Mississippi River by car after that little adventure, but here's how it came about.
My regular readers will recall from last week that I was having lock concerns. I'm used to strange noises and people coming in and out of the building at odd hours, but something just didn't feel right that night. I had the lock changed temporarily until a permanent one could be made but was naturally concerned about what was only the latest in a series of strange events in and around my building. This has been going on for quite some time and shows no signs of getting better.
I was having new tires put on my car that day, so I was feeling extra vulnerable due to being sans vehicle. After I picked it up the next day, I was running errands when a feeling of unease started growing on me. I'd been thinking about my brother and nephew in Idaho ever since getting a card from my brother's former in-laws saying that my nephew was getting braces and a new little brother. Communication has been sparse from my brother for the last few years, which actually is a very surprising development, though everyone I mention it to seems to disagree (which I also find odd). Feeling that the "zone of silence" around my brother had gone on too long and that it was time to reconnect, I packed up some things and left that night.
I decided to break the trip up by visiting a friend in Denver. Although it was good to see her, it was a little distressing. She, too, tried to dissuade me from going to Idaho (what the heck is so unnatural about wanting to be in touch with family?). At first I thought she might be right, but then I decided that the need to lay my own eyes on my brother was more important than what anyone else said. I crossed the Colorado mountains at night and inched my way down a mountain range in Utah on snow (hey, at least I had new tires), reasoning that if I stopped I was only going to get stuck. Not my preferred way to travel, but you do what you have to do. Anyway, it worked. I drove out of the snow and made it to Interstate 15. One of the few transcendent moments of the trip came in seeing the beautiful white mountains south of Provo swing into sight and dominate the view for miles as I was heading north.
One of the least transcendent moments of the trip came a couple of hours later, when a green-gold Infiniti swerved and nearly caused me to wreck in heavy traffic. I later reported it to the Utah State Police as what looked like a deliberate act but didn't get much response. By the way, it was Utah license plate number C24 6RA in case anyone knows 'em. Despite that and a few other contretemps (including being boxed in by a number of cars as I approached a dangerous merging area), I got to Pocatello in one piece and went to the coffee shop my brother used to frequent. I was told there that he doesn't come in any more now that he has a new job, so I tried to contact him by leaving messages where he works. Call me irresponsible, but not being able to reach a family member by either phone or email for years at time seems a bit strange. Having people tell you they haven't seen him in a while doesn't do much to reassure you, either.
The last time I tried to see my brother (in 2012), I got a strange text message that I suspected he hadn't sent. This time, having failed to track him down, I drove up to the house, where I saw lights on and a vehicle in the driveway. There I ran into another barrier, since I couldn't get to the door due to a number of very excitable dogs. I had to knock at the window to try to get someone's attention, which resulted in a hullabaloo, because my nephew, evidently not knowing what to do, called 9-1-1. I had thought there was an adult in the house with him, but if not, he absolutely did the right thing, though it was disconcerting to have to wait with the sheriff's department for my brother to arrive. I passed the time by chatting with them but was distressed to learn that they've been called up there before and that the road behind my brother's house evidently attracts a criminal element. It was also reinforced for me just how difficult it can be to get the straight story on what's going on with a family member you've been out of touch with, as I heard stories from the officers on my brother's domestic situation that conflicted with what little I've heard over the past few years.
Long story short, my brother arrived and didn't seem to think I needed to have come all that way. So I managed to see both him and my nephew but not really to get any answers to the things I've been worried about. I may be accused of needing to mind my own business, but let me just say this, since the fact that I drove halfway across the country with a worried mind may have failed to make an impression. If I had a partner, spouse, friend, or whatever living with me who had a pharmacy degree, I'd want to be absolutely sure he/she was of impeccable character. Because, well, drugs, you know: they can be dangerous. I'd hate for someone to give me a little something I didn't ask for in my coffee. Just sayin'.
I won't even tell you about the drive home. Interstate 80 across Wyoming is dreary in the extreme. It's truly a wasteland . . . a far cry from the beautiful Tetons and the Yellowstone area of the state. Colorado is evidently unable to handle a few inches of snow (which would have been dispatched forthwith here), and I ran into sleet in Kansas. None of the smaller towns looked like places I wanted to stop (even for gas) so I stayed on the road in spite of incredible weariness. (Sometimes you're caught between a rock and a hard place and no choice looks good.) Having made it to Kansas City, I had a car problem, so I stayed overnight there. I finished the last leg on Monday, arriving home after midnight, minus much Christmas spirit.
Well, my lock has been changed. I made gingerbread cookies last night, but my tree isn't up. I haven't quite caught the Christmas mood yet and don't know that I will, but it could be worse. At least I've lived on to blog another day. I heard the song "Have Yourself a Merry Little Christmas" a couple of times while I was traveling, which brought back memories of a holiday visit to Idaho in much happier times, when my nephew was a baby. I still have hope that it will come true, though I don't know why. I've had to drop a number of people from my life when it became apparent that they weren't good for me, but I refuse to let go of family ties. I'm still here, and I'm just the same as I always was . . . though considerably sadder.
My regular readers will recall from last week that I was having lock concerns. I'm used to strange noises and people coming in and out of the building at odd hours, but something just didn't feel right that night. I had the lock changed temporarily until a permanent one could be made but was naturally concerned about what was only the latest in a series of strange events in and around my building. This has been going on for quite some time and shows no signs of getting better.
I was having new tires put on my car that day, so I was feeling extra vulnerable due to being sans vehicle. After I picked it up the next day, I was running errands when a feeling of unease started growing on me. I'd been thinking about my brother and nephew in Idaho ever since getting a card from my brother's former in-laws saying that my nephew was getting braces and a new little brother. Communication has been sparse from my brother for the last few years, which actually is a very surprising development, though everyone I mention it to seems to disagree (which I also find odd). Feeling that the "zone of silence" around my brother had gone on too long and that it was time to reconnect, I packed up some things and left that night.
I decided to break the trip up by visiting a friend in Denver. Although it was good to see her, it was a little distressing. She, too, tried to dissuade me from going to Idaho (what the heck is so unnatural about wanting to be in touch with family?). At first I thought she might be right, but then I decided that the need to lay my own eyes on my brother was more important than what anyone else said. I crossed the Colorado mountains at night and inched my way down a mountain range in Utah on snow (hey, at least I had new tires), reasoning that if I stopped I was only going to get stuck. Not my preferred way to travel, but you do what you have to do. Anyway, it worked. I drove out of the snow and made it to Interstate 15. One of the few transcendent moments of the trip came in seeing the beautiful white mountains south of Provo swing into sight and dominate the view for miles as I was heading north.
One of the least transcendent moments of the trip came a couple of hours later, when a green-gold Infiniti swerved and nearly caused me to wreck in heavy traffic. I later reported it to the Utah State Police as what looked like a deliberate act but didn't get much response. By the way, it was Utah license plate number C24 6RA in case anyone knows 'em. Despite that and a few other contretemps (including being boxed in by a number of cars as I approached a dangerous merging area), I got to Pocatello in one piece and went to the coffee shop my brother used to frequent. I was told there that he doesn't come in any more now that he has a new job, so I tried to contact him by leaving messages where he works. Call me irresponsible, but not being able to reach a family member by either phone or email for years at time seems a bit strange. Having people tell you they haven't seen him in a while doesn't do much to reassure you, either.
The last time I tried to see my brother (in 2012), I got a strange text message that I suspected he hadn't sent. This time, having failed to track him down, I drove up to the house, where I saw lights on and a vehicle in the driveway. There I ran into another barrier, since I couldn't get to the door due to a number of very excitable dogs. I had to knock at the window to try to get someone's attention, which resulted in a hullabaloo, because my nephew, evidently not knowing what to do, called 9-1-1. I had thought there was an adult in the house with him, but if not, he absolutely did the right thing, though it was disconcerting to have to wait with the sheriff's department for my brother to arrive. I passed the time by chatting with them but was distressed to learn that they've been called up there before and that the road behind my brother's house evidently attracts a criminal element. It was also reinforced for me just how difficult it can be to get the straight story on what's going on with a family member you've been out of touch with, as I heard stories from the officers on my brother's domestic situation that conflicted with what little I've heard over the past few years.
Long story short, my brother arrived and didn't seem to think I needed to have come all that way. So I managed to see both him and my nephew but not really to get any answers to the things I've been worried about. I may be accused of needing to mind my own business, but let me just say this, since the fact that I drove halfway across the country with a worried mind may have failed to make an impression. If I had a partner, spouse, friend, or whatever living with me who had a pharmacy degree, I'd want to be absolutely sure he/she was of impeccable character. Because, well, drugs, you know: they can be dangerous. I'd hate for someone to give me a little something I didn't ask for in my coffee. Just sayin'.
I won't even tell you about the drive home. Interstate 80 across Wyoming is dreary in the extreme. It's truly a wasteland . . . a far cry from the beautiful Tetons and the Yellowstone area of the state. Colorado is evidently unable to handle a few inches of snow (which would have been dispatched forthwith here), and I ran into sleet in Kansas. None of the smaller towns looked like places I wanted to stop (even for gas) so I stayed on the road in spite of incredible weariness. (Sometimes you're caught between a rock and a hard place and no choice looks good.) Having made it to Kansas City, I had a car problem, so I stayed overnight there. I finished the last leg on Monday, arriving home after midnight, minus much Christmas spirit.
Well, my lock has been changed. I made gingerbread cookies last night, but my tree isn't up. I haven't quite caught the Christmas mood yet and don't know that I will, but it could be worse. At least I've lived on to blog another day. I heard the song "Have Yourself a Merry Little Christmas" a couple of times while I was traveling, which brought back memories of a holiday visit to Idaho in much happier times, when my nephew was a baby. I still have hope that it will come true, though I don't know why. I've had to drop a number of people from my life when it became apparent that they weren't good for me, but I refuse to let go of family ties. I'm still here, and I'm just the same as I always was . . . though considerably sadder.
Tuesday, December 8, 2015
Tale of the Lock, and It's a Shocker
The post is a little ahead of time this week--what, did Christmas come early? I guess you could say that, in a manner of speaking. I seem to be plagued with lock problems, not only when I travel (which is infrequent), but even in my very own home. Right now I'm sitting up with my door barricaded, waiting for daylight, with plans to have my lock changed tomorrow. Having lost my keys in Starbucks a couple of years ago and subsequently having every lock in my possession changed, I thought I was finished with lock problems. Well, no.
Unfortunately, and strangely, I think my current problem stems from a professional event I attended a couple of years ago, a small gathering of librarians at someone's home. Actually, it was a Christmas party, probably nearly two years ago to the day. This wasn't a wild event, but actually rather sedate, or so I thought. I brought a cake, chatted, and ate some crackers and veggies. I couldn't help but notice when I went to get my coat and go home, though, that my purse was in a different place than I had left it, tucked well under my coat. It was sitting rather prominently on top of my coat when I got ready to leave, not at all where I had left it.
I had been concerned enough about the purse incident (and a missing cell phone, which I had thought was in my purse when I went to the party) to temporarily disable my cell phone service, call my credit card companies, and actually have one credit card replaced. I mentioned my concern that someone may have accessed my keys to the building manager but decided that I was possibly being too paranoid. After all, a group of librarians, right? (many of whom I knew). Maybe the coats just got rearranged as everyone was leaving. Maybe I had left my cell phone somewhere else prior to going to the party (it later showed up).
Sadly, rumor has reached me of shenanigans at that party (always trust your instincts). I even have names, and while it surprises me, it doesn't surprise me, in a way. Why was the vendor rep in attendance (who was never very friendly when I still worked at the law library) so surprisingly chatty that night? She asked a million questions about my dissertation and stuck to me like glue. I had trouble believing she was really that interested, but sometimes people do act differently at social events than they would at work. Why did the male librarian lurking in the bathroom look so strangely at me when I passed him on the way to get my things and go home? Why did the hostess make an arch remark about goings-on at her party (yet insist later that I must have dropped the cell phone before arriving at her house). My keys were in my purse, but how long does it take to run to a convenience store and have copies made? Plenty of time for someone to do it while one is distracted, that's for sure.
I'm used to strange goings-on, as life has definitely taken an odd turn over the last few years, but I was innocent enough to believe that I was safe at small holiday party with people I knew. The truth is, you're not safe anywhere.
My landlord has been notified both by voice mail and email that the lock needs to be changed ASAP. I will now ask those of you who are no doubt quite snug in your own homes whether there is any good outcome you can possibly think of to stealing someone's keys, either for them or for you. It's a crime, you know--and not a small one. It would make you an accessory if a bigger crime were to occur later, say, someone getting killed by an intruder who happened to have an unauthorized key. That's the kind of thing that can come back to haunt you in a big way (and undoubtedly will). What goes around, always comes around. It's just a fact of nature.
By the way, Merry Christmas . . . and don't let the screen door hit you on the way out. And remember, in a world where things like this take place, no one is safe. Not even you. Someone has been attempting to log into my account as I've been writing, which means that someone must also have my email password. That's funny, I'm always changing it, and it's a rather unwieldy one, not anything someone would be likely to guess. How did that happen, I wonder?
Unfortunately, and strangely, I think my current problem stems from a professional event I attended a couple of years ago, a small gathering of librarians at someone's home. Actually, it was a Christmas party, probably nearly two years ago to the day. This wasn't a wild event, but actually rather sedate, or so I thought. I brought a cake, chatted, and ate some crackers and veggies. I couldn't help but notice when I went to get my coat and go home, though, that my purse was in a different place than I had left it, tucked well under my coat. It was sitting rather prominently on top of my coat when I got ready to leave, not at all where I had left it.
I had been concerned enough about the purse incident (and a missing cell phone, which I had thought was in my purse when I went to the party) to temporarily disable my cell phone service, call my credit card companies, and actually have one credit card replaced. I mentioned my concern that someone may have accessed my keys to the building manager but decided that I was possibly being too paranoid. After all, a group of librarians, right? (many of whom I knew). Maybe the coats just got rearranged as everyone was leaving. Maybe I had left my cell phone somewhere else prior to going to the party (it later showed up).
Sadly, rumor has reached me of shenanigans at that party (always trust your instincts). I even have names, and while it surprises me, it doesn't surprise me, in a way. Why was the vendor rep in attendance (who was never very friendly when I still worked at the law library) so surprisingly chatty that night? She asked a million questions about my dissertation and stuck to me like glue. I had trouble believing she was really that interested, but sometimes people do act differently at social events than they would at work. Why did the male librarian lurking in the bathroom look so strangely at me when I passed him on the way to get my things and go home? Why did the hostess make an arch remark about goings-on at her party (yet insist later that I must have dropped the cell phone before arriving at her house). My keys were in my purse, but how long does it take to run to a convenience store and have copies made? Plenty of time for someone to do it while one is distracted, that's for sure.
I'm used to strange goings-on, as life has definitely taken an odd turn over the last few years, but I was innocent enough to believe that I was safe at small holiday party with people I knew. The truth is, you're not safe anywhere.
My landlord has been notified both by voice mail and email that the lock needs to be changed ASAP. I will now ask those of you who are no doubt quite snug in your own homes whether there is any good outcome you can possibly think of to stealing someone's keys, either for them or for you. It's a crime, you know--and not a small one. It would make you an accessory if a bigger crime were to occur later, say, someone getting killed by an intruder who happened to have an unauthorized key. That's the kind of thing that can come back to haunt you in a big way (and undoubtedly will). What goes around, always comes around. It's just a fact of nature.
By the way, Merry Christmas . . . and don't let the screen door hit you on the way out. And remember, in a world where things like this take place, no one is safe. Not even you. Someone has been attempting to log into my account as I've been writing, which means that someone must also have my email password. That's funny, I'm always changing it, and it's a rather unwieldy one, not anything someone would be likely to guess. How did that happen, I wonder?
Thursday, December 3, 2015
Wordplay Takes on: Water Stains
I bet you there's a contingent of readers out there somewhere saying, "Wordplay, this mythology is all well and good, but what about the 'everyday life' part? Have you ever once given us any sound, practical advice that we could actually use in daily living?" Now that you mention it, I'm not sure I have. In my defense, I have to say that I didn't think household hints, recipes, and the 10 best ways to organize your desk were in my line exactly. I assumed they were better handled by someone else, but maybe not.
Well, a myth specialist has to deal with the same little problems as everybody else (and maybe more--I can tell you for a fact I've had more than my share of aggravation when it comes to strange neighbors, uncivil behavior from random members of the public, and travel nuisances, for example), but I've written about of all that before. Besides, I'm guessing it would be better to "cut my teeth" in the practical hints department on something I have a proven remedy for, so I'm going to tell you how I successfully got a water stain out of an upholstered chair, the very one I'm sitting in now, in fact. And before you ask, yes, this too has a mythic component. It's in the spirit of Hestia, whose season we're in as the colder weather pushes us indoors and thoughts turn to hearth and home, that I gladly give you this advice.
First, some background, vis-a-vis, how the water stain came to be there. It's because of an accident in which the glass I was drinking from slipped when I was putting it on a coaster. Unfortunately, this beverage was as colorful and stain-intensive as it's possible to be (a mixed-berry smoothie), so the spot was about as bad as bad can be, almost like red wine on the fabric. I'd never had to deal with this situation before, so of course, I looked it up online and found a trove of ideas, the simplest of which involved blotting and mild dish detergent. I actually didn't think it would work, but it did, after a little persistence. Problem was, this treatment left a water stain that was much bigger, if less vivid, than the original trouble spot.
Now, don't distract me by wondering if the accident could have been a Jungian "slip" of some kind. I'm not going down that road. Suffice it to say there was a honking big water stain on the back of the chair. The chair isn't placed so that the stain really showed, but I knew it was there. I knew any remedy I tried would be risky, since I'd seen several warnings about checking for an item's upholstery code, which is supposed to tell you which treatments will and won't work, before starting. If my chair has such a code, I couldn't find it, so I just tried to figure it out on my own, with the result that I solved one problem but was left with another one.
The original accident happened quite a while ago, and not long after, I tried to remove the water stain by misting it with white vinegar. This might have worked if I'd been able to follow it up with steam, but I couldn't get my iron to direct steam onto the upholstery without actually touching it, so I had to abandon that method. Every now and then, I'd look at the chair and think, "I wish there was something I could do about that water stain." At some point, I looked up additional remedies, one of which caught my eye by stating that it would probably work even if the stain had been allowed to languish for a while. That seemed hopeful, but for one reason or another (the feeling that further attempts at cleaning might only make things worse being paramount) I didn't get around to it until recently.
Here's where I'll get a little philosophical: sometimes, when you can't do anything in a major way about truth in advertising, the downfall of American cinema, or bizarre neighbors, it helps to accomplish some little, concrete thing, even if it matters only to you. The remedy I had in mind involved carpet cleaner, which I already had, so one afternoon when there was lots of light, I hauled the chair over to the window, sprayed it lightly, and blotted carefully with a damp (not wet) white cloth. The idea was to avoid saturating the upholstery and to lift the stain off with the cloth. The instructions said to apply cleaner to a large area, not just the stain itself, so I treated the entire back of the chair.
Here's where another virtue came to the fore: patience. It really didn't look like anything was happening at first, although certainly the chair didn't look any worse. After the upholstery was dry, I reapplied cleaner and blotted again. I let the chair sit overnight, and then treated it a few more times, letting it dry between treatments. By the second to last time I did it, I could see that it was making a difference. Even in sunlight, I couldn't see the stain anymore, and the back of the chair looked the same as the front. I finished the process with a thorough vacuuming. Success!
Now, it may sound like a little thing, but I can tell you it was really satisfying to be able to solve even such a simple problem. Hestia would be proud (Heloise, too). My heart is a little bit lighter every time I look at the chair, which I bought at the same time I bought the desk I'm working on, just before I started my dissertation. I did some dissertation work sitting at this desk, which no doubt accounts for my pride at being able to return the chair to tip-top condition. Come to think of it, though, I did most of my writing while sitting on the couch, and it has a small water stain under the cushion where I tried to remove a spot of chocolate once. Perhaps the same treatment will work there, too, but right now, I'm still enjoying my success with the chair, so that will be a project for another day.
So there it is, how to remove a water stain from an upholstered chair. Now you can't say I never gave you anything. To all people of good will and stout heart out there, may all your problem-solving end this completely and this well, whether or not it involves a chair.
Well, a myth specialist has to deal with the same little problems as everybody else (and maybe more--I can tell you for a fact I've had more than my share of aggravation when it comes to strange neighbors, uncivil behavior from random members of the public, and travel nuisances, for example), but I've written about of all that before. Besides, I'm guessing it would be better to "cut my teeth" in the practical hints department on something I have a proven remedy for, so I'm going to tell you how I successfully got a water stain out of an upholstered chair, the very one I'm sitting in now, in fact. And before you ask, yes, this too has a mythic component. It's in the spirit of Hestia, whose season we're in as the colder weather pushes us indoors and thoughts turn to hearth and home, that I gladly give you this advice.
First, some background, vis-a-vis, how the water stain came to be there. It's because of an accident in which the glass I was drinking from slipped when I was putting it on a coaster. Unfortunately, this beverage was as colorful and stain-intensive as it's possible to be (a mixed-berry smoothie), so the spot was about as bad as bad can be, almost like red wine on the fabric. I'd never had to deal with this situation before, so of course, I looked it up online and found a trove of ideas, the simplest of which involved blotting and mild dish detergent. I actually didn't think it would work, but it did, after a little persistence. Problem was, this treatment left a water stain that was much bigger, if less vivid, than the original trouble spot.
Now, don't distract me by wondering if the accident could have been a Jungian "slip" of some kind. I'm not going down that road. Suffice it to say there was a honking big water stain on the back of the chair. The chair isn't placed so that the stain really showed, but I knew it was there. I knew any remedy I tried would be risky, since I'd seen several warnings about checking for an item's upholstery code, which is supposed to tell you which treatments will and won't work, before starting. If my chair has such a code, I couldn't find it, so I just tried to figure it out on my own, with the result that I solved one problem but was left with another one.
The original accident happened quite a while ago, and not long after, I tried to remove the water stain by misting it with white vinegar. This might have worked if I'd been able to follow it up with steam, but I couldn't get my iron to direct steam onto the upholstery without actually touching it, so I had to abandon that method. Every now and then, I'd look at the chair and think, "I wish there was something I could do about that water stain." At some point, I looked up additional remedies, one of which caught my eye by stating that it would probably work even if the stain had been allowed to languish for a while. That seemed hopeful, but for one reason or another (the feeling that further attempts at cleaning might only make things worse being paramount) I didn't get around to it until recently.
Here's where I'll get a little philosophical: sometimes, when you can't do anything in a major way about truth in advertising, the downfall of American cinema, or bizarre neighbors, it helps to accomplish some little, concrete thing, even if it matters only to you. The remedy I had in mind involved carpet cleaner, which I already had, so one afternoon when there was lots of light, I hauled the chair over to the window, sprayed it lightly, and blotted carefully with a damp (not wet) white cloth. The idea was to avoid saturating the upholstery and to lift the stain off with the cloth. The instructions said to apply cleaner to a large area, not just the stain itself, so I treated the entire back of the chair.
Here's where another virtue came to the fore: patience. It really didn't look like anything was happening at first, although certainly the chair didn't look any worse. After the upholstery was dry, I reapplied cleaner and blotted again. I let the chair sit overnight, and then treated it a few more times, letting it dry between treatments. By the second to last time I did it, I could see that it was making a difference. Even in sunlight, I couldn't see the stain anymore, and the back of the chair looked the same as the front. I finished the process with a thorough vacuuming. Success!
Now, it may sound like a little thing, but I can tell you it was really satisfying to be able to solve even such a simple problem. Hestia would be proud (Heloise, too). My heart is a little bit lighter every time I look at the chair, which I bought at the same time I bought the desk I'm working on, just before I started my dissertation. I did some dissertation work sitting at this desk, which no doubt accounts for my pride at being able to return the chair to tip-top condition. Come to think of it, though, I did most of my writing while sitting on the couch, and it has a small water stain under the cushion where I tried to remove a spot of chocolate once. Perhaps the same treatment will work there, too, but right now, I'm still enjoying my success with the chair, so that will be a project for another day.
So there it is, how to remove a water stain from an upholstered chair. Now you can't say I never gave you anything. To all people of good will and stout heart out there, may all your problem-solving end this completely and this well, whether or not it involves a chair.
Thursday, November 26, 2015
Getting Down with Pie and Jazz
It's Thanksgiving, the dinner has been eaten, and the dishes are soaking. It's been a quiet holiday, but as Thanksgivings go, I've seen worse, I promise. One of the best things about today was the mild and sunny weather, a nice departure from the typical drab-and-overcast Thanksgivings we usually see around here.
Over the last couple of weeks, the trees have been slowly shedding their leaves, and the fall colors have faded into a landscape of dun, charcoal, and dull green. Earlier in the week, a red or yellow tree here or there stood out like a beacon in a world of brown; now even those outliers have subsided into leaflessness. But when I sat outside for a few minutes this afternoon, drawn by the sun, I was looking at a blue sky through all those bare branches, and all in all, it was a pretty fair view. I don't know that I've ever sunbathed on Thanksgiving before--I wouldn't mind doing it more often.
I spent this past week cleaning and getting ready. Last Friday, it was shopping; Saturday and Sunday, it was cleaning and dusting. Monday I vacuumed and mopped the floors; Tuesday I did the laundry and made iced tea. Yesterday, I made pie crust, and finally, the piece de resistance, my Thanksgiving pie. I usually make Thanksgiving dessert ahead of time, and this year was no exception, but the dilemma of what to make preoccupied me for several days. It was probably the only thing I really had to think about, since I'd already decided on the potato recipe from last year that was so good with bay leaves and olive oil, the homemade cranberry relish, and some old standbys from years past.
I'm of the persuasion that thinks you ought to have pie (as opposed to cake or something else) for Thanksgiving. The question was, what kind? I've gone off pumpkin pie, which I used to like; I considered a chocolate pie, but in the end, it just didn't seem "Thanksgiving" enough. I've already had plenty of apples, it isn't the season for strawberries, and coconut is just plain wrong. So what about the pie I had last year, the caramel-walnut pie that was almost like eating candy and tasted so good in the buttery crust I made for it?
I thought about it, but the truth is that I associate that pie with a conversation I had while making it, and I didn't want to bring that memory into my preparations for this year's feast. New year, new plan. So I searched around in an old cookbook I have and found a recipe I'd never tried before, a nut pie with raisins and spices that seemed like the perfect accent to a Thanksgiving meal, traditional enough to go with the menu but unlike anything I'd made before. It called for corn syrup, an item I don't recall having in my kitchen since at least the early '80s, but it turns out that sugar and molasses work just as well. I made the pie last night, and as it cooled, a brown crust formed on the top, just like in the picture, giving no hint of what the center looked like.
This afternoon was a whirl of rinsing, chopping, and stirring, and I threw off my planning a little by sneaking off for sunbathing, but it didn't make any difference in the end as everything seemed to come together somehow. On the stereo, I put together what I considered to be the perfect soundtrack as a background to not only cooking but also eating and cleaning up: two parts jazz, one part roots rock, one part Linda Ronstadt (in her Nelson Riddle Orchestra days), and one part Irish fiddling. In case you've never tried it, jazz goes great with turkey, and there was enough variety in the mix to keep it all lively.
So what about this pie? I had imagined it would be similar to pecan pie, and it was, only . . . better. It actually has more sugar in it than last year's pie, which seems astonishing, but it doesn't have as much fat because, no cream. It's like a pecan pie with something unexpected, those raisins hitting your mouth like little nuggets of sunshine, the cinnamon, nutmeg, and cloves complicating the sweetness to just the right degree. I had thrown in some hazelnuts, too, as a good Celt should. I don't know that I would have liked this pie as a kid, but I hope my tastes have matured at least a little since then. It's a dessert for grownups who can appreciate the layering of flavors without just swallowing the entire thing whole, and it probably makes you smarter, too (=hazelnuts).
So that was my Thanksgiving: smoky jazz, turkey and dressing, blue sky and sunshine, a pie that will stand up to a week in the refrigerator, and a sink full of dishes. I hope yours was good, too.
Over the last couple of weeks, the trees have been slowly shedding their leaves, and the fall colors have faded into a landscape of dun, charcoal, and dull green. Earlier in the week, a red or yellow tree here or there stood out like a beacon in a world of brown; now even those outliers have subsided into leaflessness. But when I sat outside for a few minutes this afternoon, drawn by the sun, I was looking at a blue sky through all those bare branches, and all in all, it was a pretty fair view. I don't know that I've ever sunbathed on Thanksgiving before--I wouldn't mind doing it more often.
I spent this past week cleaning and getting ready. Last Friday, it was shopping; Saturday and Sunday, it was cleaning and dusting. Monday I vacuumed and mopped the floors; Tuesday I did the laundry and made iced tea. Yesterday, I made pie crust, and finally, the piece de resistance, my Thanksgiving pie. I usually make Thanksgiving dessert ahead of time, and this year was no exception, but the dilemma of what to make preoccupied me for several days. It was probably the only thing I really had to think about, since I'd already decided on the potato recipe from last year that was so good with bay leaves and olive oil, the homemade cranberry relish, and some old standbys from years past.
I'm of the persuasion that thinks you ought to have pie (as opposed to cake or something else) for Thanksgiving. The question was, what kind? I've gone off pumpkin pie, which I used to like; I considered a chocolate pie, but in the end, it just didn't seem "Thanksgiving" enough. I've already had plenty of apples, it isn't the season for strawberries, and coconut is just plain wrong. So what about the pie I had last year, the caramel-walnut pie that was almost like eating candy and tasted so good in the buttery crust I made for it?
I thought about it, but the truth is that I associate that pie with a conversation I had while making it, and I didn't want to bring that memory into my preparations for this year's feast. New year, new plan. So I searched around in an old cookbook I have and found a recipe I'd never tried before, a nut pie with raisins and spices that seemed like the perfect accent to a Thanksgiving meal, traditional enough to go with the menu but unlike anything I'd made before. It called for corn syrup, an item I don't recall having in my kitchen since at least the early '80s, but it turns out that sugar and molasses work just as well. I made the pie last night, and as it cooled, a brown crust formed on the top, just like in the picture, giving no hint of what the center looked like.
This afternoon was a whirl of rinsing, chopping, and stirring, and I threw off my planning a little by sneaking off for sunbathing, but it didn't make any difference in the end as everything seemed to come together somehow. On the stereo, I put together what I considered to be the perfect soundtrack as a background to not only cooking but also eating and cleaning up: two parts jazz, one part roots rock, one part Linda Ronstadt (in her Nelson Riddle Orchestra days), and one part Irish fiddling. In case you've never tried it, jazz goes great with turkey, and there was enough variety in the mix to keep it all lively.
So what about this pie? I had imagined it would be similar to pecan pie, and it was, only . . . better. It actually has more sugar in it than last year's pie, which seems astonishing, but it doesn't have as much fat because, no cream. It's like a pecan pie with something unexpected, those raisins hitting your mouth like little nuggets of sunshine, the cinnamon, nutmeg, and cloves complicating the sweetness to just the right degree. I had thrown in some hazelnuts, too, as a good Celt should. I don't know that I would have liked this pie as a kid, but I hope my tastes have matured at least a little since then. It's a dessert for grownups who can appreciate the layering of flavors without just swallowing the entire thing whole, and it probably makes you smarter, too (=hazelnuts).
So that was my Thanksgiving: smoky jazz, turkey and dressing, blue sky and sunshine, a pie that will stand up to a week in the refrigerator, and a sink full of dishes. I hope yours was good, too.
Thursday, November 19, 2015
Crocodile Tears
In view of this past week's events in Paris, this seems like a good time to stop and reflect, as Americans and world citizens, on the actions we should take and the kind of world we want to live in. I was uncomfortably reminded the other night--when I heard of the calls for sending more troops to the Middle East--of some of the consequences unleashed by 9/11. Up until now, it seems that many of our interventions in the region have only created new problems, so I'm not sure how people can be so convinced we'd see better results this time, but they'll tell you they are.
To me it seems that many suggestions for fighting terror are "after the fact" remedies, whereas it would be more constructive to address the causes of terrorism at the root. In medicine, the principle for good health is "an ounce of prevention"--why shouldn't this apply to geopolitical conflicts as well? I've heard people well-versed in the politics of the region discuss such factors as global warming, joblessness, and sectarian divisions as having a role in much of the violence that's occurred in recent years. At the same time, many people are trying to understand the success jihadists have had in recruiting members from other countries, so it's obviously a multifaceted problem.
Unfortunately, it's my impression that some of our leaders, despite what they say, are not as committed as they ought to be to really eradicating terrorism. War profiteering is a real thing; there's a lot of money to be made in that arena, and some of the people responsible for decision-making in matters of security have conflicts of interest that make you wonder how they could possibly be the best judges of these things. This is not to say that war is never justified, only that some of the people making these life and death decisions for us don't have the purest basis for doing so.
I'm regularly put off by discussions in which people attempt to discredit someone's argument based solely on who he or she is: "What do you expect from a Democrat?" or "What do you expect from a Republican?" does nothing to touch on the logic of what's being said. But it's naive not to consider a person's motives when you're weighing positions he or she takes on high-stakes issues that are more a matter of conjecture or professional opinion than pure logic. Someone may sound quite reasonable when they speak of Middle East policies, but what are they leaving out? How is their position influenced by factors you're not aware of? In some cases, decisions may be shaped by nothing grander than self-interest and profit motives. That's why, when I hear the hand-wringing over the killings in France, I wonder at the disingenuousness of some of the actors involved; the phrase "crocodile tears" comes to mind, and it's only too apt, I'm afraid.
I think it's a good idea to take the long view of any solutions the United States considers, in concert with other nations, in response to terrorism. The solutions that seem more likely to result in lasting peace would likely require wisdom, time, patience, and a re-evaluation of some of our past policies. I've often wondered why more isn't done to eliminate the financing of terror groups, for instance, but I'm afraid the answer is that in some cases we haven't wanted to look too closely at the sources of their support because of what we might see.
The problem of terrorism reminds me of a Mobius strip; some of the efforts to "fight it" only feed into it, and this is according to many people more familiar with the situation than I am. It's a loop that doubles back into itself, all of a single piece, where terrorists and their would-be antagonists are, at times, indistinguishable. It's like one of those M.C. Escher pieces in which stairways lead crookedly in all sorts of wild directions except the true one, or like Jorge Luis Borges' Library of Babel, in which an entire universe of books, an infinite trove of them, leads to boundless searching, bottomless to-and-froing, and endless climbing up and down--but never ever, not once, to any meaningful answers.
To me it seems that many suggestions for fighting terror are "after the fact" remedies, whereas it would be more constructive to address the causes of terrorism at the root. In medicine, the principle for good health is "an ounce of prevention"--why shouldn't this apply to geopolitical conflicts as well? I've heard people well-versed in the politics of the region discuss such factors as global warming, joblessness, and sectarian divisions as having a role in much of the violence that's occurred in recent years. At the same time, many people are trying to understand the success jihadists have had in recruiting members from other countries, so it's obviously a multifaceted problem.
Unfortunately, it's my impression that some of our leaders, despite what they say, are not as committed as they ought to be to really eradicating terrorism. War profiteering is a real thing; there's a lot of money to be made in that arena, and some of the people responsible for decision-making in matters of security have conflicts of interest that make you wonder how they could possibly be the best judges of these things. This is not to say that war is never justified, only that some of the people making these life and death decisions for us don't have the purest basis for doing so.
I'm regularly put off by discussions in which people attempt to discredit someone's argument based solely on who he or she is: "What do you expect from a Democrat?" or "What do you expect from a Republican?" does nothing to touch on the logic of what's being said. But it's naive not to consider a person's motives when you're weighing positions he or she takes on high-stakes issues that are more a matter of conjecture or professional opinion than pure logic. Someone may sound quite reasonable when they speak of Middle East policies, but what are they leaving out? How is their position influenced by factors you're not aware of? In some cases, decisions may be shaped by nothing grander than self-interest and profit motives. That's why, when I hear the hand-wringing over the killings in France, I wonder at the disingenuousness of some of the actors involved; the phrase "crocodile tears" comes to mind, and it's only too apt, I'm afraid.
I think it's a good idea to take the long view of any solutions the United States considers, in concert with other nations, in response to terrorism. The solutions that seem more likely to result in lasting peace would likely require wisdom, time, patience, and a re-evaluation of some of our past policies. I've often wondered why more isn't done to eliminate the financing of terror groups, for instance, but I'm afraid the answer is that in some cases we haven't wanted to look too closely at the sources of their support because of what we might see.
The problem of terrorism reminds me of a Mobius strip; some of the efforts to "fight it" only feed into it, and this is according to many people more familiar with the situation than I am. It's a loop that doubles back into itself, all of a single piece, where terrorists and their would-be antagonists are, at times, indistinguishable. It's like one of those M.C. Escher pieces in which stairways lead crookedly in all sorts of wild directions except the true one, or like Jorge Luis Borges' Library of Babel, in which an entire universe of books, an infinite trove of them, leads to boundless searching, bottomless to-and-froing, and endless climbing up and down--but never ever, not once, to any meaningful answers.
Thursday, November 12, 2015
L.A. Sees a Shooting Star
A news item showed up this week about a strange light in the skies over Southern California last Saturday night. I almost didn't read the article (because when isn't something odd happening in Southern California), but the story came with an amusing video shot by some excitable kids as well as descriptions of a host of reactions from residents. There were anxious calls to authorities and theories about UFOs and meteors, but the reality turned out to be somewhat more, well, if not mundane, at least more terrestrial in nature.
A ballistic missile submarine conducting a test fired the unarmed missile from off the coast, creating a spectacular display that was apparently visible even across state lines. The submarine was the USS Kentucky, conducting a test that was routine but unannounced--hence all the nervous speculation from the public. Yes, the USS Kentucky, but don't go thinking I had anything to do with it. Do I look like I know how to drive a submarine? Besides, I was thousands of miles away, in actual Kentucky, exiting Starbucks to avoid some excessive and unconscionable oversharing at the next table, though this may have happened a little in advance of the missile test.
But I don't have to have been there to imagine it. Over on Melrose, conversations over organic salads and vegan sandwiches would have ground to a halt as trendy diners tried to figure out if this was part of a filming; some of the beachgoers in Santa Monica and Malibu may have wondered if California was under attack--up at the Getty Center, people may actually have ducked. Near the observatory, a shooting star might have seemed quite plausible, while in the line at Diddy Riese, the UCLA kids must have had a field day with their cell phones. I'm not sure how much time people in Beverly Hills spend on their lawns; if someone was having a party, there may have been speculation about it all being a stunt for their amusement. Up in Topanga Canyon, it might have seemed like the dawning of the Age of Aquarius. Maybe in Watts, someone had a glimmer of the truth.
If it had happened here, I'm sure there would have been, likewise, a variety of theories, but the Age of Aquarius probably wouldn't have been one of them; the Second Coming, maybe, but not the Age of Aquarius. We see the world through the lenses we're used to using, but I imagine explanations for what was happening would have run a similar gamut. Such an unexplained event is bound to turn into a Rorschach test of sorts.
The article didn't say whether the test made any noise or not, but if it didn't, I think it was a missed opportunity. A little sonic boom to shake up the cocktails on the rooftop bars and rattle the teacups at the Huntington Tea Room would have been just the thing for a full-on Night of Mystery. The video I saw featured no sound but that of a bunch of girls yelling as a radio played in the background, which was entertaining but provided little context.
When I read the article, to tell you the truth, I had a whimsical thought, which was that the whole thing reminded me of Mary Chapin Carpenter's song, "Halley Came to Jackson." It's a very sweet song about the effect of Halley's Comet on the inhabitants of a small town in 1910 Mississippi. For the people in Jackson, the coming of the comet is a visit from heaven, a time of celebration, awe, and wonder, as well as the occasion for a little well-placed wish-making. So Cal may not seem to have much in common with Mississippi, and perhaps it doesn't. (I can tell you, though, that even places as disparate as L.A. and Lexington KY are a lot more like each other than you might guess, and I know, because I've seen both of them.)
So I say that if you choose to "dream a little dream of a comet's charms," as Ms. Chapin Carpenter says, well, why not? A practical explanation may be perfectly true but doesn't rule out the phenomenology of the miraculous. Many of the people observing the mystery light experienced a sense of the marvelous, and who's to say they're wrong? Not I. My theory is that all proper wishes made on celestial objects on the supposition that they're shooting stars count. Unarmed missile, ball of gas and dust, what's the difference? I'm not being facetious--it's bound to beat anything you'll see on TV this week. I'm just glad someone else knows how to work the submarine.
A ballistic missile submarine conducting a test fired the unarmed missile from off the coast, creating a spectacular display that was apparently visible even across state lines. The submarine was the USS Kentucky, conducting a test that was routine but unannounced--hence all the nervous speculation from the public. Yes, the USS Kentucky, but don't go thinking I had anything to do with it. Do I look like I know how to drive a submarine? Besides, I was thousands of miles away, in actual Kentucky, exiting Starbucks to avoid some excessive and unconscionable oversharing at the next table, though this may have happened a little in advance of the missile test.
But I don't have to have been there to imagine it. Over on Melrose, conversations over organic salads and vegan sandwiches would have ground to a halt as trendy diners tried to figure out if this was part of a filming; some of the beachgoers in Santa Monica and Malibu may have wondered if California was under attack--up at the Getty Center, people may actually have ducked. Near the observatory, a shooting star might have seemed quite plausible, while in the line at Diddy Riese, the UCLA kids must have had a field day with their cell phones. I'm not sure how much time people in Beverly Hills spend on their lawns; if someone was having a party, there may have been speculation about it all being a stunt for their amusement. Up in Topanga Canyon, it might have seemed like the dawning of the Age of Aquarius. Maybe in Watts, someone had a glimmer of the truth.
If it had happened here, I'm sure there would have been, likewise, a variety of theories, but the Age of Aquarius probably wouldn't have been one of them; the Second Coming, maybe, but not the Age of Aquarius. We see the world through the lenses we're used to using, but I imagine explanations for what was happening would have run a similar gamut. Such an unexplained event is bound to turn into a Rorschach test of sorts.
The article didn't say whether the test made any noise or not, but if it didn't, I think it was a missed opportunity. A little sonic boom to shake up the cocktails on the rooftop bars and rattle the teacups at the Huntington Tea Room would have been just the thing for a full-on Night of Mystery. The video I saw featured no sound but that of a bunch of girls yelling as a radio played in the background, which was entertaining but provided little context.
When I read the article, to tell you the truth, I had a whimsical thought, which was that the whole thing reminded me of Mary Chapin Carpenter's song, "Halley Came to Jackson." It's a very sweet song about the effect of Halley's Comet on the inhabitants of a small town in 1910 Mississippi. For the people in Jackson, the coming of the comet is a visit from heaven, a time of celebration, awe, and wonder, as well as the occasion for a little well-placed wish-making. So Cal may not seem to have much in common with Mississippi, and perhaps it doesn't. (I can tell you, though, that even places as disparate as L.A. and Lexington KY are a lot more like each other than you might guess, and I know, because I've seen both of them.)
So I say that if you choose to "dream a little dream of a comet's charms," as Ms. Chapin Carpenter says, well, why not? A practical explanation may be perfectly true but doesn't rule out the phenomenology of the miraculous. Many of the people observing the mystery light experienced a sense of the marvelous, and who's to say they're wrong? Not I. My theory is that all proper wishes made on celestial objects on the supposition that they're shooting stars count. Unarmed missile, ball of gas and dust, what's the difference? I'm not being facetious--it's bound to beat anything you'll see on TV this week. I'm just glad someone else knows how to work the submarine.
Friday, November 6, 2015
Three or Four Views of Florence
I spent some time tonight looking up paintings by artists of the Italian Renaissance described by another writer in her memoir of Italy. Whether it was something in her descriptions that moved me or the power of the paintings themselves speaking through her (or both), I'm not sure--but I made a note last night to get online and look for digital versions of the works. Many of the frescoes, paintings, and statues she mentions are familiar to me from a long-ago art class as well as my own brief visit to Florence years ago, but I hadn't thought about them in a while.
One of my clearest memories from my visit is climbing Giotto's Tower on a sunny afternoon and seeing the hilly Tuscan countryside, already resident in my imagination from that undergraduate art class, unroll in full, three-dimensional life from horizon to horizon. I have been trying to think of the word that describes that experience--it wasn't surreal, or even hyperreal, though it was more than a little magical, like any experience in which something beautiful, imagined, and hoped for turns out actually to exist in the material world. Saying that I had a sense of shocked (delighted) recognition probably comes closest to the truth.
While looking tonight at online versions of Fra Angelico's frescoes in the monastery at San Marco, I started to think I was right about a suspicion I began forming last night that this monastery was also a place I'd visited on my trip. I recall being in an ancient and intensely cold thick-walled building, traipsing around from monk's cell to monk's cell with the tips of my fingertips practically blue, looking at some famous art. The author of the memoir I'm reading was obviously not there in November, since she said nothing about cold and was apparently at leisure to contemplate the paintings without brain freeze or actual frostbite entering the picture (in fact, I believe she was there in late spring). Tuscany was beautiful in the sunshine but also turned out to be surprisingly cold, especially in some of those venerable interiors.
I was only in Florence briefly but formed an impression of an elegant and severe beauty softened by the enfolding countryside. The author of the memoir, who knows Florence intimately, writes of the simple happiness she experienced sitting in public squares, visiting shops, observing architecture and people, and partaking in the rituals of daily life. She made me believe that many of the things I only glimpsed in my brief stay would be there waiting for me should I ever chance to make my way back. Dante, Giotto, cappuccino, gelato--what more could you possibly hope for?
It was only on the heels of reading an excellent crime novel set in Florence that I decided to revisit Ms. Harrison's (also beautifully written) memoir. I picked up the novel at the library a few weeks back, thinking it would be interesting to read something set in a city I had visited and found intriguing. I hardly recognized Florence in the novel, which was written from the point of view of an embittered ex-policeman turned private investigator. Though he obviously loved his city, it was a love without illusions, born of long experience as a police officer. He saw it with warts intact, cheap cafes and sketchy riverside districts included. I believe I imagined him as something of a latter-day Dante, with the poet's somewhat embittered love for a place that had turned its back on him.
Contrasting my memories with the points of view of a fictional Italian PI and an Italian-American memoirist has taught me several things: Florence is prone to devastating floods (I must have missed all those historical markers); there is a place called the Boboli Gardens that evidently didn't figure prominently in our guidebook; I didn't spend nearly enough time just sitting in piazzas; and if I ever go to Florence again, it will surely be in the spring. I hadn't even read Dante in a serious way the last time I was there, so that alone is reason to go back. I trust and believe that the Tuscan landscape is still as beautiful and inspiring as it was 26 years ago, and that my own eye, veteran of many more sunsets, sunrises, and hilltop views since then, will appreciate it even more.
One of my clearest memories from my visit is climbing Giotto's Tower on a sunny afternoon and seeing the hilly Tuscan countryside, already resident in my imagination from that undergraduate art class, unroll in full, three-dimensional life from horizon to horizon. I have been trying to think of the word that describes that experience--it wasn't surreal, or even hyperreal, though it was more than a little magical, like any experience in which something beautiful, imagined, and hoped for turns out actually to exist in the material world. Saying that I had a sense of shocked (delighted) recognition probably comes closest to the truth.
While looking tonight at online versions of Fra Angelico's frescoes in the monastery at San Marco, I started to think I was right about a suspicion I began forming last night that this monastery was also a place I'd visited on my trip. I recall being in an ancient and intensely cold thick-walled building, traipsing around from monk's cell to monk's cell with the tips of my fingertips practically blue, looking at some famous art. The author of the memoir I'm reading was obviously not there in November, since she said nothing about cold and was apparently at leisure to contemplate the paintings without brain freeze or actual frostbite entering the picture (in fact, I believe she was there in late spring). Tuscany was beautiful in the sunshine but also turned out to be surprisingly cold, especially in some of those venerable interiors.
I was only in Florence briefly but formed an impression of an elegant and severe beauty softened by the enfolding countryside. The author of the memoir, who knows Florence intimately, writes of the simple happiness she experienced sitting in public squares, visiting shops, observing architecture and people, and partaking in the rituals of daily life. She made me believe that many of the things I only glimpsed in my brief stay would be there waiting for me should I ever chance to make my way back. Dante, Giotto, cappuccino, gelato--what more could you possibly hope for?
It was only on the heels of reading an excellent crime novel set in Florence that I decided to revisit Ms. Harrison's (also beautifully written) memoir. I picked up the novel at the library a few weeks back, thinking it would be interesting to read something set in a city I had visited and found intriguing. I hardly recognized Florence in the novel, which was written from the point of view of an embittered ex-policeman turned private investigator. Though he obviously loved his city, it was a love without illusions, born of long experience as a police officer. He saw it with warts intact, cheap cafes and sketchy riverside districts included. I believe I imagined him as something of a latter-day Dante, with the poet's somewhat embittered love for a place that had turned its back on him.
Contrasting my memories with the points of view of a fictional Italian PI and an Italian-American memoirist has taught me several things: Florence is prone to devastating floods (I must have missed all those historical markers); there is a place called the Boboli Gardens that evidently didn't figure prominently in our guidebook; I didn't spend nearly enough time just sitting in piazzas; and if I ever go to Florence again, it will surely be in the spring. I hadn't even read Dante in a serious way the last time I was there, so that alone is reason to go back. I trust and believe that the Tuscan landscape is still as beautiful and inspiring as it was 26 years ago, and that my own eye, veteran of many more sunsets, sunrises, and hilltop views since then, will appreciate it even more.
Thursday, October 29, 2015
Masks
The fall colors are turning fiery, the autumn wind is blowing ("O, wild West Wind, thou breath of Autumn's being"--Shelley), and my Halloween cookies are baked. This, then, is my Halloween post. I'm always bemused by Halloween. As a kid, all I had to do was dive in and enjoy it, which I did. Once you grow up, and going around asking people for candy (with every expectation that they'll give it to you) is no longer an option, your choices, in my opinion, are much less satisfying.
You can become the kind of adult who goes to costume parties cleverly attired as a zombie or a politician and stands around drinking spiked punch, or you can be the kind that sets out spooky and/or humorous yard displays and hands out candy to the kids. There's also a third set of options if you're like me and live in an apartment building that doesn't get pint-sized trick-or-treaters or offer any lawn decoration opportunities--in which case, you can either do nothing, watch a scary movie, set out a themed candle or candy dish, or bake cookies in Halloween shapes. Since your actual responsibilities are zilch, any degree of participation is up to you.
I usually just think about how much I enjoyed Halloween as a kid, feel a bit nostalgic, and eat some cookies (I used to set out a "pumpkin" candle holder, but I think it's in the back of the cabinet somewhere). I'm guessing that most people with kids at home re-live their childhood memories by making Halloween fun for their own children, and that sounds to me like a reasonable way to approach things.
Many people will disagree with me on this, but I'm not really a fan of adults dressing up as ghouls and things on Halloween. One of the things I remember about childhood Halloweens was that the fun was anchored in a sense of safety. You were wandering around outside after dark in a way you never would normally, dressed as someone you definitely were not, tripping over your hem and wearing a mask, and there was certainly something at large, a special Halloween spookiness. Then you'd knock on someone's door and a solid and ordinary-looking adult that you'd seen dozens of times would answer with a bag of Butterfingers or boxes of Milk Duds, reminding you that no matter how thin the membrane between ordinary reality and the otherworld on All Hallows Eve, you could reach out and touch normal reality at any time. When there are too many big people running around in masks, it starts to seem more like real pandemonium.
I have a prejudice against masks. I was thinking about this the other night and how much in the minority I may be on the issue when I happened to read, in a memoir, about someone else's distaste for masks in the context of her visit to Venice. I think my dislike stems from the knowledge that the human face itself is a mask par excellence, requiring much skill and patience to read. If the human countenance is already a disguise (and I admit that it may sometimes be a protective disguise--a necessary thing), adding additional layers of covering seems to complicate reality a bit too much. It's a little like Inception, the movie in which dream architects find a way to enter into and function in alternative layers of consciousness, making base-level reality difficult to ascertain after a while. Which face is really yours, this one or that one?
I'm not against costumes, though. Who doesn't like to dress up? My idea of fun would be to separate the adult festivities from the children's on All Hallows, so that the adults were there to supervise the kids on Halloween and then had their own parties on All Saint's or All Soul's day. I could see saying something like, "OK, the theme is the Eighteenth Century." Or possibly, "Come as your favorite character from either Shakespeare or Mark Twain. Interpret this any way you like--only no masks." I think the fun of seeing people caught in an out-of-context sartorial challenge would be much greater than trying to figure out who's behind what mask.
You'd always have to keep a few straw hats or jerkins on hand for people who showed up without one, and you'd have the burden of trying to figure out what kind of food to serve to people dressed up as Mozart or Martha Washington. But it would be worth it, wouldn't it?
Labels:
All Saints Day,
All Souls Day,
costumes,
Halloween,
masks
Thursday, October 22, 2015
Winnowing
Last week, I didn't wax poetic about the beauties of autumn, so this week, I will. A lot of us have mixed feelings about fall, but it has its compensations. Why it is that I find myself wanting to write about it in rapturous tones every year might seem a bit mysterious, since it actually isn't my favorite season. I've thought about that, and here's what I think explains it: the movement of summer into fall is more momentous than anything else in the year other than the transition from winter into spring.
Around here, spring changes into summer almost imperceptibly, and there's not that much difference between a day in late autumn and an average winter day, at least to look at. All the bright colors of mid-autumn, the golden light, and the harvest festivals mark the culmination of the year and its fulfillment. It's a burst of exuberance before things settle down for the long sleep of winter. Underlying the celebration is the knowledge that the light and warmth of summer are going, and there's cold and snow and windshield-scraping somewhere ahead, but somehow you don't think about that on a beautiful Indian summer afternoon with leaves drifting lazily down and acorns crunching underfoot.
I seem to recall past times when fall colors were brighter than they have been in recent years--I may even have read something about climate change potentially affecting the vibrancy of autumn leaves--but I'm not sure I could reliably call it a trend. It does seem to me that both spring and autumn have been somewhat delayed in their arrivals of late. On the other hand, I remember a particular autumn day in college when a class held outside a few days before Thanksgiving had the benefit of a gorgeous blue sky and leaves of every riotous hue imaginable still on the trees. I usually think of October as the colorful month, but that's proof it isn't always the case.
You can be happy in any season. I've been elated on gloomy days and out-of-sorts on sunny ones and think it's best to let the seasons be the background to life, not the map to it. Still, it's never bad to enjoy the things that only happen at certain times of the year. Emerson said that "each moment of the year has its own beauty . . . a picture which was never seen before, and which shall never be seen again." Earlier this evening, for instance, when I took something to the recycling bin, I glanced toward the west and noticed, behind the trees, a sunset not particularly showy but unique in being a particular shade of orange I don't remember seeing in the sky before. I had to look at it for a minute to try to figure out what it was. Apricot? Peach? The color of a creamy orange sherbet, melted in a bowl? A quiet color, but a pretty one, framed by houses and subtly variegated foliage, and I bet I never see another sunset quite like it.
If there's any poet who captured the feeling of autumn successfully, it has to have been Keats. I think of his ode "To Autumn" every fall, and various lines about "mellow fruitfulness" and "ripening to the core" start running through my head round about September each year. There's his famous personification of autumn as a woman(?) winnowing her hair in a barn, a sort of late-in-the-year Botticelli or Pre-Raphaelite type, I would guess. A lovely image, and a poetic one, though I can't help thinking that if I had a barn and saw such a creature sitting in it, I'd have to ask her what she was doing there. It's my practical streak, at war with my aesthetic side. (You never know--she might be the Loathly Damsel.) Even poetry has its limits.
But enough of that . . . it's almost time to start baking gingerbread cookies for Halloween.
Around here, spring changes into summer almost imperceptibly, and there's not that much difference between a day in late autumn and an average winter day, at least to look at. All the bright colors of mid-autumn, the golden light, and the harvest festivals mark the culmination of the year and its fulfillment. It's a burst of exuberance before things settle down for the long sleep of winter. Underlying the celebration is the knowledge that the light and warmth of summer are going, and there's cold and snow and windshield-scraping somewhere ahead, but somehow you don't think about that on a beautiful Indian summer afternoon with leaves drifting lazily down and acorns crunching underfoot.
I seem to recall past times when fall colors were brighter than they have been in recent years--I may even have read something about climate change potentially affecting the vibrancy of autumn leaves--but I'm not sure I could reliably call it a trend. It does seem to me that both spring and autumn have been somewhat delayed in their arrivals of late. On the other hand, I remember a particular autumn day in college when a class held outside a few days before Thanksgiving had the benefit of a gorgeous blue sky and leaves of every riotous hue imaginable still on the trees. I usually think of October as the colorful month, but that's proof it isn't always the case.
You can be happy in any season. I've been elated on gloomy days and out-of-sorts on sunny ones and think it's best to let the seasons be the background to life, not the map to it. Still, it's never bad to enjoy the things that only happen at certain times of the year. Emerson said that "each moment of the year has its own beauty . . . a picture which was never seen before, and which shall never be seen again." Earlier this evening, for instance, when I took something to the recycling bin, I glanced toward the west and noticed, behind the trees, a sunset not particularly showy but unique in being a particular shade of orange I don't remember seeing in the sky before. I had to look at it for a minute to try to figure out what it was. Apricot? Peach? The color of a creamy orange sherbet, melted in a bowl? A quiet color, but a pretty one, framed by houses and subtly variegated foliage, and I bet I never see another sunset quite like it.
If there's any poet who captured the feeling of autumn successfully, it has to have been Keats. I think of his ode "To Autumn" every fall, and various lines about "mellow fruitfulness" and "ripening to the core" start running through my head round about September each year. There's his famous personification of autumn as a woman(?) winnowing her hair in a barn, a sort of late-in-the-year Botticelli or Pre-Raphaelite type, I would guess. A lovely image, and a poetic one, though I can't help thinking that if I had a barn and saw such a creature sitting in it, I'd have to ask her what she was doing there. It's my practical streak, at war with my aesthetic side. (You never know--she might be the Loathly Damsel.) Even poetry has its limits.
But enough of that . . . it's almost time to start baking gingerbread cookies for Halloween.
Labels:
"To Autumn",
autumn,
John Keats,
nature,
poetry,
seasons
Thursday, October 15, 2015
Mythologizing the Election
Well, it's October in Kentucky, which may not be quite the same thing as Morning in America, but it's pleasant enough weather-wise. I could wax poetic about the golden afternoons, the bluebird I saw on my walk tonight, how pretty the sumacs are, or any of a number of other things, but it's also election season, with thoughts turning not just to this year's contest but to next year's presidential race. The debate season is now underway for both major parties, and the jockeying for attention will only get more intense as time goes on.
So what's a mythologist to do? My feeling that politics is a strange business remains undiminished and actually increases the more I see. It seems to me that there's a lot of "mythologizing" going on, which has probably always been the case but is something I'm more attuned to now. I wish these mythic plays were for the benefit and edification of all but it really seems to be just another way of manipulating perceptions. We were told, when I was in grad school, that politicians and other officials use mythologists and archetypal psychologists to help craft their messages, and even if I didn't know that, I'd suspect it. The one about it being time for the Great Mother to assume the reins of power has been getting especially heavy play.
I'm not a journalist (unless I'm an occasional mytho-journalist, which I guess could be a thing), and this isn't a place where you're likely to find political endorsements. I have more ideas on who shouldn't be elected than on who should be and am more convinced than ever that things are rarely what they seem in politics, where a lot of sleight of hand takes place. I watched the rise of Bernie Sanders this summer with interest, reading as much as I could to try to assess him, his background, and his policies. The word out among many of his followers was that he wasn't being treated by the media with the same seriousness as Hillary Clinton, and it's true that I would sometimes go straight from reading an article about a huge crowd he'd attracted to yet another headline talking about how unelectable he was.
It did seem that some of the coverage was slanted against Senator Sanders, though it got to such a point of ridiculousness after a while that I wondered if it wasn't actually helping him in some quarters by making him a more sympathetic candidate (and could that even have been the intention?). I know that sounds Machiavellian in the extreme, but if I were a novelist, I'd have no trouble coming up with a plot in which a political party hedges its bets by manipulating voter perceptions so that they believe they have a real choice when in fact all the flavors are actually vanilla. They just look different in the freezer.
I applaud most of Senator Sanders' political views, and I think he's absolutely right about the need for people to become more involved in their government. If he's elected, he won't be able to bring about the kind of changes he talks about without strong support from the electorate and the cooperation of other officials. I've been through the bread and roses talk of promising candidates before and have seen it come to nothing, though I do give him credit for consistency in his views. He has been saying the same things for a long time. And I was surprised at all of the criticism directed against him over the Black Lives Matter activists this summer, which seemed to me rather peculiar. Bernie Sanders, clueless on race? That seems like a stretcher. I honestly think if you're looking for someone who would work hard against institutional racism, it would be Sanders. When Mrs. Clinton met with BLM activists this summer, she came across as tense and almost hostile in the encounter but somehow received less criticism on this score than Mr. Sanders. Strange.
I am concerned about the admiration Senator Sanders expresses for not only President Obama but also Vice President Biden and Mrs. Clinton. I see all of them as mainstream, establishment politicians cut from the same cloth, part and parcel of some of the very problems Mr. Sanders wants to fix. I'm not running for president, and he is, and I suppose it's not politically savvy for someone who's only recently joined the Democratic Party to express anything but respect for its major players (aside from the fact that Sanders has said repeatedly that he doesn't want to run a negative campaign). I think sticking to the issues is commendable, but I hope it doesn't extend to a partisan "circling of the wagons" in the event, for example, that negative information does come to light from the Benghazi committee or some other source.
Many people are talking about the "people are tired of your damn emails" comment from Senator Sanders to Mrs. Clinton on the debate stage Tuesday night. Perhaps Mr. Sanders thinks it's better to steer clear of the topic until (and if) there's more "there" there, but I question his assertion that people "are tired" of the emails. Rather, it seems to me that people are actually concerned about some of Mrs. Clinton's practices as Secretary of State and that this has been reflected in the polls. While there has been some political theater around the Benghazi committee, I think the fact that Clinton's email practices became common knowledge in the course of its inquiries suggests that perhaps the prior investigations missed some things.
Senator Sanders qualified his comment after the debate by saying that he felt the investigative process needed to play itself out, which to me is different than saying it's not an important issue. I would have liked it better if he'd made this comment during the debate rather than afterwards and hope that neither Senator Sanders or anyone else will object if negative information comes out about the Obama administration or any other entity. Truth shouldn't be a partisan perception, as I think Mr. Sanders would agree, if he's the politician many people hope he is.
Well, to paraphrase Bette Davis in All About Eve, "Fasten your seat belts, it's going to be a bumpy ride"--as always, when it comes to politics. And I haven't even talked about the Republicans.
So what's a mythologist to do? My feeling that politics is a strange business remains undiminished and actually increases the more I see. It seems to me that there's a lot of "mythologizing" going on, which has probably always been the case but is something I'm more attuned to now. I wish these mythic plays were for the benefit and edification of all but it really seems to be just another way of manipulating perceptions. We were told, when I was in grad school, that politicians and other officials use mythologists and archetypal psychologists to help craft their messages, and even if I didn't know that, I'd suspect it. The one about it being time for the Great Mother to assume the reins of power has been getting especially heavy play.
I'm not a journalist (unless I'm an occasional mytho-journalist, which I guess could be a thing), and this isn't a place where you're likely to find political endorsements. I have more ideas on who shouldn't be elected than on who should be and am more convinced than ever that things are rarely what they seem in politics, where a lot of sleight of hand takes place. I watched the rise of Bernie Sanders this summer with interest, reading as much as I could to try to assess him, his background, and his policies. The word out among many of his followers was that he wasn't being treated by the media with the same seriousness as Hillary Clinton, and it's true that I would sometimes go straight from reading an article about a huge crowd he'd attracted to yet another headline talking about how unelectable he was.
It did seem that some of the coverage was slanted against Senator Sanders, though it got to such a point of ridiculousness after a while that I wondered if it wasn't actually helping him in some quarters by making him a more sympathetic candidate (and could that even have been the intention?). I know that sounds Machiavellian in the extreme, but if I were a novelist, I'd have no trouble coming up with a plot in which a political party hedges its bets by manipulating voter perceptions so that they believe they have a real choice when in fact all the flavors are actually vanilla. They just look different in the freezer.
I applaud most of Senator Sanders' political views, and I think he's absolutely right about the need for people to become more involved in their government. If he's elected, he won't be able to bring about the kind of changes he talks about without strong support from the electorate and the cooperation of other officials. I've been through the bread and roses talk of promising candidates before and have seen it come to nothing, though I do give him credit for consistency in his views. He has been saying the same things for a long time. And I was surprised at all of the criticism directed against him over the Black Lives Matter activists this summer, which seemed to me rather peculiar. Bernie Sanders, clueless on race? That seems like a stretcher. I honestly think if you're looking for someone who would work hard against institutional racism, it would be Sanders. When Mrs. Clinton met with BLM activists this summer, she came across as tense and almost hostile in the encounter but somehow received less criticism on this score than Mr. Sanders. Strange.
I am concerned about the admiration Senator Sanders expresses for not only President Obama but also Vice President Biden and Mrs. Clinton. I see all of them as mainstream, establishment politicians cut from the same cloth, part and parcel of some of the very problems Mr. Sanders wants to fix. I'm not running for president, and he is, and I suppose it's not politically savvy for someone who's only recently joined the Democratic Party to express anything but respect for its major players (aside from the fact that Sanders has said repeatedly that he doesn't want to run a negative campaign). I think sticking to the issues is commendable, but I hope it doesn't extend to a partisan "circling of the wagons" in the event, for example, that negative information does come to light from the Benghazi committee or some other source.
Many people are talking about the "people are tired of your damn emails" comment from Senator Sanders to Mrs. Clinton on the debate stage Tuesday night. Perhaps Mr. Sanders thinks it's better to steer clear of the topic until (and if) there's more "there" there, but I question his assertion that people "are tired" of the emails. Rather, it seems to me that people are actually concerned about some of Mrs. Clinton's practices as Secretary of State and that this has been reflected in the polls. While there has been some political theater around the Benghazi committee, I think the fact that Clinton's email practices became common knowledge in the course of its inquiries suggests that perhaps the prior investigations missed some things.
Senator Sanders qualified his comment after the debate by saying that he felt the investigative process needed to play itself out, which to me is different than saying it's not an important issue. I would have liked it better if he'd made this comment during the debate rather than afterwards and hope that neither Senator Sanders or anyone else will object if negative information comes out about the Obama administration or any other entity. Truth shouldn't be a partisan perception, as I think Mr. Sanders would agree, if he's the politician many people hope he is.
Well, to paraphrase Bette Davis in All About Eve, "Fasten your seat belts, it's going to be a bumpy ride"--as always, when it comes to politics. And I haven't even talked about the Republicans.
Labels:
archetypal psychology,
debates,
election,
mythologizing,
politics
Thursday, October 8, 2015
Congratulations--You're a Grail Author
When I started reading (or actually, finishing) a children's book series in July that dealt with British mythology, I didn't know I'd be spending a month's worth of blog posts writing my own version of the Grail story. It was completely unplanned, as my blog posts usually are. I found out, though, that I haven't been able to let go lately of what's sometimes called the Matter of Britain, a key part of which is the Grail literature. It's not all that surprising since I've never really gotten over my fascination with King Arthur, the Round Table, and the Grail that started around age eight. It only takes a little encouragement to reignite the spark.
From what I can tell, Arthurian studies is a subset of medieval studies (or possibly Celtic studies, depending on whom you ask), and Grail literature is a further subset of that, so it's sort of like that riddle wrapped in a secret rolled up in an enigma that you've heard about (apologies to Winston Churchill). My initial research into this area a few years ago showed me that there's a lot of controversy surrounding the "origins" of the Grail material. It's a fascinating subject, but the great thing about just trying to tell the story is that you don't really have to worry about who's right or wrong on all of that. There are many versions of the Grail story, and while there are common elements, there are so many differences between them that it's hard to say just what the "official" story actually is. There really isn't one, unless you consider Chretien de Troyes' version as a starting point (and he actually didn't finish his).
I really just thought it would be fun, considering all the different versions of the story that are out there, to put together my own narrative with all the parts I like and some bits of my own thrown in. Being completely ad hoc and spontaneous, it's certainly no more the cat's pajamas than any other version (and probably less so), but it did satisfy my yearning to tell a cohesive story, and more than that, to try to get at that most elusive idea of all--what is the Grail, exactly, and what does it mean?
What initially attracted me to the story as a child had something to do with this indeterminacy. Arthur's world, as I experienced it, had a mysterious quality that made it hard to pin down. While the setting had an ostensibly Christian background, there were supernatural elements that made it uncanny--wizardry, inanimate objects with a life of their own, strange beasts, magical occurrences, and an atmosphere both solemn and eerie. It didn't belong to the world of fairy tales exactly, but it seemed to hail from some long ago and far away iteration of medieval Britain, or at least a through-the-looking-glass version of it. There was nothing else like it.
Anyone familiar with the Grail story in any of its renditions would have recognized in mine such standard features as the Quest, the Grail Castle, the Maimed King, the Perilous Bed, the Chapel of the Black Hand, and the Loathly Damsel. I didn't necessarily order the elements in the same way or put them to the same use as other writers have done, being most concerned with just playing around and seeing what I could come up with within the broad outlines of convention. In other words, I did the same thing as everyone else and used artistic license.
To my own ear, my version picks up on some of the tragedy depicted in renderings such as Tennyson's, in which the Quest for the Grail, ostensibly begun as a high adventure, is actually the beginning of the unraveling of the Round Table. I initially thought Gawain's stay in the Grail Castle might be somewhat light-hearted, more in the spirit of Wolfram von Eschenbach's humorous telling, but as soon as Gawain encountered the lions in the vestibule, things started going in a different direction. I initially pictured the great hall of the Grail Castle as a more welcoming place, comfortable and luxurious, but then a monkey appeared on the candelabra and things took on a more haunted aspect. To be true to what I think of as the spirit of the stories, I had to adhere to a serious tone, though I found Gawain's (understandable) reactions to things to be sometimes humorous.
If you were expecting Perceval, Galahad, or Lancelot as the hero and wondered why Gawain is in there, that's easy. Gawain does appear in some of the traditional stories as a Grail knight, and I consciously settled on him because I wanted more of a workaday, everyman knight than a paragon. Given all the fantastic adventures he was about to encounter, I thought a more lucid, practical-minded character would be a better foil to the general strangeness than a saint would be. While Gawain is a fine knight, he is also a human one, and I wanted someone I could relate to, someone whose reactions I could understand. (This isn't necessarily the way I would have seen the story as a child, when all of the knights seemed much alike to me, but as an adult I tend to differentiate more.)
It was for that reason also that I left out the Siege Perilous, a motif that appears in some of the traditional stories in which the Chosen Knight, by reason of his superiority, is the only one who can occupy a certain seat in the King's Hall without coming to grief. I always liked the idea of this seat, which by some kind of magic is able to differentiate the true from the false (sort of like the Sword in the Stone can select the true king), and I thought about putting it in. I decided against it because in the end it seemed contrary to both the character of Gawain and the theme of my story, insofar as it has one.
Well, you might be saying, fine, but what about those things you didn't explain--like what did the running girl throw in front of the knight that caused the horse to stumble? What was all that about? (The answer is: I don't know, though maybe it'll come to me one night while I'm making dinner or mopping the floor. All I know is this was not a damsel who required rescuing.) Well, then, you ask, what about the Grail, huh? Did you, Wordplay, ever get around to saying exactly what that is?
As far as that goes, I'm not one of those who think a satisfying Grail story is a reductionist one. I will say that to me, the old myths and tales of the magical horn or cauldron of plenty seem to have a strong echo in the Grail, so that there is the idea of a mysterious source of abundance. It's obvious though, that this source of bounty, whatever it is, is tied to much more than just material plenty, seeming to be not only somewhat ambiguous in nature but also somewhat self-referential. If you're wondering how many times the Grail actually appeared in the story, and whether the cup in the Grail castle is the same Grail that appeared in Arthur's hall, I've got to say, those are some really good questions.
I thought I could tell the Grail story in one post, or at the most two, and was really surprised when it took four. I sat down to do each one feeling some enjoyment as the story unfolded but also the dread of someone who's taken on an ambitious project. It was dissertation time all over again! It seemed kind of brazen, to be honest, but I started it on the spur of a moment, and once started, it seemed best to go through with it, one of my motivations actually being to find out what was going to happen.
Somewhere along the way, I started thinking about the great Henry James, a writer whose labyrinthine prose both fascinated and infuriated me when I read him at an earlier stage of life. At the end of his novel The Wings of the Dove, one character says to another something to the effect of, "Well, let's just go back to the way we were before all this happened." And the other character says, quite simply, "We can never be as we were." I had that in mind as I wrote my ending, as something of that spirit of change seems to permeate the Grail story as I understand it.
As for Gawain, I hope he got a good dinner and a good night's sleep after his return, but whether he did or whether he didn't, that's my story, and I'm sticking to it.
From what I can tell, Arthurian studies is a subset of medieval studies (or possibly Celtic studies, depending on whom you ask), and Grail literature is a further subset of that, so it's sort of like that riddle wrapped in a secret rolled up in an enigma that you've heard about (apologies to Winston Churchill). My initial research into this area a few years ago showed me that there's a lot of controversy surrounding the "origins" of the Grail material. It's a fascinating subject, but the great thing about just trying to tell the story is that you don't really have to worry about who's right or wrong on all of that. There are many versions of the Grail story, and while there are common elements, there are so many differences between them that it's hard to say just what the "official" story actually is. There really isn't one, unless you consider Chretien de Troyes' version as a starting point (and he actually didn't finish his).
I really just thought it would be fun, considering all the different versions of the story that are out there, to put together my own narrative with all the parts I like and some bits of my own thrown in. Being completely ad hoc and spontaneous, it's certainly no more the cat's pajamas than any other version (and probably less so), but it did satisfy my yearning to tell a cohesive story, and more than that, to try to get at that most elusive idea of all--what is the Grail, exactly, and what does it mean?
What initially attracted me to the story as a child had something to do with this indeterminacy. Arthur's world, as I experienced it, had a mysterious quality that made it hard to pin down. While the setting had an ostensibly Christian background, there were supernatural elements that made it uncanny--wizardry, inanimate objects with a life of their own, strange beasts, magical occurrences, and an atmosphere both solemn and eerie. It didn't belong to the world of fairy tales exactly, but it seemed to hail from some long ago and far away iteration of medieval Britain, or at least a through-the-looking-glass version of it. There was nothing else like it.
Anyone familiar with the Grail story in any of its renditions would have recognized in mine such standard features as the Quest, the Grail Castle, the Maimed King, the Perilous Bed, the Chapel of the Black Hand, and the Loathly Damsel. I didn't necessarily order the elements in the same way or put them to the same use as other writers have done, being most concerned with just playing around and seeing what I could come up with within the broad outlines of convention. In other words, I did the same thing as everyone else and used artistic license.
To my own ear, my version picks up on some of the tragedy depicted in renderings such as Tennyson's, in which the Quest for the Grail, ostensibly begun as a high adventure, is actually the beginning of the unraveling of the Round Table. I initially thought Gawain's stay in the Grail Castle might be somewhat light-hearted, more in the spirit of Wolfram von Eschenbach's humorous telling, but as soon as Gawain encountered the lions in the vestibule, things started going in a different direction. I initially pictured the great hall of the Grail Castle as a more welcoming place, comfortable and luxurious, but then a monkey appeared on the candelabra and things took on a more haunted aspect. To be true to what I think of as the spirit of the stories, I had to adhere to a serious tone, though I found Gawain's (understandable) reactions to things to be sometimes humorous.
If you were expecting Perceval, Galahad, or Lancelot as the hero and wondered why Gawain is in there, that's easy. Gawain does appear in some of the traditional stories as a Grail knight, and I consciously settled on him because I wanted more of a workaday, everyman knight than a paragon. Given all the fantastic adventures he was about to encounter, I thought a more lucid, practical-minded character would be a better foil to the general strangeness than a saint would be. While Gawain is a fine knight, he is also a human one, and I wanted someone I could relate to, someone whose reactions I could understand. (This isn't necessarily the way I would have seen the story as a child, when all of the knights seemed much alike to me, but as an adult I tend to differentiate more.)
It was for that reason also that I left out the Siege Perilous, a motif that appears in some of the traditional stories in which the Chosen Knight, by reason of his superiority, is the only one who can occupy a certain seat in the King's Hall without coming to grief. I always liked the idea of this seat, which by some kind of magic is able to differentiate the true from the false (sort of like the Sword in the Stone can select the true king), and I thought about putting it in. I decided against it because in the end it seemed contrary to both the character of Gawain and the theme of my story, insofar as it has one.
Well, you might be saying, fine, but what about those things you didn't explain--like what did the running girl throw in front of the knight that caused the horse to stumble? What was all that about? (The answer is: I don't know, though maybe it'll come to me one night while I'm making dinner or mopping the floor. All I know is this was not a damsel who required rescuing.) Well, then, you ask, what about the Grail, huh? Did you, Wordplay, ever get around to saying exactly what that is?
As far as that goes, I'm not one of those who think a satisfying Grail story is a reductionist one. I will say that to me, the old myths and tales of the magical horn or cauldron of plenty seem to have a strong echo in the Grail, so that there is the idea of a mysterious source of abundance. It's obvious though, that this source of bounty, whatever it is, is tied to much more than just material plenty, seeming to be not only somewhat ambiguous in nature but also somewhat self-referential. If you're wondering how many times the Grail actually appeared in the story, and whether the cup in the Grail castle is the same Grail that appeared in Arthur's hall, I've got to say, those are some really good questions.
I thought I could tell the Grail story in one post, or at the most two, and was really surprised when it took four. I sat down to do each one feeling some enjoyment as the story unfolded but also the dread of someone who's taken on an ambitious project. It was dissertation time all over again! It seemed kind of brazen, to be honest, but I started it on the spur of a moment, and once started, it seemed best to go through with it, one of my motivations actually being to find out what was going to happen.
Somewhere along the way, I started thinking about the great Henry James, a writer whose labyrinthine prose both fascinated and infuriated me when I read him at an earlier stage of life. At the end of his novel The Wings of the Dove, one character says to another something to the effect of, "Well, let's just go back to the way we were before all this happened." And the other character says, quite simply, "We can never be as we were." I had that in mind as I wrote my ending, as something of that spirit of change seems to permeate the Grail story as I understand it.
As for Gawain, I hope he got a good dinner and a good night's sleep after his return, but whether he did or whether he didn't, that's my story, and I'm sticking to it.
Thursday, October 1, 2015
Gawain at Camelot
(Many versions of the Grail legend exist, with various authors each selecting and arranging elements to suit a personal interpretation. This is my attempt.)
Gawain's Further Adventures in the Wild; a Nap; a Return
As Gawain journeyed closer to Camelot, some of the blighted look lifted from the land. It no longer appeared barren, and the fields and trees took on the green of early spring, though the air was chill and few birds sang. Gawain made steady progress until early afternoon, when he stopped in a glade to let Gringolet rest, seating himself beneath an apple tree. He heard the sound of bees buzzing somewhere nearby; the glade itself seemed warmer than the open lands he had been passing through, and soothed by the warmth and the murmuring of bees, he fell into a light slumber.
As he dozed, a dream, or perhaps it was a vision, came to him, and he thought he was once again in the hall of Corbenic at night, with the shadows thick in the corners and a pale moonlight streaming through the windows. Before him, Gawain saw the bleeding lance of the strange procession he had witnessed standing upright of its own accord, the blood flowing into the cup that contained it at the base. Gawain saw no one in the empty hall, but he heard someone weeping. Then it was as if he had come back quite suddenly to himself, there beneath the tree, and there was the sound of a galloping horse fast approaching.
A maiden, very fleet, ran swiftly across the glade in front of him, pursued by a knight covered in black armor from head to toe. In the twinkling of an eye, she threw something behind her before disappearing into the trees, and the horse pulled up short, rearing and plunging. As the knight struggled to control the animal, Gawain sprang up with a shout and drew his sword in challenge. But then Gawain opened his eyes, and though he was somehow on his feet, the glade was as empty and quiet as it had been before, except for the droning bees, and though his hand was on his sword, he had not drawn it.
I've been drowsing, he said to himself, and it's time to move on if I'm to reach Camelot by nightfall. But he was troubled by his dreams, even as he readied Gringolet for leaving, and he remained thoughtful even when the glade was far behind, though the lands around him grew ever more familiar and he could almost taste Camelot sweetly on the breeze. And happy would he be to arrive there, in the place he had loved so long and well. And it came to pass, when at last he came out of a small wood to the west of Camelot and looked upon its white walls, graceful towers, and flying pennants, that it was but late afternoon, and he was in time for dinner.
Gawain left Gringolet to a bowing squire in the courtyard and hurried into the King's hall. As he entered, everyone turned to see him, and a hubbub arose as the court realized that it was Gawain returned safely to them; he was greeted on the left and right by the knights and ladies of the court, and Arthur himself rose to embrace him.
Arthur said to Gawain, we no longer have to wait this day for a marvel before sitting down, for now we have one in our midst.
Glad as I am to be among you again, Gawain said, I did not think to have produced such wonderment after only a few weeks' absence.
A few weeks? exclaimed the King. Why do you talk of a few weeks?
I thought it had been no more than that, said Gawain. How long, then, have I been gone?
Truly, it has been three years since we saw you last, Arthur told him, and we thought not to see you again at all. Have you been in the land of fairy, under some enchantment all this time?
That may be, said Gawain (who had heard of such things).
And now you must tell us about it, the King said, leading Gawain to his seat. But, just to show that they were not yet finished with marvels for that day, a commotion near the door brought everyone up short. As they all turned to look, a lady entered the hall on a mule, the seneschals, even including Sir Kay, having been quite unable to stop her. Remarkable as this was, her appearance was even more so, for though she had the form and bearing of a woman, her aspect was hideous. She had the furred face of a bear, the tusks of a boar, the ears of a salamander, and the eyes of a cat, though other than that she was rather fine.
A boon, she said to Arthur. I require a boon, if there is any courtesy in this court.
You have but to name it, Arthur said, and we will assist you in any way we can.
My name is Sovrentee, and my business is with this knight, she said, pointing a finger at Gawain. Though, she added, I doubt he will be pleased to learn of it.
Indeed, I will do what I can for you, said Gawain, if you will tell me what it is.
A little thing, a mere trifle, she said. I crave a kiss from you.
All the court gazed at her silently, knowing that the rules of knightly courtesy required Gawain to fulfill her request and also knowing that Gawain would abide by them, but wondering how he would bring himself to do it.
But Gawain did not hesitate, approaching her with a mannerly air and giving her the kiss she required. But though there were those in the room who might have expected--given the tales they'd heard--that this loathly damsel would suddenly metamorphose into a beautiful maiden after the kiss, no such transformation occurred. Gawain himself stood impassively, but many of those present held their breath to see what would happen next. What did happen was that the merest tip of the lady's snout, black and leathery, fell off, revealing what looked like a pinprick of human skin underneath.
The Lady Sovrentee looked at Gawain then and laughed, loudly and long. I didn't think you'd do it, she said to him, though little good may it do you. Then turning her mule around, without another word, she left the hall, and was never seen at Camelot again.
What means this? Arthur then said to Gawain. Do you know this lady?
No, said Gawain. Though by her manner, she knows us.
Does this relate to the adventure from which you have just returned?
I think, said Gawain slowly, that it bears on that, and also on the court, though it is only my opinion, and I wonder much at the appearance of this lady here today.
Well, what of your quest, then? said the King. Were we not told that the knight who undertook it would come back to explain to us the meaning of the Grail and its appearance in this hall?
Gawain then said, I can only tell you that though I may have encountered the Grail on my quest, it was not in the same manner as I saw it here in Camelot. Ah, me, what a rare gift it is, as I know now and have always known.
And it was only to say this that you have been kept from us all these years! exclaimed the King. Is there nothing more to this mystery?
Yes, Gawain said. It is in this wise: no one knight can achieve the Grail always and forever. You must let each of your knights go, as they wish, and one by one come back, or not, as the case may be, and tell what they have seen, if they are able, and willing.
All of my knights? Arthur said in astonishment. But you have been away for three years! If I were to let all my knights pursue this errand, it would empty out my court. It would break up the Round Table.
That's as may be, Gawain replied. But unless that happens, I fear the visit of the Grail in this hall will become but a fable, a relic, a riddle told by the fireside in ages to come.
But my court, said Arthur, my Round Table, which was established for the sake of honor, courage, and chivalry, and the doing of great deeds! If the Round Table is broken, we will lose all that we have struggled to achieve. Things must remain as they have been, or it is all in vain.
I fear, Sire, Gawain said sadly, that never again will things be as they have been.
--End--
Gawain's Further Adventures in the Wild; a Nap; a Return
As Gawain journeyed closer to Camelot, some of the blighted look lifted from the land. It no longer appeared barren, and the fields and trees took on the green of early spring, though the air was chill and few birds sang. Gawain made steady progress until early afternoon, when he stopped in a glade to let Gringolet rest, seating himself beneath an apple tree. He heard the sound of bees buzzing somewhere nearby; the glade itself seemed warmer than the open lands he had been passing through, and soothed by the warmth and the murmuring of bees, he fell into a light slumber.
As he dozed, a dream, or perhaps it was a vision, came to him, and he thought he was once again in the hall of Corbenic at night, with the shadows thick in the corners and a pale moonlight streaming through the windows. Before him, Gawain saw the bleeding lance of the strange procession he had witnessed standing upright of its own accord, the blood flowing into the cup that contained it at the base. Gawain saw no one in the empty hall, but he heard someone weeping. Then it was as if he had come back quite suddenly to himself, there beneath the tree, and there was the sound of a galloping horse fast approaching.
A maiden, very fleet, ran swiftly across the glade in front of him, pursued by a knight covered in black armor from head to toe. In the twinkling of an eye, she threw something behind her before disappearing into the trees, and the horse pulled up short, rearing and plunging. As the knight struggled to control the animal, Gawain sprang up with a shout and drew his sword in challenge. But then Gawain opened his eyes, and though he was somehow on his feet, the glade was as empty and quiet as it had been before, except for the droning bees, and though his hand was on his sword, he had not drawn it.
I've been drowsing, he said to himself, and it's time to move on if I'm to reach Camelot by nightfall. But he was troubled by his dreams, even as he readied Gringolet for leaving, and he remained thoughtful even when the glade was far behind, though the lands around him grew ever more familiar and he could almost taste Camelot sweetly on the breeze. And happy would he be to arrive there, in the place he had loved so long and well. And it came to pass, when at last he came out of a small wood to the west of Camelot and looked upon its white walls, graceful towers, and flying pennants, that it was but late afternoon, and he was in time for dinner.
Gawain left Gringolet to a bowing squire in the courtyard and hurried into the King's hall. As he entered, everyone turned to see him, and a hubbub arose as the court realized that it was Gawain returned safely to them; he was greeted on the left and right by the knights and ladies of the court, and Arthur himself rose to embrace him.
Arthur said to Gawain, we no longer have to wait this day for a marvel before sitting down, for now we have one in our midst.
Glad as I am to be among you again, Gawain said, I did not think to have produced such wonderment after only a few weeks' absence.
A few weeks? exclaimed the King. Why do you talk of a few weeks?
I thought it had been no more than that, said Gawain. How long, then, have I been gone?
Truly, it has been three years since we saw you last, Arthur told him, and we thought not to see you again at all. Have you been in the land of fairy, under some enchantment all this time?
That may be, said Gawain (who had heard of such things).
And now you must tell us about it, the King said, leading Gawain to his seat. But, just to show that they were not yet finished with marvels for that day, a commotion near the door brought everyone up short. As they all turned to look, a lady entered the hall on a mule, the seneschals, even including Sir Kay, having been quite unable to stop her. Remarkable as this was, her appearance was even more so, for though she had the form and bearing of a woman, her aspect was hideous. She had the furred face of a bear, the tusks of a boar, the ears of a salamander, and the eyes of a cat, though other than that she was rather fine.
A boon, she said to Arthur. I require a boon, if there is any courtesy in this court.
You have but to name it, Arthur said, and we will assist you in any way we can.
My name is Sovrentee, and my business is with this knight, she said, pointing a finger at Gawain. Though, she added, I doubt he will be pleased to learn of it.
Indeed, I will do what I can for you, said Gawain, if you will tell me what it is.
A little thing, a mere trifle, she said. I crave a kiss from you.
All the court gazed at her silently, knowing that the rules of knightly courtesy required Gawain to fulfill her request and also knowing that Gawain would abide by them, but wondering how he would bring himself to do it.
But Gawain did not hesitate, approaching her with a mannerly air and giving her the kiss she required. But though there were those in the room who might have expected--given the tales they'd heard--that this loathly damsel would suddenly metamorphose into a beautiful maiden after the kiss, no such transformation occurred. Gawain himself stood impassively, but many of those present held their breath to see what would happen next. What did happen was that the merest tip of the lady's snout, black and leathery, fell off, revealing what looked like a pinprick of human skin underneath.
The Lady Sovrentee looked at Gawain then and laughed, loudly and long. I didn't think you'd do it, she said to him, though little good may it do you. Then turning her mule around, without another word, she left the hall, and was never seen at Camelot again.
What means this? Arthur then said to Gawain. Do you know this lady?
No, said Gawain. Though by her manner, she knows us.
Does this relate to the adventure from which you have just returned?
I think, said Gawain slowly, that it bears on that, and also on the court, though it is only my opinion, and I wonder much at the appearance of this lady here today.
Well, what of your quest, then? said the King. Were we not told that the knight who undertook it would come back to explain to us the meaning of the Grail and its appearance in this hall?
Gawain then said, I can only tell you that though I may have encountered the Grail on my quest, it was not in the same manner as I saw it here in Camelot. Ah, me, what a rare gift it is, as I know now and have always known.
And it was only to say this that you have been kept from us all these years! exclaimed the King. Is there nothing more to this mystery?
Yes, Gawain said. It is in this wise: no one knight can achieve the Grail always and forever. You must let each of your knights go, as they wish, and one by one come back, or not, as the case may be, and tell what they have seen, if they are able, and willing.
All of my knights? Arthur said in astonishment. But you have been away for three years! If I were to let all my knights pursue this errand, it would empty out my court. It would break up the Round Table.
That's as may be, Gawain replied. But unless that happens, I fear the visit of the Grail in this hall will become but a fable, a relic, a riddle told by the fireside in ages to come.
But my court, said Arthur, my Round Table, which was established for the sake of honor, courage, and chivalry, and the doing of great deeds! If the Round Table is broken, we will lose all that we have struggled to achieve. Things must remain as they have been, or it is all in vain.
I fear, Sire, Gawain said sadly, that never again will things be as they have been.
--End--
Thursday, September 24, 2015
In the Waste Land
(Many versions of the Grail legend exist, with various authors each selecting and arranging elements to suit a personal interpretation. This is my attempt.)
Gawain's Sojourn in the Wild and What Availed Him There
It would not be true to say that Gawain had an uneventful journey back to Camelot. He had set out on his quest late in the month of May, in mild weather, but his return was accomplished through a land sere and barren, as if it were late in the year. All that had been green and fresh had withered, and chill winds blew the few dead leaves remaining in listless eddies along the ground. Gawain traveled for several days without seeing anyone, until late one afternoon he encountered a maiden sitting beneath a tree, cradling a dead knight.
Sir, she said, looking up at him. Will you give aid to one in distress?
Gladly, said Gawain. But what has happened?
I've lost my champion, she replied, and I would ask you to help me bury him decently.
Since there is nothing else to be done, I will, Gawain said, and together they buried the knight under the tree.
I charge you not to seek vengeance for the killing of my knight, the maiden told him, but to crave justice from the king when you return to Camelot.
That I will, Gawain said, though it seems little enough to do. Then they parted.
Gawain traveled for several more days without seeing anyone before taking shelter one night in a wayside chapel. The crumbling shrine looked abandoned but had candles burning inside, and Gawain stretched out on a bench, intending to rest there until day. Hearing a scuttling noise, he opened his eyes in time to see a white arm, clothed in black, reaching out to snuff one of the candles. Gawain sat up with an oath; at this, the arm flew toward him, attempting to grab his neck. Gawain struggled for several minutes to pull the arm off his throat, finally succeeding in seizing it by the wrist and flinging it with all his might against the wall. At that, it shriveled to dust and disappeared, and Gawain spent the rest of the night in peace.
Gawain traveled for several more days without seeing anyone before being caught in a storm one night, a wild tempest that bent the bare branches of the trees nearly sideways and almost blinded him and Gringolet with stinging rain. They were deep in the forest when this happened; branches fell all around them, the wind shrieked barbarously, and the lightning struck here and there among the trees, leaving charred remains that smoldered briefly in the downpour. Gawain had seen neither dwelling nor hermitage since entering the wood, which was knotted with undergrowth and vines that caught at him and tripped the horse.
A more desolate place Gawain could not imagine, and seeing no choice but to go on, they continued, as the storm seemed to reach even greater heights of ferocity with every step they took. Then Gawain thought he noticed a faint light, so faint and far away that it might have been illusory, and he dismissed it at first as a trick of the night and the storm. Although he paid it little heed and merely tried to find any way forward that he could through the undergrowth, the light, instead of disappearing, slowly became more definite. Whether Gawain turned aside to avoid a hanging vine or went out of his way to skirt a fallen branch, the light never disappeared, seeming to shine softly but steadily far ahead of him.
It may be, he said to himself, that there is after all some hermit who lives by choice in this wild place and will offer hospitality to one seeking shelter on such a night.
And although the thickets and branches appeared almost to conspire to drive him far off to the left and right of his chosen way (which was quite possible, since the wood was an evil place), the light never seemed to wane or grow dimmer, until finally, Gawain found himself at the edge of a small clearing, looking at a tidy stone dwelling with a shed attached. After leading Gringolet into the shed, Gawain knocked at the front door; hearing no answer, he tried the handle, and the door opened into a small but neat room, furnished with a sturdy bed, table, and chair. A fire burned in the grate, filling the room with the pleasant scent of aromatic wood, and the dwelling was warm and dry, though there was no one in it. The table was set for one, with a plate of meat and potatoes, and bread and cheese.
Gawain sat down and looked around for several minutes, listening to the rain and wind, and waiting to see what would happen. For it's unlikely, he said to himself, that anyone would be abroad for long in this storm, with such a shelter available. But although he sat until the fire burned low and he had to get up to add a log to it, no one came.
Finally, Gawain ate the food, and after adding another log to the fire, he lay down on the bed and fell asleep. When he woke up in the morning, the fire had burned down to embers, the cottage was still warm, and a sunbeam lay across the foot of the bed and the floor of the room. When he went out to get Gringolet, he saw that though the storm had left a good deal of wrack in the woods, the area around the cottage was clear, and a path led from behind the dwelling into the trees.
Thinking it just as well to take an open path after so many trackless days, Gawain went that way, riding Gringolet to the top of a small rise. He saw then that the forest came to an end a few yards past the bottom of the hill, and that beyond, the country consisted of meadows and small hills. Unbeknown to him, he had come in the night to the very borders of Arthur's lands, and Camelot lay a mere day's ride to the east.
To be continued . . .
Gawain's Sojourn in the Wild and What Availed Him There
It would not be true to say that Gawain had an uneventful journey back to Camelot. He had set out on his quest late in the month of May, in mild weather, but his return was accomplished through a land sere and barren, as if it were late in the year. All that had been green and fresh had withered, and chill winds blew the few dead leaves remaining in listless eddies along the ground. Gawain traveled for several days without seeing anyone, until late one afternoon he encountered a maiden sitting beneath a tree, cradling a dead knight.
Sir, she said, looking up at him. Will you give aid to one in distress?
Gladly, said Gawain. But what has happened?
I've lost my champion, she replied, and I would ask you to help me bury him decently.
Since there is nothing else to be done, I will, Gawain said, and together they buried the knight under the tree.
I charge you not to seek vengeance for the killing of my knight, the maiden told him, but to crave justice from the king when you return to Camelot.
That I will, Gawain said, though it seems little enough to do. Then they parted.
Gawain traveled for several more days without seeing anyone before taking shelter one night in a wayside chapel. The crumbling shrine looked abandoned but had candles burning inside, and Gawain stretched out on a bench, intending to rest there until day. Hearing a scuttling noise, he opened his eyes in time to see a white arm, clothed in black, reaching out to snuff one of the candles. Gawain sat up with an oath; at this, the arm flew toward him, attempting to grab his neck. Gawain struggled for several minutes to pull the arm off his throat, finally succeeding in seizing it by the wrist and flinging it with all his might against the wall. At that, it shriveled to dust and disappeared, and Gawain spent the rest of the night in peace.
Gawain traveled for several more days without seeing anyone before being caught in a storm one night, a wild tempest that bent the bare branches of the trees nearly sideways and almost blinded him and Gringolet with stinging rain. They were deep in the forest when this happened; branches fell all around them, the wind shrieked barbarously, and the lightning struck here and there among the trees, leaving charred remains that smoldered briefly in the downpour. Gawain had seen neither dwelling nor hermitage since entering the wood, which was knotted with undergrowth and vines that caught at him and tripped the horse.
A more desolate place Gawain could not imagine, and seeing no choice but to go on, they continued, as the storm seemed to reach even greater heights of ferocity with every step they took. Then Gawain thought he noticed a faint light, so faint and far away that it might have been illusory, and he dismissed it at first as a trick of the night and the storm. Although he paid it little heed and merely tried to find any way forward that he could through the undergrowth, the light, instead of disappearing, slowly became more definite. Whether Gawain turned aside to avoid a hanging vine or went out of his way to skirt a fallen branch, the light never disappeared, seeming to shine softly but steadily far ahead of him.
It may be, he said to himself, that there is after all some hermit who lives by choice in this wild place and will offer hospitality to one seeking shelter on such a night.
And although the thickets and branches appeared almost to conspire to drive him far off to the left and right of his chosen way (which was quite possible, since the wood was an evil place), the light never seemed to wane or grow dimmer, until finally, Gawain found himself at the edge of a small clearing, looking at a tidy stone dwelling with a shed attached. After leading Gringolet into the shed, Gawain knocked at the front door; hearing no answer, he tried the handle, and the door opened into a small but neat room, furnished with a sturdy bed, table, and chair. A fire burned in the grate, filling the room with the pleasant scent of aromatic wood, and the dwelling was warm and dry, though there was no one in it. The table was set for one, with a plate of meat and potatoes, and bread and cheese.
Gawain sat down and looked around for several minutes, listening to the rain and wind, and waiting to see what would happen. For it's unlikely, he said to himself, that anyone would be abroad for long in this storm, with such a shelter available. But although he sat until the fire burned low and he had to get up to add a log to it, no one came.
Finally, Gawain ate the food, and after adding another log to the fire, he lay down on the bed and fell asleep. When he woke up in the morning, the fire had burned down to embers, the cottage was still warm, and a sunbeam lay across the foot of the bed and the floor of the room. When he went out to get Gringolet, he saw that though the storm had left a good deal of wrack in the woods, the area around the cottage was clear, and a path led from behind the dwelling into the trees.
Thinking it just as well to take an open path after so many trackless days, Gawain went that way, riding Gringolet to the top of a small rise. He saw then that the forest came to an end a few yards past the bottom of the hill, and that beyond, the country consisted of meadows and small hills. Unbeknown to him, he had come in the night to the very borders of Arthur's lands, and Camelot lay a mere day's ride to the east.
To be continued . . .
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