Thursday, June 11, 2015

Stollen's Clock Repair, Toy & Magic Shop


Once upon a time, there was a woman who lived alone on a long, leafy street with old-fashioned houses. She was a fairly young woman, with no husband or children to think of, and she liked to spend her spare time (she was a teacher) reading, taking walks, drinking long cups of tea, and (on Saturdays) occasionally rummaging in antique shops. 

Rummaging was how she found it, the jewelry box. She wanted someplace besides a candy box to store her earrings and necklaces. She wasn't actually thinking of it that Saturday as she poked around in Stollen's Clock Repair, Toy & Magic shop, but when her eye fell on the lacquered box, a midnight blue affair spangled with faint stars and crescent moons, it came to her mind how perfect it would be for her jewelry and how snugly it would fit on top of her dresser. Mr. Stollen thought the box had originally been used for papers but, unusually for him, was vague on its provenance. He mumbled something about objects of beauty with troubled pasts and frowned as he wrapped it in tissue and put it in a bag for her. She did not think much of this as Mr. Stollen was old and--though kindly--could, on occasion, be crotchety.

The box did indeed fit snugly on her dresser, and her jewelry fit neatly into the partitions she created for them. She casually mentioned her find to several of the other teachers at her college in the break room one morning. They agreed that Stollen's was the place to go when you didn't know what you wanted because you were bound to find it. It was a small town, and everyone knew Stollen's.

By and by, the young woman, whose name was Clare, began to notice something odd happening among her colleagues. It began with whispers and hurried looks and was never more than a faint rumor at first. She eventually discovered that the rumors had to do with her jewelry box, which some said had belonged to a wealthy governor of a far-off place, some to a captain of industry, and some to a potentate. It was said to have a hidden compartment housing a secret document, a document that had been left by mistake in the box, which by some roundabout and uncertain way had ended up at last in a dusty corner of Stollen's shop.

Clare did not believe the rumors at first, knowing how little of import happened in her small town and how exciting the slightest hint of the exotic always was (when the circus came, it was the major topic of conversation for weeks). But gradually, rumors turned into a coolness in the air, and there were frightened looks and hushed voices. She was never sure who started the stories, or if anyone really knew anything for sure about the box. When she asked Mr. Stollen one day, after running into him on the street, he merely shook his head.

Whether Clare believed the rumors or not, it was evident that other people did. One autumn evening, when Clare was returning home from school, she encountered a well-dressed gentleman at the end of her street. He was idling there with an air of purpose, and when she turned in front of him, he bowed slightly. "My name is Mars," he said, handing her a card on which the name P. T. Mars appeared in elegant black lettering, followed by the word "Antiquities." "I understand you purchased a box from old Stollen some time ago. I wonder if you'd be interested in selling it to me. I'm a collector, and I believe it may have some value."

"Really?" said Clare. "Mr. Stollen said nothing about value to me, and he always knows these things. I didn't pay very much for it. It's only lacquered wood."

"Ah, but you see, the look of a thing can be deceiving. Who would think that a tarnished old lamp could hide a genie, for instance? Yet one hears of these things."

Clare did not like the look of this smooth gentleman, with his black hair and pale skin, and said nothing about the rumors she'd heard. A feeling came to her that whatever happened, he should not have her box. "Well, I'm rather fond of the box, as it is," she said carefully. "And I've never done business with someone I met in the street. It may be that I will want to give the box away one day, as a gift."

"I wouldn't do that, if I were you," said Mars. "That box contains something very important, not worth much to you, but worth a great deal to those willing to pay for it. Why not save yourself a great deal of trouble and sell it to me? You will make a lot of money from it."

"I'm sorry," said Clare politely, looking at Mars directly. "But I don't feel as if I want to sell it. And it's getting late, so I must be getting on."

"Not today, perhaps," said Mars, with a dismissive wave. "But keep my card. You can reach me at that number anytime." And he laughed and turned away. As he did, Clare caught sight of his fine leather shoes. His feet were small and goat-like, and he moved on them lightly. When he was a short distance away, he turned and smiled again. "And don't think of destroying that box," he said. "To do so would be quite dangerous, as it is well-protected against any type of tampering. You cannot destroy it without destroying yourself, believe me." Then he was gone.

When Clare got home, she stared at the card with distaste for a long while before burning it in the grate. She looked at the jewelry box, sitting quietly and unassumingly on the left side of her dresser, glowing softly in the lamplight. She would have liked to believe that the entire episode was a case of mistaken identity, but as she gazed at the box, she feared it was not.

Of course, that was not the end of the affair of the box, as it seemed everyone had now heard the story of its hidden treasure, whether from Mars or by some other means. Clare no longer felt carefree as she walked down her street, from home to school and back again. The neighbors behaved oddly, and the formerly friendly shopkeepers on Main Street all seemed troubled and disinclined to be social. Clare wondered what could possibly be in the box to turn everyone's heads so completely. She didn't want to know but thought it best to draw conclusions so she could decide what to do. Perhaps it contained a map to a treasure, a list of names, or the plans for an invention that would make its owner rich beyond imagining. There were many possibilities, but no one of them seemed more likely than the rest. In the end, she decided, it wasn't so much the contents, but the greed that mattered.

Clare began to dread the ordeal of her daily walk to school, which she had formerly enjoyed. The loud talk and furtive glances of her neighbors troubled her; she sometimes heard strange laughter coming from behind the curtains of the houses. It was now November, and the air was getting chilly. Clare looked forward every day to turning the key in her latch, putting the kettle on to boil, and settling into the window seat of the turret (she lived in a Victorian cottage) to read the evening away. She worked her way slowly through all of Henry James, Dickens, and then Trollope as the months went by, watching from her solitary seat as the seasons wheeled around. 

The months turned into years. Even her old friends seemed to have gotten wind of the story of the box, and few of them came around any more. She sometimes heard rustling outside her window at night, and once she even heard footsteps on her porch, a hand on the latch. When she opened the curtain, she saw a dark shape retreating. 

She couldn't help but notice the altered appearance of her neighbors; the doctor in the Queen Anne down the street, always pale from late shifts at the hospital, now looked almost vampire-ish as he turned his grin toward her. The minister two doors down, with his red hair and sharp eyes, had grown vulpine and watchful, and bearded Mr. Brown, who lived across the street and published the local newspaper ("The Intelligencer"), had somehow grown to resemble Lon Chaney Jr. in his hairier stages. Mrs. Carmine, who had moved in next door a year ago, had the crooked teeth and pointed nose of a hag and swept her porch furiously as she watched Clare with speculative eyes. When Clare was awakened one night by noises on the roof, she instantly pictured Mrs. Carmine poking about the chimney, though how she could have gotten up there, with all her two hundred pounds, was a mystery Clare preferred not to consider. She decided instead that it must be bats.

Ownership of the box had made Clare a prisoner in her home and had taken most of the sweetness out of life. "One thing I know," she said to herself, "is that I can't let anyone else get this box. Whatever's in it is bad, to make people act the way they do. I suppose I must just guard it. I wish this were a fairy tale so that I might have a godmother to tell me what to do, but since it isn't, I'll have to do the best I can."

Do you think someone was listening? That night, Clare dreamed of her grandmother, who had been dead for many years. She was a small Southern woman with a lively expression, and in the dream she gave off a decided radiance. She looked very pleased as she smiled at Clare, who felt, at the sight of that smile, a lifting of the dread that followed her in waking life. "You see," she said to her grandmother. "This box has changed everything."

"Yep," her grandmother replied. "What are you gonna do about it?"

"I don't know," said Clare. "I've been watching this box for almost five years now, and it's getting old."

"What do you want to do?" her grandmother persisted.

"Smash it to pieces."

"Good idea," the grandmother said.

"Someone told me that I'd end up hurting myself if I tried to get rid of the box," Clare said. "There was a man, Mr.--"

"Oh, him," said her grandmother. Then she laughed. "That don't make no never mind. If that box would've hurt you, it would have done it by now. What do you think happened to them neighbors of yours, studying all the time on that box and how to get their hands on it? It's ruined their looks, sure enough, and I'll tell you what--them changes are permanent. There's no going back. But not you, honey. You watched over that box, and never asked nothing for yourself out of it. That's kept you going."

"You mean, he lied to me about the box, and I could have destroyed it all this time?"

"Well, lied, honey--of course he lied, but in a way of twisting the truth. You had to show that box it was not the boss of you before it would let you go, and now you have. Getting rid of an old tricksy sumpen like that is no small matter till you show it what's what. If you want to smash it, smash it. And honey," she said, pressing her granddaughter's hand, "get yourself out of this mess here," and she gestured broadly and inclusively. "It'll sap the life right out of you, sitting in a nasty place like this. And you still with a husband to get."

Clare woke up. It was only midnight, and she hadn't been asleep long. She got up and went to the dresser. Without a second thought, she removed all of her earrings and necklaces and put them in an empty Whitman Sampler box. She took the jewelry box and a hammer into the living room, where she smashed the box into tiny pieces inside a large bucket. Once she was finished, she took the bucket outside. Next to the fence was a canister of acid the landlord had left after treating a swimming pool. She dumped the splinters in and watched them disintegrate with a satisfying fizz. Then she went inside and washed her hands. 

"There may have been another way to do that," she said to herself. "But anyway, it's done. It's a shame to lose a pretty box, but no sense taking any chances on pulling out one paper and leaving something else behind. Anyway, I could probably lacquer a box myself." While in the kitchen, she thought she heard a long wail in the side yard followed by a howl from somewhere down the street. Then all was still, and she listened as the silent neighborhood seemed to rearrange itself around the fact of the now dead-as-a-doornail box.

She felt her arms and legs, and touched her head and heart. "Well, it looks like I'm still here," she said. Then she went to bed.

She woke up early the next morning, a sunny May Saturday, and began to pack her clothes, her books, and her personal things. She was not teaching this summer and had not yet renewed her contract for next year, so there was nothing more to be said about that. She took down her pictures and wrapped them up. She packed up her kitchen and her bathroom; she tied a ribbon around the Whitman Sampler box. All this took a few hours. By that time, the rental agency was open, so she went over and hired a small trailer. Backing it up to the front porch, she piled in her boxes, pictures, roll-top desk, and her small kitchen table. She left the futon (which had never been comfortable) and the odds and ends that had come furnished with the place. 

In the mailbox on the corner, she dropped a note to the landlord with half a month's rent (he had neglected for months to repair a leaking roof, so she subtracted two weeks for that), her key, and her month's notice. As she got into her car, she saw that her neighbor, Mr. Brown, had emerged from his house and was trimming the hedge desultorily with his clippers. He looked, she thought, quite depressed. The heavy hair on his face, neck, and arms and his hollow expression were all visible in the rear view mirror as she drove away. At the end of the street, she turned onto the main road without looking back. At the edge of town, she rolled a window down and called, "Don't let the screen door hit you, folks!" Then she was on her way.

(The inspiration for this story was a drive down a street of old houses not far from where I live. I pictured it on a windy night and knew I wanted to write a story about it. I imagined the residents as werewolves and vampires, and it took off from there. I made up the jewelry box.)