Thursday, December 28, 2017

Christmas Movie Extravaganza

Over the last week, I saw several different "Top Christmas Movies" lists, all of which included some films I don't really think of as holiday movies. Most of these lists had the criterion that as long as a film had a Christmas setting, it counted, whether or not the story really had a holiday theme. Since I spent several evenings watching Christmas movies this year, I came up with my own list, which is based on nothing more solid than my liking the films. I also adhere to the standard that the film should really be about Christmas.

If a child were making this list, it would, I'm sure, be different from mine. I caught bits and pieces of several movies like The Santa Clause and Elf that I thought were fine for kids, but I was going more for an "all ages" kind of appeal. I came up with a Top Five and an honorable mention category, and in trying to understand what I liked about each of them, I realized that, besides having a strong Christmas "presence," each one of them has an additional, overarching theme that gives it a depth some of the frothier holiday movies don't have.

Here's the Wordplay list, and it actually is in no particular order.

1. It's a Wonderful Life. I missed seeing it this year, but it's hard to imagine any list that wouldn't have it. Of course, it actually encapsulates a retrospective of George Bailey's entire life, but because of its Christmas Eve setting and the central role the holiday plays in the film, it's definitely a Christmas movie. The theme of decency and integrity and the difference they make in the lives of all those who know this otherwise ordinary man makes this a film for all seasons. You could watch it any time of year without it seeming out of place, but it definitely captures the holiday spirit.

2. Miracle on 34th Street. It had been a while since I'd seen this one (I'm reviewing the 1947 version, the only one I've seen). With the plot revolving around the real identity of a Mr. Kris Kringle, drafted at the last minute to play Santa Claus in the Macy's Thanksgiving Parade, it's about as Christmasy as they come. What elevates this movie is the fact that while it's ostensibly about whether or not Santa Claus is real (and if he is real, whether or not the jolly Mr. Kringle is the Santa Claus), it's also about saying yes to a number of things--imagination, trust, and new beginnings--that take a little faith but make life infinitely richer.

3. A Christmas Story. I had been meaning to watch this film for years but somehow kept missing it until this year. It has a quirky tone that I found I had to adjust to, since the characters in Ralphie's family are all a bit eccentric, but it hits its stride when Ralphie's quest to get the Christmas present of his dreams, a Red Ryder BB gun, starts to take on the quality of a mission. I liked the way the characters became more three-dimensional as the film went on; both of Ralphie's parents have their faults, but between the two of them they manage to give Ralphie and his brother just what they need. Above and beyond the Christmas theme, this is a nascent coming-of-age story.

4. A Christmas Carol. I've seen several versions of this story on film, including a musical one, and I don't think I've seen a bad one yet. I'm not singling out a particular version, because they all have their virtues, but I think at least one of them has to be on any top Christmas movies list. Dickens's story starts at the opposite end from It's a Wonderful Life, telling the tale of a man whom scarcely anyone loves who comes to realize how different life can be if he overcomes his own disappointments and opens his heart to others. Flashbacks, ghostly visitations, astral journeys, and a Christmas goose--what more can you ask for?

5. The Polar Express. Like A Christmas Carol, this movie is a little bit spooky; like A Christmas Story, it's a coming-of-age tale; and like Miracle on 34th Street, it's a movie that asks you to take certain things on faith. It may seem strange to call this a coming-of-age story when the plot takes a boy who is almost beyond believing in Santa on a magical journey to the North Pole with the purpose of re-awakening his belief. But is that really what's going on? While the movie insists on the importance of belief, Santa Claus is really only the vehicle, the catalyst on a voyage of self-discovery. It is, as the train conductor tells the children, their "crucial year," the one in which they are simultaneously looking backward at the children they have been and forward to the adults they will become.

And finally, in the Honorable Mention category: White Christmas. I saw this movie years ago and liked it, and although it seemed cornier this time than I remembered it, it's hard to find fault with a story that includes romance, a train trip from Florida to New England, comedy, Christmas at a Vermont inn, good deeds that almost backfire, and a number of elaborate musical numbers. It's light-hearted and sentimental and incorporates all that song and dance effortlessly into the plot, as long as you don't mind the schmaltz.

So that's my Top Five, plus one. If anyone was expecting a very quirky and unconventional list, I'm sure they're disappointed, as this list strikes even me as being very traditional. But after all, that's what we like about Christmas: the traditions.